Ca. 1900 The clockwork surmounted by a vase and suspended between four marble columns, on a shaped rectangular base, the enamel dial with Arabic numerals, the mechanism with anchor escapement, chiming mechanism on count wheel in full on the whole hour and once on the half hour, with a Brocot spring suspended pendulum.

Ca. 1830 The case decorated with the figure of Louis XIV in military costume, the enamel dial with Roman numerals, the pocket watch mechanism with verge escapement, signed ‘Le Vasseur à Paris'.

Late 19th century The foliate cast stem issuing two tiers, with S-shaped arms, surmounted by a sitting putto, flanked by three dragon supports.

Late 19th century The rectangular mirror within a moulded frame, surmounted by a pierced foliate clasp.

Late 18th century The case with bookmatched veneer and slender columns, the hood with similar columns and a broken pediment carved with foliate ornaments, surmounted by a brass ball, the silvered chapter ring with Roman and Arabic numerals, the silvered dome signed ‘Nathaniel Brown Manchester’, with date aperture, lunar phase, and minute hand, the eight-day mechanism with anchor escapement, chiming on the whole hour, without weights.

Late 18th century The clockwork surmounted by a reclining female figure, and carried by two putti each riding a goat, on a white marble base, the enamel dial with Arabic numerals, the mechanism with verge escapement and two fusee driven trains, the repetition chiming mechanism on the whole hour in full on one bell, with altered pendulum suspension to spring.

20th century, possibly French The central baluster stem issuing twelve straight arms, each with a drip pan and cup, hung with lustre drops, above a large circular shade engraved with foliate ornaments and classical portrait medallions, fitted with twelve extra sockets for electric lighting.

Of Baroque style, possibly Italian The rectangular plate within a frame decorated with geometric patterns.

Ca. 1900 The case with a glazed door and partly fluted composite columns, the hood with similar columns and a voluted broken pendiment carved with foliate scrolls and surmounted by a vase, the silvered chapter ring with engraved center, signed "J.W. Benson Ludgate Hill", with gilt ajour decoration, the second dial indicating "Chime-Silent", the eight-day mechanism with anchor escapement, quarter chiming on metal tubes.

Of Louis XV style, 18th century The rectangular plate within a moulded frame carved with large foliate C-scrolls and shells, the crest centred by a smaller mirror cartouche.

Ca. 1800 The case crowned by a broken pediment and urn finial, the scales engraved with scrolling stem with foliage.

Ca. 1900 The case decorated overall with foliate bronze mounts, the silvered dial with Chime-Silent handle, and with two small dials (Slow-Fast, and Cambridge-8 bells), the mechanism with anchor escapement, the repetition chiming mechanism (Cambridge or 8 bells) with three fusee driven trains, without pendulum.

Ca. 1830-40 The case decorated with the standing figure of a woman contemplating an inscription on a scroll ("De près de loin"), the base with a allegorical relief panel, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

Ca. 1900 The case with a glazed door, the hood surmounted by three brass eagles on globes, the gilt engraved dial with silvered chapter ring with gilt Arabic numerals, with two smaller dials indicating "Chime-Silent", and "Westminster-Wittington-Saint Michael", signed "Mappin & Webb London", the eight-day mechanism with anchor escapement, quarter chiming on metal tubes.

Ca. 1860-1880, France The fluted stem issuing eight acanthus cast arms hung with garlands, around a central branch, on four scrolling foliate feet, flanked and divided by cartouches, signed on one foot "F. Barbedienne".

Late 19th century The waved rectangular mirror within a moulded frame surmounted by a pierced rope twist clasp.

Ca. 1950, Italy The glass decorated with gold leaf, the flower-shaped shade on a baluster stem ending in a circular base.

First quarter 19th century The clockwork and voluted cornice resting on four columns, on a rectangular plinth, the dial with Roman numerals, with visible mechanism, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with altered pendulum suspension to spring.

Late 18th century The clockwork suspended between two rectangular columns, surmounted by lyres and a vase, resting on a rectangular plinth, the enamel dial with Arabic numerals, signed "Héron à Paris", the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

Late 19th century Decorated overall with glass chains and drops, the central baluster stem surrounded by a cage issuing eight S-shaped arms.

First quarter 19th century Each surmounted by four S-shaped arms and a central cup, on a columnar shaft with a circular socle and square plinth.

Ca. 1830 The case flanked by the figure of Henri IV, on a rectangular base decorated with a central cockerel, masks, and claw feet, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

First half 18th century The mahogany veneered case with circular window, the hood with inlay simulating openwork decoration, surmounted by brightly painted carved figures, the silvered chapter ring with Roman and Arabic numerals, windows showing the day of the week, the date, and the lunar phase, the eight-day mechanism with anchor escapement, signed "Willem Redie Amsterdam", chiming on two bells, on the whole hour and half hour in full, with alarm mechanism.

