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A mahogany toilet furniture
Early 20th century, England. Arts and Crafts. Produced by Robert Garnett & Sons, Warrington, Great Britain, established in 1824.
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An Amphora pottery Jugendstil vase
Marked Riessner, Stellmacher & Kessel (RStK) of Turn-Teplitz, Bohemia (Austria), today the Teplice region of the Czech Republic, early 20th century. Of ovoid shape with an openwork wreath of petals at the rim, decorated with a glossy metallic luster glaze, the body with a gilt pattern on a green background and four vines down to the bottom rim.
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A Rozenburg pottery vase
1897, marked and dated. Moulded in a baluster shape with a slender neck and decorated with a stylised floral design on a dark blue and green background.
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A large Rozenburg pottery vase
1897, marked and dated, painter Samuel Schellink. An octagonal baluster shaped moulded vase, painted with a floral design in brown, green, gray and black.
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[MUSICAL INSTRUMENT] – HARMONIUM. Worcester – Reed Organ, circa
[MUSICAL INSTRUMENT] – HARMONIUM. Worcester – Reed Organ, circa 1900. Eikenhouten kas met messing beslag uitgevoerd in Jugendstil. Met 15 registers en 5 octaven. Ca. 130 x 110 x 65 cm.
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Carlo Bugatti (1856-1940)
Early 20th century, Italy. An Art Nouveau chair, ca. 1902, made of ebonized wood with marquetery inlay of pewter, attached ornaments of hammered copper upholstered with vellum. With bone ornamentation and embellished with tassels (not original) at the back.
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A Haga Purmerend pottery vase
Ca. 1905, design C.J. Lanooy, painter Philip van Praag, model number 23. Moulded and painted with a floral Jugenstil design in green, yellow and aubergine with a lustre glaze.
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H.G. Reinstein (1880-1938)
Ca. 1910, Austria. Four chairs and a table. Executed by: Österreichische Pressstoff Möbel Gesellschaft. Made of white lacquered corrugated cardboard and beechwood with black lacquered details.
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H.G. Reinstein (1880-1938)
1909, Austria. A sideboard, a stool and a nightstand. Executed by: Österreichische Pressstoff Möbel Gesellschaft. Made of white lacquered corrugated cardboard and beechwood with black lacquered details.
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A German collection of silver plated flatware in a wooden case, Josef Maria Olbrich
A design of Josef Maria Olbrich, with geometric shaped handle, J.O. designers' signature in rectangle and monogram BRS. Consisting of: twelve table spoons, forks and knives, twenty four dessert spoons and forks, twelve dessert knives with knife rests, twelve coffee spoons, twelve teaspoons, twelve long-drink spoons, a soup ladle, two gravy spoons, two vegetable serving spoons and a rice serving spoon. By Zwilling, Solingen, Duitsland, around 1900. In the centre of the lid, in oval form, an engraving with the name "B. Razoux Schultz".
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G.W. Dijsselhof (1866-1924)
Ca. 1899, The Netherlands. An extremely rare oakwood table and three matching chairs. The table decorated with carved crocodile feet, owl heads and fish, the back of the chairs flanked by two knobs shaped as small owl heads. Executed by: Meubelwerkplaats (cabinet-makers) E.J. van Wisselingh & Co., Amsterdam.
Furniture by Dijsselhof is extremely rare since he designed furniture only for a short period.
Provenance: bought in the mid-1980's by the present owner from the art gallery E.J. Wisselingh where they have been since the 1900's.
Compare to: the Dijsselhof room in the Gemeentemuseum in The Hague, and: a similar table is in the collection of the Rijksmuseum in Amsterdam.
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A gilt metal commemorative medal
Made for the world's fair "Exposition Universelle Internationale de 1900" in Paris depicting the exposition buildings, signed O. Roty for Louis-Oscar Roty, the designer of the “Semeuse” image on French silver coins and stamps, imperfect.
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A Rozenburg pottery mantle clock
1901, marked and dated, painter H.G.A. Huyvenaar. Moulded model with a flat front and back, a floral design with a bird on a dark blue background, with a simple Junghans clock mechanism.
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J.C. Stoffels (1878-1952)
Dutch Art Nouveau, 1903, designer J.C. Stoffels (1878-1952). Executed by the company 'Onder den Sint Maarten', Zaltbommel/ Haarlem. A brass table clock in a constructive style with two columns at the front, a roof shaped top and the dial with stylised numbers, the pendulum with a red stone, inspired by the works of architect H.P. Berlage and the designer Jan Eisenloeffel. Executed: 'Onder den Sint Maarten' in Zaltbommel/ Haarlem and marked: 'Onder den Sint Maarten'.
