Ca. 1900, Austria The Arab boy in the tree taking the fruit and throwing it on the ground, where it is picked up by another boy. Marked on the base with impressed number 4156 and 'Geschützt'. Probably by Bergman.

Ca. 1800, Ottoman empire (Asia minor) The octagonal barrel of watered steel retained by brass rings, the stock intricately decorated with inlaid brass and bone forming geometric patterns along the length of the stock and around the breech and trigger.

Ca. 1750 The long round barrel with shortened forestock and mounted medaillon, the lockplate engraved 'Jacob Oortman, Amsterdam' above the brass trigger guard ending in the walnut halfstock with brass butt.

20th century, The Netherlands One uniform with embroided reconaissance sigils and one with artillery sigils, including an M1912 Dutch infantry saber with curved and etched blade, brass armguard ending in a lion's head, the grip with ray skin (shagreen) and laced with iron wire.

20th century, Italy This impressive collection consists of Napoleon himself, on horseback, and fourteen soldiers of his famous Imperial Guard, including five equestrian figures and nine foot soldiers, so 15 figurines in total. Each figurine signed ‘Silvio Righetto’ and ‘Guido Cacciapuoti’. The six equestrian figures (in order of photos): Garde Impériale, Garde d’honneur (since 1813, in fact not officially part of the Imperial Guard) Garde Imp. Marechal de Logis (this is a rank, sergeant in a cavalry unit, instead of a unit. Most likely this is the Mounted Artillery) Garde Imp. Dragon del’Imperatrice (Empress Dragoon) Garde Impériale, Lancier Polonais (Polish Lancer) Garde Impériale, Gendarme d’elite (Military Police) Napoléon 1er From left to right: a. Garde Imp. Grenadier á pied, b. Garde Imp. Porte Drapeau (standard bearer of the grenadier regiment), c. Garde Impériale, Tambour (drummer of the grenadier regiment), d. Garde Imp. Fusilier Grenadier (since 1806) From left to right: a. Garde Impériale, Marin (Marine), b. Garde Imperiale, Pupille (Pupil), c. Garde Imp, Grenadie Hollandais (incorporated in the Guard in 1810 as the 3th regiment of grenadiers), d. Garde Impériale, Vétéran (Veteran), e. Garde Imp. Sapeur de Génie (Pioneer). Text: Edwin Petterson

20th century, The Netherlands The slightly curved blade decorated with etchings on both sides of ships and anchors between floral patterns, the brass armguard with similar patterns ending in a lion's head, the grip consisting of bone laced with brass wiring. Both blades signed 'Yzerhouwer' and 'Frans Pauwels, hofleverancier te 's-Gravenhage'.

Femme et Coq, late 19th century, France Patinated bronze, signed 'Nelson' on the top of the bronze plinth, together with an associated red marble base.

20th century Black patinated bronze, the nude figure shown wearing a tainia (headband), mounted on a white marble socle.

'Fée embrassant', late 19th century, France Brown patinated bronze, signed to the rim of the naturalistic base 'A. Moreau', mounted on a red marble base.

'La lutte de Jacob avec l'ange', early 20th century Dark-brown patinated bronze, showing the figure of Jacob grasping the lower body and right wing of the angel, the right arm outstretched, the group standing on a rock, signed 'A. Carli' to the front-left of the base, and signed 'Susse F.res Ed.ns Paris' between two foundry marks to the back of the base, also inscribed with dedication to the left, from the Association amicale des anciens élèves de l'Ecole centrale des arts et manufactures (Paris) from 11 November 1918, to those liberated in the Alsace and Lorraine regions.

'Bacchante', late 19th century, France Patinated bronze, signed 'P. Gasq' to the top of the circular base.

'Poverella', ca. 1878, Belgium Worked terracotta, the sleeping female figure holding a violin and sitting on an ivy-covered bench, signed 'Paul De Vigne' to the top of the base.

Diane (Diana), ca. 1925 Ivory and bronze, signed 'L. Sosson' to the top of the ivory plinth, mounted on a red marble base.

Bust of a lady, ca. 1900, Italy White marble, signed to the back 'F. Vichi'.

Danseuse, ca. 1920-25 Cold-painted bronze and ivory, signed 'Barthelemy' to the side of the dress, mounted on a brown onyx base.

Bust of a lady, ca. 1900, Italy Alabaster, signed to the back 'C. Cipriani'.

A parcel-gilt bronze inkstand, ca. 1900, France Bronze, the writing female nude flanked by a pair of leaf-shaped lids, the bottles lacking, above a pen tray in the shape of a larger leaf, signed to the back 'Korschann Paris' and stamped to the underside with foundry mark 'Louchet'.

'Dance of the Knives', ca. 1925, Germany Gilt bronze and ivory, signed 'O. Hoffmann R-M' the back of the bronze base, mounted on a green marble base.

The Goddess Kali, ca. 1930, Austria Black patinated bronze, mounted on a green onyx base, not signed.

Suzette Noiret, ca. 1989, Netherlands Patinated bronze, not signed, the larger original bronze is placed in the Stadswandelpark in Eindhoven.

Muzikanten-trio (Three musicians), Netherlands Patinated bronze, monogrammed on the base.

Edward VII, Netherlands Patinated bronze, monogrammed on the base.

Mozart (with violin), Netherlands Patinated bronze, monogrammed to the back.

Mozart (conducting), Netherlands Patinated bronze, monogrammed to the back.

'Zuster' (Sister), ca. 1949, Netherlands Patinated bronze, not signed, a smaller version of the limestone sculpture that was first exhibited in 1949 (Sonsbeek) and was used as a war monument at the Hertspieghelweg and Leeuwendalersweg in Amsterdam from 1957 onwards. This sculpture was later replaced by a bronze sculpture.

Jan de Lichte, ca. 1965, Netherlands Dark-brown patinated bronze, the 18th-century Flemish outlaw seated on his horse, signed with artist's initials 'FL' and numbered '3/6' on the base.

Early 19th century The case of typical form, with an enamel dial with Roman numerals and an alarm setting hand, the mechanism with an anchor escapement and a cord suspended pendulum, with repetition striking mechanism, striking once on the half hour and the whole hour in full, with alarm function.

First quarter 19th century, France The case decorated with the allegorical female figure of Geometria seated in front of a globe, further decorated with a putto looking through a telescope, above a vert-de-mer marble base on bun feet, the enamel dial with Roman numerals, the mechanism with anchor escapement and cord suspended pendulum, striking mechanism on a countwheel, striking once on the half hour and the whole hour in full.

20th century Each with a figure holding a candle stem, on a moulded cylindrical base.

20th century Decorated overall with scrolling acanthus leaves, C-scrolls and volutes, surmounted by a crown.

Ca. 1820, France Each with a vase-shaped sconce and nozzle, above a fluted corinthian stem, on a wide base decorated with acanthus leaves.

First quarter 19th century The case decorated with the allegorical female figure of Prudence and an eagle, the enamel dial with Arabic numerals, the mechanism with a (later) cylinder platform escapement, Viennese quarter chiming (Wiener Schlag) on two silver amalgamated bells, with repetition on demand.

20th century Each with a cartouche shaped backplate, decorated with carved foliate scrolls, issuing three S-shaped foliate carved candle arms.

Second quarter 19th century The case in the form of a Gothic style church, the gilt dial with Roman numerals, the mechanism with an anchor escapement and a cord suspended pendulum, the striking mechanism with a countwheel, striking once on the half hour and the whole hour in full on a silver amalgamated bell.