1905, Netherlands A large round clock case with two accompanying vases in a similar floral pattern on a dark ground and high glaze finish. Made by Plateelfabriek Zuid-Holland in Gouda. Marked with the usual factory markings and year code H (1905).

A set of six oak dining chairs, 1900 Each with a richly carved backrest carved with two shorebirds, the tapering splat with pierced whiplash lines, above a padded seat covered in blue fabric, the seat supported by two diagonal stretchers, the legs joined by an H-shaped stretcher. These chairs were part of the suite of furniture made in Art nouveau style for De Nieuwe of Littéraire Sociëteit De Witte, a private club in the centre of The Hague.

A collection of objects: a copper inkwell, a pair of brass and pewter candlesticks, and a brass wall applique, ca. 1900-1910. Designed and executed by Feeterse himself. The pieces match the style of his contemporary, Jan Eisenloeffel (1876-1957). Together with several works on paper related to Feeterse: an album of photographs of objects designed by Feeterse between 1903 and 1904; the publication "Atelier voor Dec. Kunst 'Het Huis'" issued by the eponymous studio established at Kerkstraat 310-314 in Amsterdam; and a blueprint from 1905 featuring designs of several small objects, with pencil drawings to the reverse, possibly by Feeterse himself. The publication features designs by Feeterse on page 1, such as the inkwell in this lot.

A brass-mounted burr-walnut writing box, ca. 1900 Of rectangular form, the box reinforced by nailed brass straps and mounted with brass ornaments, the hinged lid opening to reveal various lidded and hidden compartments.

"Back from the Market", ca. 1900, Netherlands A salt glazed stoneware figure with brown glazes over a beige/greyish body. Titled on the base "van de markt" (from the market) and monogrammed on the back.

A glass vase, 1929, Bohemia Designed by Chris Lebeau 1929 (third period), executed by Ludwig Moser und Söhne. Signed on the underside "Chris Lebeau, Jan 1929 Bohmen No. 64 V". Supposedly for the design of this vase Lebeau was inspired by the heavily falling snow that he saw from the train on his way to Bohemia.

Ca. 1900, France A yellow glass vase with red overlay, which is acid etched and cut away to create the pattern. Signed on the side.

"Sirènes", ca. 1920-30, France A white opalescent glass coupe, designed 1920. Marks: engraved R. Lalique.

Ca. 1915-25, USA The stem decorated with small glass flowers and foliage, issuing bronze curved branches carrying the domed shade with oculus, on a root-shaped base, the three lamp sockets marked "Leviton Made in USA".

Opus 1468, a mahogany fireplace surround with bookcases, 1915 The right protruding section with a rectangular moulded cornice above an empty frame and a clock decorated with symbolic snail ornaments, above three further open compartments and a panelled niche, flanked on either side by four open shelves, a drawer, and a panelled door, the left section with a moulded rectangular cornice above four shelves, and a pair of panelled doors. Together with a section of mahogany panelling from the same interior. These pieces were ordered by Samuel Minkenhof (1879-1956), for the interior of his house at Borneolaan 21 in Hilversum. Minkenhof was the owner of the trading company S. Minkenhof & Co.

A mahogany armchair, ca. 1903 The padded back and seat covered in brown fabric.

Opus 17, a carved and ebony and palm wood inlaid oak side cabinet, 1901 Constructed overall with dowelled joints, the two display cabinets above a rectangular top, flanked by vertical and horizontal finials carved with lizards and ram's heads, above four drawers and four inlaid panelled doors, with artist's monogram and metal tag "'t Binnenhuis Rokin Amsterdam", with original keys.

A pair of frosted glass and brass ceiling lights, ca. 1913. Each with a large circular shade, mounted in a brass ring and suspended by three chains, made for the theosophical (or masonic) temple complex on the De Ruyterstraat in The Hague.

A pair of pewter owl bookends, ca. 1933 Each with a stylised owl perched on a rectangular base, executed by Gero in Zeist, marked with artist's monogram and "GERO".

First half 20th century The circular dish with vine decoration, with chain suspension and a crossed corona.

A set of six oak armchairs, ca. 1907-1913 Each with a curved backrest and pierced splat, the seat covered in green fabric, on tapering legs. These chairs were designed for the interior of the Peace Palace (Vredespaleis) in The Hague.

A pair of oak armchairs, ca. 1925-30 The semicircular backrest above a padded seat covered in later striped red fabric, with four tapering legs joined by a stretcher.

An oak extendable dining table, ca. 1925-30 The rectangular top above four angled legs tapering at the bottom, the legs joined by an X-shaped stretcher, marked with manufacture's plate. The table can be extended by means of two extra leaves.

A set of four oak dining chairs, ca. 1925-30 Each with a slightly angled splat, the padded seat with later fabric, above four legs tapering at the bottom, joined by a stretcher.

Mirror, ca. 1925 Brown patinated wrought iron, the beveled glass within a frame decorated with foliate and gadrooned ornaments, marked "E Brandt" on the frame.

"Rêverie", ca. 1925 A figural lumière in green patinated and parcel gilt art metal and purple mottled glass, the reclining and partly draped female figure carrying a lamp in her left hand, mounted on a rectangular wooden base, the metal signed "r Guerbe".

Ca. 1940-50 The later circular iron top above a ribbon twist moulding, on four S-shaped stretchers and conforming undertier.

