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A group of Vienna bronze figures including figures of black children
Ca. 1900, Austria Eight cold painted bronze figures, mostly unmarked and Africa-themed. One of a woman bent over while washing, her dress can be lifted at the back, this figure is marked with the Bergman mark. Also a boy washing an elephant and one figure of two kissing monkeys. One small figure of a kingfisher (bird) on a tree stump.
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A Vienna bronze figure of a boy climbing a palm tree
Ca. 1900, Austria The Arab boy in the tree taking the fruit and throwing it on the ground, where it is picked up by another boy. Marked on the base with impressed number 4156 and 'Geschützt'. Probably by Bergman.
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An Ottoman Miquelet rifle
Ca. 1800, Ottoman empire (Asia minor) The octagonal barrel of watered steel retained by brass rings, the stock intricately decorated with inlaid brass and bone forming geometric patterns along the length of the stock and around the breech and trigger.
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A flintlock Sporting Gun
Ca. 1750 The long round barrel with shortened forestock and mounted medaillon, the lockplate engraved 'Jacob Oortman, Amsterdam' above the brass trigger guard ending in the walnut halfstock with brass butt.
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An Indian 'Zamburak' matchlock swifle canon
19th century, India The canon with large round barrel on wooden mount with attached wrought iron hinge and matchlock mechanism.
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A model canon on base
19th century, Western Europe The multi-stepped cylindrical barrel with smooth bore, mounted on wooden base.
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Three Dutch ceremonial uniforms including a Dutch infantry saber M1912
20th century, The Netherlands One uniform with embroided reconaissance sigils and one with artillery sigils, including an M1912 Dutch infantry saber with curved and etched blade, brass armguard ending in a lion's head, the grip with ray skin (shagreen) and laced with iron wire.
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A group of fifteen Italian porcelain Napoleonic soldier figurines, Silvio Righetto for Guido Cacciapuoti
20th century, Italy This impressive collection consists of Napoleon himself, on horseback, and fourteen soldiers of his famous Imperial Guard, including five equestrian figures and nine foot soldiers, so 15 figurines in total. Each figurine signed ‘Silvio Righetto’ and ‘Guido Cacciapuoti’.
The six equestrian figures (in order of photos):
Garde Impériale, Garde d’honneur (since 1813, in fact not officially part of the Imperial Guard)
Garde Imp. Marechal de Logis (this is a rank, sergeant in a cavalry unit, instead of a unit. Most likely this is the Mounted Artillery)
Garde Imp. Dragon del’Imperatrice (Empress Dragoon)
Garde Impériale, Lancier Polonais (Polish Lancer)
Garde Impériale, Gendarme d’elite (Military Police)
Napoléon 1er
From left to right: a. Garde Imp. Grenadier á pied, b. Garde Imp. Porte Drapeau (standard bearer of the grenadier regiment), c. Garde Impériale, Tambour (drummer of the grenadier regiment), d. Garde Imp. Fusilier Grenadier (since 1806)
From left to right: a. Garde Impériale, Marin (Marine), b. Garde Imperiale, Pupille (Pupil), c. Garde Imp, Grenadie Hollandais (incorporated in the Guard in 1810 as the 3th regiment of grenadiers), d. Garde Impériale, Vétéran (Veteran), e. Garde Imp. Sapeur de Génie (Pioneer).
Text: Edwin Petterson
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A pair of Dutch Yzerhouwer M1882 officer sabres, Frans Pauwels
20th century, The Netherlands The slightly curved blade decorated with etchings on both sides of ships and anchors between floral patterns, the brass armguard with similar patterns ending in a lion's head, the grip consisting of bone laced with brass wiring. Both blades signed 'Yzerhouwer' and 'Frans Pauwels, hofleverancier te 's-Gravenhage'.
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After Jacques Bousseau (1681-1740)
'Ulysse tendant l'arc dont Pénélope doit être le prix', late 19th century, France Dark green patinated bronze, unsigned.
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After Antoine Coysevox (1640-1720)
Bust of Marie-Adélaïde de Savoye, 20th century, Italy Dark brown patinated terracotta, marked to the back 'A.Coyzvox-ad-vivvm-f-ivo'.
