Ca. 1530, Belgium A set of four tin glazed polychrome majolica border tiles. Attributed to the workshop of the Italian-born Guido Andries (Guido di Luca Savini, or Guido di Savino), who came from Castel Durante and settled in Antwerp about 1508.

Ca. 1580-1610, Netherlands A pair of early Dutch majolica faience pottery tiles. These narrow tiles of a mirrored design were inted as border tiles and depict shell and classical style fish, commonly referred to as Dolphins.

Late 17th century, Netherlands This tin glazed dish of unusual form was the central dish in a sweet meat set. It is signed for Adriaan Kocx (De Grieksche A) and decorated in Chinoiserie style with a peacock perched on a rock.

Ca 1630-50, Italy A brightly coloured tin glazed majolica large plate depicting a soldier on a white horse, his sword drawn as though engaged in an attack.

Ca 1630-50, Italy A fine Italian majolica plate depicting a nobleman riding a brown horse.

Ca. 1800, Switzerland An incised slipware plate featuring a jumping hare flanked by two trees and a loosely decorated border, with dabs of green, yellow and ochre translucent glazes over a creamy ground.

17th century, Spain Featuring a large stylized bird, in copper lustre glaze on a creamy ground. The smaller bowl with a feather design and a tab handled bowl with a geometric pattern.

18th century, Netherlands/Germany The glasses on a high foot with a short stem with a single row of three raspberry prunts.

18th century, Netherlands/Germany A set of three similar green roemer glasses. (3)

Ca 1650-1700, Netherlands A rare façon de Venise wine glass in superb condition. On a flat foot with folded rim and a hollow baluster stem, a funnel shaped bowl with rounded base. The bowl with an engraved portrait of Dutch statesman Johan de Witt (1624-1672) and inscribed on the other side in large lettering ‘J de Wit’, possibly by Willem Mooleyser. The portrait after a contemporary print by Abraham Bloteling ca 1660-90.

Ca. 1734, England/Netherlands The heavy lead crystal goblet on a Silesian stem standing on a flat foot with folded rim. Diamond engraved with the alliance arms of William IV and Anne of Hannover under a large crown, flanked by a figure of Neptune with a firing cannon and on the other side the Dutch Maiden holding a liberty pole. This glass was probably made on the occasion of the royal wedding in 1734.

Ca 1760, Netherlands A superb wine glass, standing on a conical foot and a slender stem which incorporates a ball knob with enclosed air bubbles. The funnel bowl is finely wheel engraved with a Dutch town house topped with a cornucopia and the text ‘t' Welvaaren, Van Deezen Huyze’ which translates as ‘(to) the prosperity of this house’.

18th century, England/Netherlands A fine large Dutch wheel engraved glass featuring the Goddess ‘Flora’ in a garden and the motto ‘perseverantibus’ (Perseverence) and 'Vivat Flora', the other side shows a putto holding a flower and carrying a bow and arrows above the text 'Incipientibus' ('to begin'). Along the top edge a floral garland border. On a baluster stem with enclosed air bubbles and on a conical foot.

18th century, Germany A large goblet with faceted baluster stem and engraved with the coat of arms of the city of Amsterdam flanked by two rampant lions and the text ‘De Gude Regering der Stat Amsterd’. Together with a small beaker vase, a so called ‘druivenspoeler’.

18th century, Germany/Netherlands Standing on a concave foot with folded rim and a baluster stem. Depicting a ship being attacked from two towers with the coat of arms for the city of Haarlem depicted below and above the text ‘vicious vim victus’ which is the Latin motto for Haarlem which translates as ‘virtue conquered violence’. The other side showing a figure and inscription ‘Harlemum’.

18th century, England/Netherlands On a Silesian stem and a wheel engraved depiction of King David and Jonathan with the Latin motto ‘Amicitia’ (Friendship).

18th century, Germany/Netherlands On a conical foot with folded rim and a faceted stem. The bowl decorated with a scene of a merchant pointing to a ship with a text on the other side ‘T 'Wel Vaaren Van On: Schip De Iacob, Anno 1761’ (to the succes of our ship the Jacob, 1761).

Ca 1750, England/Netherlands A very fine wine glass with a wheel engraved crowned Royal coat of arms for Stadtholder Willem IV, surrounded by seven smaller arms for the united provinces. The engraving of exceptional quality and attributed to Jacob Sang on the basis of comparable signed examples.

18th century, Germany/Netherlands Standing on a flat foot with folded rim and a baluster stem. The bowl with an engraved ship and the text ‘T Lands Welvaaren’ (to the succes of the nation).

18th century, Netherlands A light-baluster goblet with a remarkable diamond engraving of a man fishing in a lake that is filled by a huge urinating figure and an inscription underneath ‘De Cascade’ (the cascade)

18th century, England/Netherlands A goblet with faceted baluster stem and domed foot, engraved with the coat of arms of the town of Vlissingen (Flushing), flanked by two rampant lions and the text ‘Twel Vaaren Van Vlissinge’ (to the success of Vlissingen).

18th century, Germany/Netherlands With faceted baluster stem and engraved with a ship and the text ‘Het Welvaren Von Vaterlant’ (to the success of the homeland).

18th century, Germany/Netherlands Engraved with a ship and on the other side a farmer ploughing a field, inscribed ‘Het Lands Wel Vaaren’ (to the success of the country). On a baluster stem with a facetted knob on the lid.

18th century, England/Netherlands A very fine light baluster wine glass, with a wheel engraved scene of a courting couple walking through a formal garden and the text ‘de inclinatie’ (the affection).

18th century, Germany/Netherlands A small wine glass of simple form on a flat foot with folded rim and inverted baluster stem, the bowl with a wheel engraved scene of a boy in a cellar between wine barrels and the text ‘Vivat Hensel in de Kelder’, a Dutch saying to refer to (or to announce) an unborn child.

