Kangxi period (1662-1722), China Each decorated with a Longe Eliza figure and a jumping boy. Marked with a stylized Lingzhi mark.

Kangxi period (1662-1722), China Twentyfour small toy size vases, mostly decorated with figures and florals. (24)

Kangxi period (1662-1722), China Two bowls, each decorated with alternating panels of landscapes and florals. Not marked.

Kangxi period (1662-1722), China Three plates featuring ducks in a lotus pond. The other eight plates depicting a lady and two boys in a garden. Not marked.

18th century, China A Qianlong period charger depicting two female figures and child in a garden. The two smaller lobed plates of Kangxi period with a fish and sea life pattern. Unmarked.

Kangxi period (1662-1722), China A round, straight sided pot with flat lid. Decorated with Buddhist emblems and flower vases. The knob on the lid in brown glaze.

Kangxi period (1662-1722), China Both bowls decorated overglaze in a brownish red 'coral' colour. Marked with a square shop mark within a double circle in underglaze blue.

18th century, China A mirrored pair of standing roosters, each with one leg lifted on a rock and the head turned. Not marked.

18-19th century, China Three 18th century famille verte boxes with covers, one decorated with a lotus pond, the other two with stylized florals. And a later 19th century famille rose box showing a man on a dragon on the lid and a line of boys around the side, this box not marked but probably of Guangxu period.

Kangxi period (1662-1722), China Decorated with scrolling lotus and a shou character (representing Long Life). Not marked.

Kangxi period (1662-1722), China Decorated with the characters for Kang (health), Ning (peace), Fu (Happiness) and an unusual composite character comprised of 9,10,100 and 1000, probably representing 9999 (for wishing to a Long Life, in old Chinese tradition only the Emperor was allowed to live to 10000 years). Between the characters are panels with stylized florals. Not marked.

Kangxi period (1662-1722), China A continuous landscape scene featuring a scholar and his servant, a waterfall and a fisherman on his boat. Not marked.

Kangxi period (1662-1722), China One with everted rim and shou characters. The other two with floral decoration. The smallest bowl not marked. The bowl with everted rim marked with a six character Chengua mark and the third bowl marked with a four character mark (possibly Xuande).

Kangxi period (1662-1722), China An ovoid form vase with cover, decorated in Persian style. Together with four small plates with floral decoration and six character marks in underglaze blue ('precious object of rare jade among treasured vessels').

Kangxi period (1662-1722), China The teapot with square base and sides decorated in applied relief. A Tibetan style handle and spout and a sitting rabbit as the knob on the lid. Not marked.

Kangxi period (1662-1722), China A six-sided tea caddy, decorated with applied reliefs. The lid with a lock mechanism. Not marked.

Kangxi/Yongzheng period, 18th century, China A large Chine de commande plate. The brown trimmed border decorated with peacocks and florals. The centre featuring a monogram (two mirrored A's) under a crown. Not marked.

Kangxi period (1662-1722), China A curious pattern known as Charitas (Charity), showing a mother breast feeding a baby. A part set consisting of six cups with four saucers. Kangxi marked with a flower.

Kangxi period (1662-1722), China Each decorated with swirling panels filled with landscapes and florals around a small central roundel containing a stylized flower. Not marked.

Yongzheng period (1723-1735), China Decorated with figures in a garden and marked with a six character Yongzheng mark and of the period.

19th century, China A very fine Dehua white porcelain figure showing a Guanyin holding a ruyi sceptre in her left hand. Marked on the back with a commendation seal mark 'boji yuren' (the fishermen mark).

Late Qing Dynasty, 19/20th century, China The female figure seated and holding a small vase in her left hand and supporting a baby boy with her right arm. A flat base and not marked.

18/19th century, China A superb and rare figure marked He Chaochun. Marked with a double gourd seal mark for the Potter's family of He and an apocryphal Xuande reign seal mark.

Late Qing Dynasty, 19/20th century, China Marked with a double gourd seal mark for the He family and in the style of He Chaochun but later.