Provenance: verbally communicated to have been part of the interior of the household of Mr. and Mrs. Roelofs-van Linden Tol, Amsterdam, traders in coffee.
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T. Nieuwenhuis (1866-1951)
Ca. 1910, The Netherlands. Four dining chairs and a stool (five pieces). Mahogany, Macassar ebony with carved details and with original upholstery, designed by Theo Nieuwenhuis, executed: E.J. van Wisselingh & Co., Amsterdam.
Provenance: verbally communicated to have been part of the interior of the household of Mr. and Mrs. Roelofs-van Linden Tol, Amsterdam, traders in coffee.
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T. Nieuwenhuis (1866-1951)
Ca. 1910, The Netherlands. A tea table, made of mahogany, Macassar ebony, partially carved and with a loose tea-tray, designed by Theo Nieuwenhuis, executed by: E.J. van Wisselingh & Co., Amsterdam.
Provenance: verbally communicated to have been part of the interior of the household of Mr. and Mrs. Roelofs-van Linden Tol, Amsterdam, traders in coffee.
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Chris Lebeau (1878-1945)
Ca. 1906, The Netherlands. Two damask table cloths and seven napkins, with a design of geometrical ornaments surrounded by a band of butterflies, the napkins with embroidered monogram TS. Executed by: E.J.F. van Dissel Zn., Eindhoven.
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Auguste Delaherche (1857-1940)
Ca. 1900, France, marked and numbered 1031. A wide pottery vase with a dark blue drip glaze on a green gray base.
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Auguste Delaherche (1857-1940)
Ca. 1900, France, marked and numbered 6582. An ovoid pottery vase with two small handles and a crystalline flambé drip glaze.
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A Zuid-Holland pottery mantle clock
Ca. 1905, Plateelbakkerij Zuid-Holland, Gouda, painter J.v.D. Moulded model with flat front and back, decorated with a stylised floral design on a cream coloured background, French clock mechanism with a hand painted white dial.
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A Zuid-Holland pottery vase with long neck
1903, Art Nouveau Plateelbakkerij Zuid-Holland Gouda. Trumpet shaped, with horizontal constrictions and decorated with a stylised floral design on a cream coloured background.
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H.P. Berlage (1856-1934)
A mantelpiece. The top section with carved architrave shaped as circles, and geometrical carvings with inlay. The horizontal mirror flanked by profiled side panels. The lower section with an opening for the fireplace, surrounded by a brass frame and a wooden profiled frame with two carved corner rosettes shaped as crosses with inlay.
Provenance: verbally communicated to have been part of the interior of the household of Mr. J. Schilt.
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H.P. Berlage (1856-1934)
A round table, the table top with four sections, separated by a cross, with an architrave and four legs, joined by two crossing stretchers. (Some damages to the table top.)
Provenance: verbally communicated to have been part of the interior of the household of Mr. J. Schilt.
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H.P. Berlage (1856-1934)
A display cabinet. Provenance: verbally communicated to have been part of the interior of the household of Mr. J. Schilt.
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A Dutch Amphora pottery three piece garniture
Art Nouveau, 1910, marked Amphora Oegstgeest Holland, design by C.J. van der Hoef, models 233-1 and 213-1. One large and two smaller baluster shaped vases and covers with a design of stylised peacock feathers on a cream coloured background. (3)
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A rare and fine 18k gold enamel brooch, designed by B. Nienhuis, executed by L.W. van Kooten
Circa 1910. Of geometric design, centring a brilliant-cut peridot, the front composed of white basse-taille enamel leaves with green enamel veins, small encrusted rose-cut diamonds, Dutch mark for gold, not signed, 36x22 mm., tiny chip to the enamel.
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An 18k gold ruby and diamond brooch, designed by B. Nienhuis, executed by L.W. van Kooten
Circa 1910. The lozenge shaped brooch set with small rubies and diamonds, decorated with floral engraving, maker's mark VK9, Dutch mark for gold
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An 18k gold sapphire and diamond brooch, designed by B. Nienhuis, executed by L.W. van Kooten
The lozenge shaped brooch set with a small sapphire and rose-cut diamonds, decorated with floral engraving, no maker's mark, Dutch mark for gold
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H.P. Berlage (1856-1934)
1907, Executed: 't Binnenhuis, Amsterdam. A mahogany dining chair. In this design the slope back makes a swift line with the back legs, inspired by ancient Egyptian chairs, as seen in the RMO (Rijksmuseum of Oudheden in Leiden) by Berlage.