Ca 1710, Germany/Bohemia A faceted and richly engraved glass, dated 1709 in the base with the initials DLGH. The front depicting a man within a cartouche while looking at a glass in his hand. The other side containing a comtemplative German text.

18th century, Germany A very fine extensive porcelain tea and coffee service, made by Höchst (also spelled Hoechst). Marked with the underglaze blue wheel mark and decorated with rural scenes and small trompe l'oeil flies and bugs. The finials in the form of fruit. The lid on the teapot and tea canister as well as the creamer are contemporary replacements.

18th century, Germany Finely decorated with fruits, gilding, a puce coloured garland and a green scale band along the top and on the side of the lid. The lid with a holes to accomodate the wooden mixer and metal handle (missing), also the wooden side handle is missing. Marked with an overglaze puce wheel mark.

Decorated in puce camaieu with buildings and rural scenery. The top edges with a green diaper and gilded border. The tea canister with a replacement lid.

18th century, Netherlands Decorated with a pattern of scattered pink roses within a round green leaf garland border. The plates with a wavy gilded trimmed edge. Marked with an underglaze MOL mark (Manufacture Oud Loosdrecht).

Early 19th century, Netherlands Not marked but attributed to the Dutch Amstel porcelain factory and decorated with birds and gilded foliage.

Early 19th century, Netherlands Decorated with birds and foliage. Some pieces marked with the black overglaze Amstel mark. Comprising a coffee pot, a tall cream jug, twelve saucers and eleven cups. Most pieces with damage.

19th century, Germany A finely handpainted rectangular plaque with impressed marks on the back. The front showing a scene of a boat on sea with a young man making advances to a girl while a third man, an elderly gentleman (and presumably her father) is sleeping.

18/19/20th century, France A large composed dinner and coffee service in the classic Cornflower pattern, as favoured and popularized by Marie-Antoinette who used a Sèvres version of this pattern in her Petit Trianon at Versailles. This set is made up of various sets by different makers and of different times, a few pieces marked but mostly unmarked ‘Vieux Paris’. Includes tureens, baskets, wine coolers, oyster plates, small lidded pots-a-crème, a very large amount of plates in various sizes and more.

Late 19th century, France Decorated with puce/pink coloured transfer printed rural scenes and scalloped edges with a double trimmed border. Marked with the Gien tower mark and the brown ‘France’ export mark. Comprising tureens and serving dishes, sauce tureens, gravy boats and footed comports. Also circa 200 plates.

Ca 1900, Germany Decorated in the classic Zwiebelmuster pattern. Completely handpainted in underglaze blue and white and marked with the Hüttensteinach mark. Comprising a large tureen with ladle and under plate, two rectangular covered serving dishes and other serving pieces, a gravy boat with ladle, dinner plates, deep plates, lunch plates and cake/dessert plates. Complemented with various tea wares.

20th century, Hungary Comprising tureens and covered serving dishes, platters and trays, gravy/sauce servers and cream soups. Also many plates of various sizes, a hors d’oeuvre set and a four-compartment party dish and more.

20th century, France In the ruby Cardinal Malmaison pattern, with a deep burgundy red border and heavy gilding. Comprising covered and open serving bowls, cream soups, many plates in various sizes, teacups and demitasse cups and saucers and a sandwich/cake tray.

20th century, Denmark A fully handpainted and gilded reticulated basket and a large plate with open work border. Both marked on the back with the standard Royal Copenhagen backstamps and the Latin names of the depicted flowers.

9th-8th century BC, Italy Villanova culture (central and Northern Italian Iron Age), made of impasto earthenware with incised and impressed geometric decoration.

Ca. 3rd century BC, Italy Depicting Castor and Pollux ( the Dioscuri). The tondo probably cleaned in the past to reveal the decoration.

Ca. 2nd/3rd century AD The head from a later figure (possibly Byzantine or medieval) and crudely attached to the Roman figure. The body is that of Hygieia, Goddess in both Greek and Roman mythology, and usually shown with a snake of which a portion is still visible in this figure. Hygieia was the Goddess/personification of health, cleanliness and hygiene.

Ca. 1st/2nd century AD A fragment of an ancient Roman stone sculpture of a boy or girl. The head diagonally severed and showing heavy wear.

1st-4th century AD A Roman glass bottle with bulbous spherical body, cylindrical neck and spooled rim, almost colourless glass with a light yellow-green tinge. Also, a Roman juglet of emerald green glass with wonderful iridescence and deposits (handle repaired) and a glass unguentarium with pear shaped body and long tubular neck and a miniature Roman glass jar.

Ca. 1475-1500, possibly circle of Jan Borman I Shown holding a book in her left hand, and wearing a dress that is partly folded over her left arm, her wavy hair falling on her back, while the figure of Emperor Maxentius is shown at her right foot. With traces of earlier polychromy.

Second half 14th century, Lorraine Representing the crowned Virgin, wearing a blue cloak with a red chemise below, with five cut-outs in her chest for cabochon-shaped jewels, two of which are filled with pieces of rock-crystal, holding a flowering branch in her right hand, the Christ child seated on her left arm and holding a dove, retaining most of its original polychromy.

1550-80, Italian or Austrian An early façon de Venise reverse painted glass plate with gold leaf elements, made in Hall-in-Tyrol or Innsbruck. An old label on the back indicates that this piece once belonged to the Collection of Prof. dr. W. Mengelberg and also carries an old Mak van Waay auction label on the back.

First quarter 16th century The Virgin shown as Our Lady of Sorrows, her face expressing sadness, wearing a long cloak partly draped over the left arm, with both hands folded in prayer.