19th century, China A Dehua white porcelain figure showing a Guanyin standing on foaming waves and holding a ruyi sceptre, her hands covered by her robe. Marked on the back with a commendation seal mark 'boji yuren' (the fishermen mark).

17/18th century, China A small Dehua white porcelain figure of a Mandarin dignitary. Not marked and quite crudely made of simple form.

Probably 18th century, China The figure holding a small vase in her left hand while leaning on her right arm. Not marked.

18th century, China Wenchang, God of literature and culture, modelled here as seated on a rocky base and holding a scroll in his left hand. Not marked.

Yongzheng period (1722–35), China Each plate with a rolled out scroll featuring a rooster scene against a ruby ground.

Yongzheng period (1722–35), China Each featuring a rolled out scroll depicting a lake in a mountainous landscape. The solid ruby coloured backgrounds with branches of flowering prunus. The saucers with an old dealer label to the base for 'Nijstad' (Lochem and The Hague).

Yongzheng period (1722–35), China Two featuring rolled out scrolls depicting a landscape. The solid ruby coloured backgrounds with florals in white background oval panels. A third cup and saucer with a pattern of three pomegranate cartouches with florals on a gilded background and a central roundel showing a Buddha's hand citron.

Yongzheng period (1722–35), China Each with two vignettes containing a floral scene with a small pink crab, and two smaller roundels featuring stylized gilded dragons.

Yongzheng period (1722–35), China Each with two vignettes containing a floral scene with a small pink crab, and two smaller roundels featuring stylized gilded dragons.

Yongzheng period (1722–35), China Each with two vignettes containing a floral scene with a small pink crab, and two smaller roundels featuring stylized gilded dragons.

Yongzheng period (1722–35), China The saucer dish and inside of bowl decorated with delicate famille rose florals and butterflies. The back edge of dish and outside of the bowl in a solid ruby-pink enamel glaze. Not marked.

Yongzheng period (1722–35), China The ruby ground with recessed cartouches featuring blue overglaze enamel florals on a white background. One cup with an old dealer label to the underside: Staal Antiquaire Amsterdam.

Yongzheng period (1722–35), China The ruby ground with recessed panels featuring blue overglaze enamel florals on a white background.

Yongzheng period (1722–35), China Each piece with three cartouches shaped as a lotus leaf, a chrysantheum leaf and a Buddha's hand citron, filled with famille rose florals. The backs of the saucers with florals along the edge.

Yongzheng period (1722–35), China Decorated with butterflies in famille rose on a deep ruby coloured background. The saucers with a central roundel depicting a flower on a white background.

Yongzheng period (1722–35), China Each with recessed panels featuring famille rose florals on a white background.

Yongzheng period (1722–35), China Two rare and exquisite Chinese taste tea bowls and saucers. The outsides of the bowls and underside borders of the saucers covered in a solid ruby enamel. The inside of the cups and surface of the saucers decorated in fine relief as a chrysanthemum flower. Old collection labels to the undersides: the initials 'H.M.K.' under a griffin logo, which tells us that these were once part of the collection Henry M. Knight (1903-1970) a famed Dutch collector.

Yongzheng period (1722–35), China A finely and richly decorated cup and saucer with florals.

Yongzheng period (1722–35), China A finely and richly decorated cup and saucer with florals. The back border of the saucer with a solid ruby ground.

Yongzheng period (1722–35), China A finely and richly decorated cup and saucer with florals. The saucer with two old collection labels: 'W Martin Hurst collection' and 'JHR. C. Repelaer collection'.

Mostly Yongzheng period (1722–35), China A set of orphan cups (no saucers) of various famille rose patterns, including florals and one with figures, also one ruby ground cup. Some with old collection labels: 'JHR C. Repelaer collection'. )9)

Yongzheng period (1722–35), China The set consisting of two famille rose cups and saucers depicting a lady on a swing. Two others with a cockerel pattern. A tea canister (no cover), a ruby ground bowl and two gilded pattern teabowls without saucer. Some with damages. One cup with an old collection label: 'JHR. C. Repelaer collection'. (13)

Yongzheng period (1722–35), or early Qianlong, China The small jar with an open work base, panels filled with landscapes and a red and gilded background. Not marked.