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H.P. Berlage (1856-1934)
Ca. 1900, The Netherlands. A mahogany armchair, with geometrical ivory inlay on the armrests.
Provenance: from the collection of Ger van Elk (1941-2014).
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H.P. Berlage (1856-1934)
Ca. 1900, The Netherlands. A lady’s arm chair, pear wood, upholstery renewed, ca. 1900. Executed by ’t Binnenhuis, Amsterdam, some restorations.
Litt.; Eliens,T., Groot M., Leidelmeijer F., Dutch Decorative Arts 1880-1940, Bussum 1997, page 36 for a similar chair.
Provenance: the late Mr. Ger van Elk, visual artist
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An enamelled brooch, by Jan Eisenloeffel
Circa 1908. Oval shaped, the copper brooch decorated with red, blue and yellow enamel, centring a cabochon coral, engraved with the maker's mark of Jan Eisenloeffel, 76x52mm.
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An amethyst buckle, by Johannes Blinxma
Circa 1900 The rectangular openwork brooch centring an oval-cut amethyst, decorated with line engraving, unmarked.
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A wood buckle, by Johan Coenraad Altorf (1876-1955)
The carved buckle decorated with two opposing birds, 101x66mm., unmarked.
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A. Kropholler (1881-1973)
A large oakwood armchair. The knobs with stylized carvings, the armrests ending in carvings shaped as monkeys, attributed to: J.C. Altorf (1876-1955). The leather back and seat fixed with copper nails.
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Joseph Mendes da Costa (1864-1939)
Ca. 1907, with monogram. A moulded stoneware group with a dark brown salt glaze of two chatting Jewish women, on an oval base.
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Jan Sluijters (1881-1957)
First quarter 20th century, The Netherlands. A portrait of Dr. Bernard P. Sormani. Signed upper right and dated 1911. Upper left 'B.P. Sormani'. Charcoal, heightened in white, on paper.
The oakwood frame designed by: A. Kropholler (1881-1973).
Provenance: from the consultation room of the medical practice of Dr. Bernard P. Sormani. Dr. B.P. Sormani was bacteriologist and clinical anatomist. He was married to Maria Elisabeth Lievendag.
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A. Kropholler (1881-1973)
First quarter 20th century, The Netherlands. An oakwood desk with a matching chair. The table top with leather inlay and with a vertical section with various compartments. The lower section with two drawers and two doors and some geometrical carved details.
Provenance: from the consultation room of the medical practice of Dr. Bernard P. Sormani.
Dr. B.P. Sormani was bacteriologist and clinical anatomist. He was married to Maria Elisabeth Lievendag.
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A. Kropholler (1881-1973)
First quarter 20th century, The Netherlands. An oakwood lounge chair with brown leather upholstery, some geometrical carved details and on brass wheels.
Provenance: from the consultation room of the medical practice of Dr. Bernard P. Sormani.
Dr. B.P. Sormani was bacteriologist and clinical anatomist. He was married to Maria Elisabeth Lievendag.
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A commemorative Dutch Art Nouveau tile panel
Executed by N.V. Haagsche Plateelfabriek Rozenburg, The Hague (1883-1916)
Depicting two Javanese women, surrounded by references to the tobacco industry.
Provenance: Made for the occasion of the centennial of the firm: 'Gebr. Philips'. With the text: 'De dubbelde eenhoorn, 1817-1917', in a wooden frame.
Exhibited: The Princessehof National Museum of Ceramics Leeuwarden, 'De 20e eeuw' (The twentieth century), 2016.
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A Rozenburg pottery plate
1897, marked and dated. With an art nouveau stylised floral design in brown, green and purple.
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A Rozenburg pottery tile picture of 15 tiles
1899, marked and dated, painter H.D. Schild. With houses along a canal in The Hague with a horse and carriage in autumn, in a cream coloured frame.
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Lambertus Zijl (1866-1947)
1917, signed LZ '17, with title: "Henk Bremmer AET 13", and marked "Bronsgieterij Brom Utrecht". A bronze sculpture of the young Henk Bremmer at the age of 13, standing with his right foot forward, on a square base.
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A carved wooden sculpture
Ca. 1920. Amsterdam School. Possibly part of wall panelling and carved with a cockerel, birds and a monkey.
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A wooden pendant, by Anton Rädecker
Circa. 1920. An Amsterdam School style pendant carved as a head of a male to a rope necklace, carved with makers mark ATR.
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An Amsterdam School lantern
Ca. 1920, made by 'De Nieuwe Honsel', The Hague Holland. A stained glass and metal hanging lantern, decorated with an abstract pattern in red, orange and black.
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