19th century, probably Dutch White marble, shown wearing draperies around the bosom, with a flower crown.

An equestrian statue of Bartolomeo Colleoni, 19th century, Italy Dark brown patinated bronze, mounted on a low variegated black marble plinth.

19th century, France These patinated bronzes represent two abduction themes from Ovid's Metamorphoses. The first group showing the figure of Boreas, the Greek god of the north wind, abducting Orithyia of Athens and climbing over Zephyr. The second group shows the figure of Pluto, ruler of the Greek underworld, grabbing the goddess Proserpina (or Persephone) to take her to his realm, while her companion Cyane attempts in vain to stop him. These are bronze reductions of two large marble sculptures designed by Marsy and Girardon for the Parterre d'Eau in the garden of the château of Versailles, during the height of the reign of Louis XIV. The works in marble were executed from ca. 1677 and 1675 onwards, but since the initial plan for the Parterre d'Eau (four abduction groups as Four Elements) was modified during the 1680s, the finished sculptures were placed elsewhere in the garden. These marble sculptures became very popular as soon as they were installed at Versailles, which is why bronze reductions of the Boreas and Pluto groups were produced. These appeared in various sizes during the 1690s, and throughout the 18th and 19th centuries.

Taureau (Standing bull), late 19th century Brown patinated bronze, on an oval base, signed on top of the base 'I. BONHEUR' and with the foundry name 'PEYROL' to the back of the base.

'Le danseur de Saltarello', late 19th century, France Brown patinated bronze, the nude figure holding a tambourine, on a circular base signed 'Sanson' and 'Roma', and with the foundry name 'Boyer F.res Bronziers Paris'. The original work is situated in the gardens of Fontainebleau.

'Abschied der Amazone' (The Amazon's Farewell), 1903, Germany Dark patinated bronze, the amazon seated on a horse and reaching to a girl standing beside the animal, signed on the base 'H. Haase' and inscribed 'Akt=Ges=vorm=.'/H. Gladenbeck u. Sohn.'.

Faun and goat, 1921, Germany Green patinated bronze, the faun holding a drinking (or wine) sack and a cup, startled by a jumping young goat at his right leg, on a rectangular base signed 'M. HEILMAIER/ 1921' to the side, the sack with original water pipe for use as a fountain. Heilmaier's most famous work is the Friedensengel (Angel of Peace), a monument in the Bogenhausen district of Munich.

Esmeralda, ca. 1900 White marble, the sculpture's title carved to the front of the socle, signed 'Villanis' to the back of the bust.

Mouflon, 20th century Brown patinated bronze, the rock signed 'Raymond de Meester'.

'Pantaloons', ca. 1925 Gilt and cold-painted bronze and ivory, mounted on a brown onyx base, signed 'Chiparus' to the top of the base and 'ETLING PARIS' near the lower edge of the right side of the base.

Dancer with scarf, ca. 1925 Cold painted bronze and ivory, signed 'Lorenzl' to the back of the metal base, mounted on an almond-shaped green onyx plinth.

'Mother and child', ca. 1925 Dark brown patinated bronze, signed 'D.H. Chiparus' to the back of the mother's skirt, mounted on a base composed of several types of marble.

'Little Sad One', c. 1925 Gilt bronze and ivory, mounted on a variegated black marble base, signed 'D.H. Chiparus' and 'ETLING. PARIS' to the right side of the base.

De Omhelzing (The Embrace), 1963 Patinated bronze, signed to the lower back with the artist's initials 'F.C.' and '1963'.

De Concentratiekampmannen (Men of the Concentration camps), ca. 1946-49 Patinated bronze, not signed.

'Caducée II', 1987, France Gilt and patinated bronze and red marble, a dragon winding around a tree trunk ending in a low basin, the base imprinted with fragments from 'Le serment de Galien' and cast with the artist's signature 'Dali', with a metal plate mounted to the underside engraved 'No. 331/2000/ s.d.o.a - Paris 1987/ S.P.A.D.E.M.'