Second half 18th century The case and wall bracket decorated overall with floral ornaments, the enamel dial with Roman numerals and Arabic minute numerals, signed "Cresp Amsterdam" (for Rudolph Louis Cresp), the mechanism with anchor escapement, chiming mechanism on count wheel in full on the whole hour and once on the half hour, and chord suspended pendulum.

Mid-18th century The case mounted with brass tendrils and pine cone finials, the silvered dial with Roman and Arabic numerals, with date indication, window showing pendulum movement, and a hand indicating "Strike" and "Silent", the back plate of the mechanism signed "Thomas Hunter Jr. London", the mechanism with verge escapement, the pendulum suspension altered to spring, quarter chiming mechanism on six bells, and three fusee driven trains.

Late 19th century The rectangular plate within a beaded frame flanked by laurel moulding, surmounted by an acanthus crest.

Late 18th century The clockwork suspended by two columns, each surmounted by an urn finial, the enamel dial with Roman numerals and signed "Chopin à Paris", with visible mechanism, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

Ca. 1800 With double silvered scales, signed "J.S. Pietro Bonginani & Comp. Utrecht", surmounted by a broken pediment centred by a vase.

First quarter 19th century The vase-shaped case decorated with putti, swan's heads, laurel wreaths and butterflies, the enamel dial with Arabic numerals, signed "Blanc Fils Palais Royal", the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

Late 19th century The foliate cast stem issuing two tiers, each with eight S-shaped arms, ending in flower heads, fitted for electricity.

Ca. 1825 The case decorated with flower heads and foliate ornaments, the gilt dial with enamel Arabic numerals, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

Ca. 1900 The case surmounted by an attic decorated with friezes, the silvered dial engraved and signed "S. Smith & Son 9 Strand London", with three small dials ("Chime-Silent", "Slow-Fast", and "Westminster-8 Bells"), the mechanism with anchor escapement, the repetition chiming mechanism (Westminster or 8 bells) with three fusee driven trains.

Second half 18th century The case with fruitwood inlay, the hood with openwork decoration, surmounted by polychrome painted bronze figures, the silvered chapter ring with Roman and Arabic numerals, windows showing the day of the week, the date, the month, the lunar phase, and the tides, signed "Pieter Brandt Amsterdam", the eight-day mechanism with anchor escapement, chiming on two bells, on the whole hour and half hour in full, with alarm mechanism.

Late 19th century The rectangular plate within four cushion surrounds separated by ripple moulded strips.

Ca. 1967-72 A "Caravelle" model, wound by changes in the air pressure.

Second half 18th century The case with fruit-wood inlay, the hood with openwork decoration, the silvered chapter ring with Roman and Arabic numerals, windows showing the day of the week, the date, lunar phase, and a moving Azrael, signed "Dirk Vetter Amsterdam", the eight-day mechanism with anchor escapement, chiming on two bells, on the whole hour and half hour in full.

Ca. 1880, possibly French Each with arms decorated with scrolling foliage, the lower part with conforming ornaments.

Of Louis XV style, 19th century The rectangular plate within a moulded frame decorated with flower tendrils and foliate C-scrolls, the crest centred by a shell.

19th/20th century Each decorated with patinated foliage and gilt lily flowers, carrying five candle arms.

18th century Each with a cartouche-shaped plate within a frame decorated with carved foliate scrolls, the cresting with smaller mirror plates.

Ca. 1800 The case and hood decorated in a regional Louis XVI style, with carved tendrils, vases with flowers, guirlandes and flower heads, signed "Paul Massir", the enamel dial with Roman numerals, the eight-day weight driven pendulum mechanism, striking mechanism with count wheel on a bell.

Last quarter 18th century The rectangular plate within a frame surmounted by a crest centred by a vase and decorated with carved tendrils.

19th century The mahogany bookmatched veneered case with mahogany mouldings, the hood with broken pediment surmounted by brass ball and eagle finials, the brass dial with silver-gilt chapter ring and Roman numerals and central second-hand, signed 'John Spencer', with engraved plate depicting a landscape, the eight-day clockwork with hourly chime and anchor escapement.

A Dutch arts and crafts oak and red and blue painted humidor, last quarter 19th century The rectangular moulded cornice above three drawers, above a panelled door decorated with a carved roundel, enclosing a fitted interior with two metal cigar trays, above a further drawer, on column legs.

A Dutch arts and crafts oak, red painted, and parcel-gilt writing desk and desk chair, last quarter 19th century The rectangular top with gilt-tooled green leather writing surface, above a pair of drawers and a further pair of panelled doors flanked by half columns.

A wrought-iron ashtray on stand, ca. 1900-1910, Germany Hammered and patinated iron, with integrated candlestick and matchbox holder, marked “Goberg”.

Ca. 1900, Netherlands An impressive large clock, made by the Utrecht firm of J.W. Mijnlieff. Decorated in soft greens and muted blues in a trailing bindweed (convolvulus) pattern. Marked on the inside with the usual factory marks and number 151019.

Ca. 1900, Netherlands A florally decorated high glaze mantel clock. Marked on the inside with the usual factory markings and the spider mark denoting the year of production (1901) and decorators mark for Sam Schellink.