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Signed J. Pradier, for Jean-Jacques Pradier (1790-1852)
A classical female figure, 19th century, France Dark patinated bronze, signed 'J. Pradier.' to the front of the shaped base.
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Ferdinand Pautrot (1832-1874)
A large silvered bronze pheasant with two
birds, late 19th century, France Silvered bronze, the pheasant standing on a rock, on a moulded oval base, signed ‘F. Pautrot’ to the top.
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Charles Octave Lévy (1820-1899)
Group of bathers, late 19th century, France Brown patinated bronze, showing two men carrying a woman, on a circular base signed 'Ch. Lévy'.
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Alphonse Henri Nelson (1854-1919)
Femme et Coq, late 19th century, France Patinated bronze, signed 'Nelson' on the top of the bronze plinth, together with an associated red marble base.
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A patinated bronze figure of Adonis
20th century Black patinated bronze, the nude figure shown wearing a tainia (headband), mounted on a white marble socle.
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Auguste Moreau (1834-1917)
'Fée embrassant', late 19th century, France Brown patinated bronze, signed to the rim of the naturalistic base 'A. Moreau', mounted on a red marble base.
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Auguste Henri Carli (1868-1930)
'La lutte de Jacob avec l'ange', early 20th century Dark-brown patinated bronze, showing the figure of Jacob grasping the lower body and right wing of the angel, the right arm outstretched, the group standing on a rock, signed 'A. Carli' to the front-left of the base, and signed 'Susse F.res Ed.ns Paris' between two foundry marks to the back of the base, also inscribed with dedication to the left, from the Association amicale des anciens élèves de l'Ecole centrale des arts et manufactures (Paris) from 11 November 1918, to those liberated in the Alsace and Lorraine regions.
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Paul Gasq (1860-1944)
'Bacchante', late 19th century, France Patinated bronze, signed 'P. Gasq' to the top of the circular base.
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Paul de Vigne (1843-1901)
'Poverella', ca. 1878, Belgium Worked terracotta, the sleeping female figure holding a violin and sitting on an ivy-covered bench, signed 'Paul De Vigne' to the top of the base.
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Louis Sosson (active 1905-1930)
Diane (Diana), ca. 1925 Ivory and bronze, signed 'L. Sosson' to the top of the ivory plinth, mounted on a red marble base.
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Georges Récipon (1860-1920)
'Le porte-bonheur', ca. 1900, France Brown patinated bronze on wrought-iron, the female nude hammering nails into a horseshoe, signed 'Récipon' on the hammer and stamped 'Susse Fr.es' to the underside of the horseshoe.
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Ferdinando Vichi (1875-1945)
Bust of a lady, ca. 1900, Italy White marble, signed to the back 'F. Vichi'.
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Émile Bruchon (1806-1895)
A patinated bronze trinket box, ca. 1900, France Bronze, the lid crowned by a female head, the box decorated with flower heads and leaves, with two side handles, signed 'Bruchon' and marked 'Reproduction' and 'cire perdue bronze' to the side of the box.
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Louis Barthélemy (active 1890-1925)
Danseuse, ca. 1920-25 Cold-painted bronze and ivory, signed 'Barthelemy' to the side of the dress, mounted on a brown onyx base.
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Cipriano Cipriani (19th/20th century)
Bust of a lady, ca. 1900, Italy Alabaster, signed to the back 'C. Cipriani'.
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Karl Korschann (1872-1943)
A parcel-gilt bronze inkstand, ca. 1900, France Bronze, the writing female nude flanked by a pair of leaf-shaped lids, the bottles lacking, above a pen tray in the shape of a larger leaf, signed to the back 'Korschann Paris' and stamped to the underside with foundry mark 'Louchet'.
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Otto Hoffmann (1885-1915)
'Dance of the Knives', ca. 1925, Germany Gilt bronze and ivory, signed 'O. Hoffmann R-M' the back of the bronze base, mounted on a green marble base.
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Josef Lorenzl (1892-1950)
The Goddess Kali, ca. 1930, Austria Black patinated bronze, mounted on a green onyx base, not signed.
