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An Empire ormolu and patinated bronze mantle clock
First quarter 19th century The case decorated with Apollo playing a harp next to an oak tree, the base with foliate scrolls, torches and snakes, the enamel dial with Roman numerals, the French mechanism with countwheel, striking once on the half hour and the whole hour in full, with cord suspended pendulum.
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A George III carved wooden cartel clock
By George Langford, London, ca. 1760 The case decorated with carved foliage and C-scrolls, the silvered dial with Roman numerals and pendulum aperture, indicating the date, the English mechanism with verge escapement, two fusees and repetition cord, with fixed pendulum.
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A pair of Restauration ormolu candlesticks
Ca. 1820, France Each with a vase-shaped nozzle, above a fluted stem, on a wide base decorated with quivers and foliage.
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A pair of green painted wrought-iron hall lanterns
20th century Each of floral shape, with five glass panels, fitted for electricity.
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A pair of South-European carved giltwood winged figural candelabra
20th century, probably Italian Each holding a metal candle stand, standing on a stepped base.
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A French ormolu striking 'pendule d'officier'
By L. Leroy & Cie., Paris, late 19th century The case decorated with foliate ornaments, with domed top and carrying handle, the enamel dial with Arabic numerals, signed 'L. Leroy & Cie. A Paris', the platform mechanism with Swiss anchor escapement, with repetition striking mechanism, striking once on the half hour and the whole hour in full.
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A Dutch mahogany longcase clock
By Pieter van Tilborgh, Oosterhout, mid-18th century The case decorated with inlay, on ball-and-claw feet, the hood with painted foliate scrolls simulating openwork decoration, surmounted by giltwood figures, the silvered dial with Roman numerals, indicating the day of the week, date, month, and lunar phase, with separate seconds hand, the eight-day mechanism with anchor escapement, striking on the half hour and the whole hour in full on separate bells.
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A Louis XVI giltwood barometer
Late 18th/early 19th century The glazed paper dial inscribed 'Foulon Fabricant/ 30 Rue Aumaire (Paris)', within an oval frame surrounded by carved foliate ornaments, and surmounted by birds, with mercury tube to the back.
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A pair of Gagneau ormolu and imari-style porcelain lamps
19th century, France
Each of bottle shape, mounted with bronze handles to the sides, on an octagonal base, with a round glass shade.
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A North-European giltwood hall lantern
Probably first half 19th century The body decorated with foliate ornaments, with later bevelled glass panes, fitted for electricity.
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A Murano green glass twelve-light chandelier
20th century Issuing scrolling branches and curling stems, all hung with glass droplets, above a central bowl, fitted for electricity.
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A colonial brass-mounted camphor wood trunk
Ca. 1784, Dutch or German With brass-mounted corners, the rectangular lid with oval engraved brass plate reading 'Christian Rudolph Lengerke/ C.R.V.L./P.T.S.L./Anno 1784', opening to reveal a plain interior, with brass drop handles to the sides, on ebonised bun feet.
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A German polychrome painted wrought-iron Armada chest
17th century, the decoration later Studded overall and decorated with various ships, the hinged lid enclosing a red painted interior and lockplate with Dutch sailing ship, the lock mechanism with five lock bars.
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A Dutch colonial brass-mounted teakwood chest
17th century, the mounts and inlay later Decorated overall with inlaid foliate scrolls, flower heads and line inlay, the rectangular lid opening to reveal a plain interior with a side compartment, the later lock with bell safety mechanism, on four ebonised bun feet.
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A Restauration ormolu-mounted mahogany dressing table
Ca. 1820 The arched swivel mirror flanked by circular columns surmounted by ball finials, above a moulded Petit Granit top, above a frieze drawer, on column supports.
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An Empire ormolu-mounted mahogany console table
First quarter 19th century The rectangular white marble top above a frieze drawer, on column supports and a mirrored backplate.
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A set of four English stained Chinese Chippendale style dining chairs
20th century Each with an open lattice back and Chinese style stretchers, covered in beige material and with extra beige cushion.
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A pair of French mahogany and white marble gueridons
19th/20th century Each with a circular marble top and pierced brass gallery, the top marked 'B-MOLITOR' to the underside, above a fluted adjustable stem, on a tripartite base.
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A Dutch mahogany and fruitwood inlaid gueridon
First quarter 19th century Inlaid overall with flower ornaments, the circular top above a concave stem and a tripartite base, on bun feet.
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A North-European white-painted and parcel-gilt single bed
Second half 19th century Carved overall with ivy leaves, the outcurved sides decorated with swans, on ball and claw feet.
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A Dutch ormolu-mounted padouk chiffonier
Ca. 1800 The rectangular dentilled cornice above six drawers, on square tapering legs.
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A Dutch colonial brass-mounted coromandel document chest
19th century The panelled lid opening to reveal an interior with separate compartments for writing utensils, with drop handles to the sides.
