17th century and later The hinged top above a pair of panelled cushion doors, opening to reveal a fitted interior with twelve drawers around a central compartment with a mirror-lined stage, above a further frieze drawer, on a modern steel stand.

Late 17th/early 18th century The moulded cornice surmounted by two vase-shaped finials, above a rectangular press flanked by carved festoons, with eight extra leaves, above a single drawer and a further door with inlaid flower ornament, flanked by similar festoons, on bun feet.

First half 17th century, and later Each with padded back and seat covered in cut velvet material, flanked by spirally turned armrests ending in lion heads, on conforming turned legs joined by a stretcher.

Of Louis XVI style, late 19th century The rectangular white veined marble top with pierced three-quarter gallery surround, above three frieze drawers, above a cylinder fall front enclosing a fitted interior with three drawers and open compartments, above a sliding gilt and green leather lined writing surface, above five drawers, on turned tapering fluted legs ending in toupie feet.

Late 18th century The arched moulded cornice centred by a carved vase ornament, above a pair of conforming panelled doors, above three bombé shaped drawers, on ball and claw feet.

Ca. 1800 The rectangular caned back and seat above fluted square tapering legs.

19th century The rectangular variegated grey marble top above two frieze drawers and a pair of panelled doors, on square stepped feet.

First quarter 19th century The circular marble top above a plain frieze, on three column supports and conforming stretcher.

Second half 19th century The rectangular variegated grey marble top above a fall-front simulating several drawers, opening to reveal a fitted interior with an open compartment and six drawers, above three further drawers, on scrolled feet.

19th century Each with a pierced splat and curved armrest, above a figured elm seat and turned legs, joined by a stretcher.

Late 18th century The central door and the back depicting a coat of arms, enclosing a plain interior, the sides with shaped windows and carrying handles.

Floral composition, ca. 1910-15, Netherlands A stylised composition of flowers, painted on linen and set in a custom oak frame with decorated corners and carved dentilled and pearl borders. From the atelier of Lauweriks and K.P.C. de Bazel (1869-1923) in Amsterdam. Together with the original woodblock printed address vignette, designed by De Bazel: 'K. de Bazel & M. Lauweriks Atelier voor Architectuur, Kunstnijverheid en Decoratieve Kunst Amsterdam Nic. Beetsstraat 20'.

Ca. 1900, Netherlands Made by the 'Faience & Tegelfabriek Holland' in Utrecht, and designed by J.W. Mijnlieff. Decorated with orientalist inspired stylised floral pattern and with a pair of dramatically high elongated handles.

A Haga pottery figure, ca. 1900, Netherlands A fine ceramic figure of a peasant lady with a cow. Made by the firm of Haga (Plateelbakkerij Haga at Purmerend) and decorated by Roelof Sterken. The figure itself was designed by Teixeira de Mattos and signed on the base. Fully marked on the underside with factory marks.

Ca. 1915, Netherlands A large vase with two handles and decorated wih moon fish.

A brass mantle clock, ca. 1904, Netherlands The case and pendulum with finely chased stylised floral ornaments and decorative red stone insets. Marked with the maker's monogram to the back of the case. Manufactured by the studio of Onder den Sint Maarten in Haarlem.

An iron stove, 'visierhaard', 1903-06, Netherlands The slanted rectangular top with hatch decorated with abstract patterns, above the larger main hatch, folding when opened, the sides decorated with similar ornamentation.

Ca. 1930, Netherlands Two cream coloured vases, decorated with typical Velsen 'blokjes' patterns. Model 31 and 28.

Ca. 1930, Netherlands Three cream coloured vases, decorated with typical Velsen 'blokjes' patterns. The largest is model number 29.

Ca. 1920, Netherlands A figure (model 135) of a 'Menad', a jug and a vase. In a green glaze.

Ca. 1920, Netherlands A white pottery figure, designed by Hildo Krop for Eskaf. Stamped to the inside.

Ca. 1900, Austria/Bohemia A handblown green glass vase with a blueish Tiffany style lustre finish. Not marked but possibly Loetz or Kralik.

Chair, ca. 1900, Italy Partly ebonised walnut with white metal inlay, hammered copper, vellum, bone and silk, the back with painted characters and surmounted by wooden finials, the square seat above arched legs.

Chair, ca. 1880-1900, Italy Ebonised walnut with white metal inlay, hammered copper, vellum over wood, bone and silk, the curved back with suspended drum, the square seat above arched legs.

Chair, ca. 1900, Italy Partly ebonised walnut with white metal inlay, hammered copper, vellum, bone and silk, the back with painted characters and surmounted by wooden finials, the square seat above arched legs.

Chair, ca. 1880-1900, Italy Ebonised walnut with white metal inlay, hammered copper, vellum over wood, bone and silk, the curved back with suspended drum, the square seat above arched legs.

A wall cabinet, early 20th century, Italy Partly ebonised walnut, inlaid white metal, copper, mirrored glass and silk, the square top with gallery surround above two doors, with an extra tier with gallery surround to the left, above a small mirror and arrow-shaped ornaments. Would benefit from restoration.

An extensive glass service, ca. 1930-40, Netherlands Consisting of many types of glasses including champagne and green glasses for white wine.

'Het Denken', ca. 1930, Netherlands A brown stoneware pottery head, titled 'Het Denken' ('Thinking'). Made by W.C. Brouwer in his studio in Leiderdorp. Brouwer produced this model in several glazes and finishes.

An upholstered lounge chair, 1935, Netherlands The concave back above a sloping seat, resting on two stained wooden supports.

A Leerdam unica vase, 1943, Netherlands A thick hand blown glass vase with controlled air bubble fish pattern and enclosed 'tin craquele' with a maroon coloured layer near the top. Signed on the base 'Unica A.D. Copier Leerdam V138'.

A rosewood sideboard, 1960-69, Denmark The rectangular top above two sliding doors, with finely bookmatched veneer, on four round tapering legs, marked to the inside of a drawer: 'Danish Furniture makers Control'.

A rosewood easy chair with stool, 1959-62, Denmark The curved back above a sloping seat, on three legs, with conforming circular stool or ottoman, both with black leather upholstery, with ‘Danish Furniture makers Control’ stamped into the wood on the underside of the chair.

A pair of PK 33 stools, 1959-69, Denmark Each with a circular black leather seat above three chrome-plated curved steel legs, the steel stamped with the manufacturer's mark below the seat.

A PK 61 coffee table, 1960-80, Denmark The square glass top resting on a matte chrome-plated steel frame. Probably manufactured by Fritz Hansen (since it is not marked, but has a proper finish). Glass top chipped.

A PK 101 pendant chandelier, ca. 1956, Denmark The matte chrome-plated steel stem issuing 33 candle arms.

A set of three rosewood nesting tables, 1960-69, Denmark Each table with a rectangular top, one of which with an extra caned tier.