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Jan Bronner (1881-1972)
Suzette Noiret, ca. 1989, Netherlands Patinated bronze, not signed, the larger original bronze is placed in the Stadswandelpark in Eindhoven.
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Mari Andriessen (1897-1979)
Muzikanten-trio (Three musicians), Netherlands Patinated bronze, monogrammed on the base.
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Mari Andriessen (1897-1979)
Edward VII, Netherlands Patinated bronze, monogrammed on the base.
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Mari Andriessen (1897-1979)
Mozart (with violin), Netherlands Patinated bronze, monogrammed to the back.
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Mari Andriessen (1897-1979)
Mozart (conducting), Netherlands Patinated bronze, monogrammed to the back.
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Gerarda Rueter (1904-1993)
'Zuster' (Sister), ca. 1949, Netherlands Patinated bronze, not signed, a smaller version of the limestone sculpture that was first exhibited in 1949 (Sonsbeek) and was used as a war monument at the Hertspieghelweg and Leeuwendalersweg in Amsterdam from 1957 onwards. This sculpture was later replaced by a bronze sculpture.
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Auke Hettema (1927-2004)
Jan van Hooff, 1992, Netherlands Patinated bronze, signed with artist's monogram 'AH' and '1992' on the base.
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Frank Letterie (1931)
Jan de Lichte, ca. 1965, Netherlands Dark-brown patinated bronze, the 18th-century Flemish outlaw seated on his horse, signed with artist's initials 'FL' and numbered '3/6' on the base.
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A French brass striking Capucine clock with alarm
Early 19th century The case of typical form, with an enamel dial with Roman numerals and an alarm setting hand, the mechanism with an anchor escapement and a cord suspended pendulum, with repetition striking mechanism, striking once on the half hour and the whole hour in full, with alarm function.
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An Empire ormolu and marble mantel clock
First quarter 19th century, France The case decorated with the allegorical female figure of Geometria seated in front of a globe, further decorated with a putto looking through a telescope, above a vert-de-mer marble base on bun feet, the enamel dial with Roman numerals, the mechanism with anchor escapement and cord suspended pendulum, striking mechanism on a countwheel, striking once on the half hour and the whole hour in full.
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A pair of French ormolu and patinated bronze Chinoiserie candlesticks
20th century Each with a figure holding a candle stem, on a moulded cylindrical base.
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A very large North-European gilt-metal hall lantern
20th century Decorated overall with scrolling acanthus leaves, C-scrolls and volutes, surmounted by a crown.
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A pair of Restauration ormolu candlesticks
Ca. 1820, France Each with a vase-shaped sconce and nozzle, above a fluted corinthian stem, on a wide base decorated with acanthus leaves.
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A small Austrian ormolu and patinated bronze mantel clock
First quarter 19th century The case decorated with the allegorical female figure of Prudence and an eagle, the enamel dial with Arabic numerals, the mechanism with a (later) cylinder platform escapement, Viennese quarter chiming (Wiener Schlag) on two silver amalgamated bells, with repetition on demand.
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A pair of Italian giltwood and green painted three-light wall appliques
20th century Each with a cartouche shaped backplate, decorated with carved foliate scrolls, issuing three S-shaped foliate carved candle arms.
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An Empire ormolu mantel clock
First quarter 19th century The case decorated with a bagpipe player, the enamel dial with Roman numerals, the French mechanism with an anchor escapement and a cord suspended pendulum, the striking mechanism with a countwheel, striking once on the half hour and the whole hour in full on a silver amalgamated bell.
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A French ormolu and patinated bronze cathedral mantel clock
Second quarter 19th century The case in the form of a Gothic style church, the gilt dial with Roman numerals, the mechanism with an anchor escapement and a cord suspended pendulum, the striking mechanism with a countwheel, striking once on the half hour and the whole hour in full on a silver amalgamated bell.
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A North-European amber-coloured cut-glass chandelier
20th century Consisting of three tiers hung with glass pendants, the upper tier surmounted by amber-coloured glass leaves.
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A North-European amber-coloured cut-glass chandelier
20th century Consisting of three tiers hung with glass pendants, the upper tier surmounted by amber-coloured glass leaves.
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