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A German parcel-gilt and white-painted console table
Mid-18th century The moulded rectangular grey marble top above a pierced frieze, centred by a scallop shell, on cabriole legs terminating in hoof feet. Redecorated.
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A collection of North-German carved oak fragments
17th century Showing scenes from the Old and New Testament, including the Sacrifice of Isaac and the Nativity, within a later frame.
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A French provincial brass-mounted walnut commode
Mid-18th century The shaped and moulded grey mottled marble top above three drawers (simulating two drawers), above a shaped apron, on cabriole legs.
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An Anglo-Indian carved rosewood sideboard
Late 19th century Carved overall with foliage and animals, the rectangular top surmounted by an openwork back panel, above three glazed doors enclosing an interior with three shelves, on six feet.
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A modern woven millefleur tapestry
Showing a company of two ladies and a falconer, the design based on millefleur tapestries from the Late Middle Ages.
Ca. 1930-45
Provenance: By repute, from the Shell Headquarters in The Hague.
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A Dutch ormolu-mounted mahogany cabinet
Mid-18th century The arched and moulded cornice centred by a carved C-scroll, above a pair of doors enclosing a fitted interior with shelves and drawers, above a central drawer transforming into a hinged fall-front with a fitted interior with five drawers and a cupboard door, above four further drawers, flanked by hinged knees, each with five hidden drawers, on ball and claw feet.
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A Sarouk rug
The red field decorated with vases with
flowers, within a blue border.
20th century
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A Sarouk rug
20th century The red field decorated with flowers, within
a dark blue border.
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A Kashan rug
20th century The red field centred by a diamond-shaped medallion, decorated with flowers, within a blue border.
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Jac. van den Bosch (1868-1948) for 't Binnenhuis
A mahogany oval table with tea tray, ca. 1900-03, Netherlands The oval top on four tapering legs joined by a stretcher, together with a corresponding oval tray. The table is similar to a larger table Van den Bosch executed in this period with opus nr. 118.
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In the manner of K.P.C. de Bazel (1869-1923)
Ca. 1905-10, Netherlands The rectangular top with marble inset, above a pair of glazed doors enclosing a plain interior, on four square tapering legs.
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Cris Agterberg (1883-1948)
A metal two-arm figural candlestick, ca. 1926, Netherlands The female figure holding aloft two cups, on a wide square base.
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A.D. Copier (1901-1991)
A 'serica' orange vase, ca. 1926, Netherlands Marked on the base with the acid-etched Copier monogram.
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A H. Pander & Zonen brass-mounted white leather trunk
Ca. 1940-50, Netherlands Decorated overall with brass studs, the domed lid with gilt initials 'SF', opening to reveal a plain interior, the front and back with gilt peacocks, above a white painted wooden base with carved to the corners.
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Ole Wanscher (1903-1985)
A model 1675 armchair, ca. 1942, Denmark The backrest with four twin splats, above curved armrests and a cognac leather seat, the legs joined by stretchers.
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Niels Otto Møller (1920-1982) for J.L. Møller Møbelfabrik
A set of five rosewood model 79 dining chairs, ca. 1965-75, Denmark Comprising four side chairs and one armchair, each with a curved backrest with three vertical splats, on round tapering legs, upholstered with woven light green fabric, labelled with the Danish Furniture Makers' Control label and the manufacturer's label.
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Gae Aulenti (1927-2012) for Vistosi
A set of three ceiling lamps, ca. 1977, Italy Each with domed chartreuse-coloured glass shade decorated with painted stripes, hand-engraved 'Vistosi' to the edges of the glass shade, mounted on a circular bronzed metal frame.
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Lies Cosijn (1931-2016)
Second half 20th century, Netherlands A collection of various polychrome pottery objects with similar decor, including a boat-shaped lidded pot with monogram on the base, a rectangular plaque with raised rim and decor of multiple figures, together with six flattened scrolls of which five with texts (a poem) and one with figures.
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A.D. Copier (1901-1991)
An ‘unica’ (unique) conically shaped glass vase, second half 20th century With enclosed blue and yellow colouring. Signed on the base 'A.D. Copier 830819'.
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Floris Meydam (1919-2011)
A glass 'unica' object. 1970, Netherlands Of clear glass with air-inclusions, made by the Leerdam glass factory in 1970, with a certificate signed by Floris Meydam and also by the glass-blower, stating that the object, marked with number 'MT 323', is a unique piece.
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Floris Meydam (1919-2011)
A spherical glass vase, second half 20th century, Netherlands With an enclosed organically shaped pattern in blue over turquoise ground. Signed to underside 'F Meydam, Leerdam Unica FM86075L'.
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Willem Heesen (1925-2007)
A semi-transparent glass vase, second half 20th century, Netherlands With enclosed white colour patterns on opaque ground. Signed on the base 'W. Heesen 840626 Oude Horn'.
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