A rosewood and parquetry commode, 1945, France The shaped red variegated marble top above four drawers mounted with brushed metal escutcheons and circular protruding handles, flanked by stylised pilasters, on square tapering legs, stamped to the back "Lu Rollin 19.11.1945".

A French wrought iron and green patinated serving table, ca. 1940 The rectangular adjustable trey with glass inset, above a shaped body with mirrored base, on castors.

Ca. 1925-30, possibly French Decorated with Egyptian flower and fan motifs, the frame with suspension rings.

Ca. 1940, possibly French The rectangular top with a pair of associated oak neo-Gothic lamps, on thick legs each decorated with two silvered figures of weight-bearing atlantes, joined by a turned silvered stretcher, on four curved tapering feet.

Ca. 1930-40 The canted rectangular top above a central door enclosing a fitted interior with shelves and a drawer, flanked by two further doors with adjustable shelves, on a breakfront base and rectangular plinth.

A "605 Allen" cherrywood table together with a set of eight "606 Barrel" cherrywood chairs, ca. 1986-1992, Italy The table with a rectangular top above four wide architectural legs, joined by a stretcher, together with eight chairs, each with a concave and pierced backrest, above a green leather seat, all marked with Cassina and designer stamp, and serial number. The table was originally designed in 1917 for the home of Henry J. Allen, the governor and state senator for Kansas. The design of the chairs dates from 1937, based on an original design dating from 1904.

A pair of "Lounge Chairs", ca. 1973, USA Designed in 1966, the semicircular seat consisting of curved steel rods, padded and covered in grey fabric, welded on a conical base.

A "Coffee Table", ca. 1973, USA Designed in 1966, the circular glass top carried by a frame consisting of curved steel rods.

An "Ottoman", ca. 1973, USA Designed in 1966, the circular seat, padded and covered in grey fabric, above a frame of welded steel rods.

A "Side Table", ca. 1973, USA Designed in 1966, the circular glass top carried by a frame consisting of curved steel rods.

A "Long Chair", designed 1936, ca. 1960-70 The bent laminated beech frame, together with seat covered in grey fabric. The chair was given by Marcel Breuer to his secretary Carolyn Frost-Gelland, at the time of his retrospective at the Metropolitan Museum of Art in New York in 1972-73.

Ca. 1933, the Netherlands Each with a chromed tubular steel frame, wooden armrests, and upholstered with red fabric.

A "Centenary Package" set of three "Ant Chairs" and egg shaped table, 2002, Denmark The chairs and table designed in 1952, comprising three three-legged chairs in black lazured laminated and moulded ash veneer on chromed steel legs, together with a three-legged table, also in ash and chromed steel.

A PK 61 coffee table, Denmark The square glass top resting on a matte chrome-plated steel frame.

A "Big Shadow" floor lamp, ca. 1998 The central chrome varnished metal bar with a cylindrical and conical cover in white polyamide and viscose.

A pair of rare "Metamorphosis" chairs, The Netherlands, 1984 Padded overall, the fabric with printed geometric design, signed "Geoffrey Harcourt" at the bottom of the left armrest. The design of the chair and fabric was inspired by the work of Charles Rennie Mackintosh.

Mid-18th century The shaped moulded cornice centred by a scallop shell, above a pair of panelled doors, enclosing a fitted interior with two shelves and five drawers, above four further concave shaped drawers.

19th century Inlaid overall with hunting and mythological scenes, and centred by a coat of arms, the panelled back flanked by outscrolling armrests, above a hinged plank seat, on lion head supports.

Of Louis XV style The padded back, arms and squab cushion covered in yellow silk with floral pattern.

Of Louis XVI style, late 19th century The eared and moulded rectangular white marble top above three frieze drawers and a pair of doors, centred by a roundel with egg-and-dart and foliage, enclosing a fitted interior with six drawers, flanked by fluted circular pilasters, on turned tapering feet.

Late 18th century The rectangular canted and hinged top opening to reveal an interior with three hinged shelves and a lidded well for a wine cooler, above two side drawers, and a pair of panelled doors, each with landscapes, on square tapering legs and toupie feet.

Of Louis XIV style, 20th century The rectangular top above three cushion-panelled drawers, on curved claw feet.

Late 19th century The later padded seat above two X-shaped stretchers.

First quarter 19th century Each with a rectangular gris saint anne marble top, above a sliding door enclosing a plain interior, above a further square door, stamped to the interior with "Paleis Amsterdam".

Second half 19th century The chest reinforced by nailed iron straps, the domed lid opening to reveal a plain interior, with brass plate bearing the inscription "Sa Majesté Le Roi des Pays-Bas/ No. 6". This chest is one of a set that was used by the Dutch Royal Household under William III (1870-1890) during state visits abroad. These chests carried the tableware that was used for the dinner offered by the household to the host party. This particular chest "no. 6" was used to transport a vase and saltshakers, which were secured by means of a mould.

Late 19th century The shaped back with a crest carved with foliate ornaments, the padded back, arms, and seat covered in green velvet, on castors, stamped to the underside with the royal monogram of Queen consort Emma of Waldeck and Pyrmont (Emma, Koningin-regentes der Nederlanden) (1858-1934). The chair was originally part of the furnishings of the Queen consort, most probably at Lange Voorhout Palace (Paleis Lange Voorhout) in The Hague.