Ca. 1900 The clockwork surmounted by a vase and suspended between four marble columns, on a shaped rectangular base, the enamel dial with Arabic numerals, the mechanism with anchor escapement, chiming mechanism on count wheel in full on the whole hour and once on the half hour, with a Brocot spring suspended pendulum.

Late 18th century The case with bookmatched veneer and slender columns, the hood with similar columns and a broken pediment carved with foliate ornaments, surmounted by a brass ball, the silvered chapter ring with Roman and Arabic numerals, the silvered dome signed ‘Nathaniel Brown Manchester’, with date aperture, lunar phase, and minute hand, the eight-day mechanism with anchor escapement, chiming on the whole hour, without weights.

Late 18th century The clockwork surmounted by a reclining female figure, and carried by two putti each riding a goat, on a white marble base, the enamel dial with Arabic numerals, the mechanism with verge escapement and two fusee driven trains, the repetition chiming mechanism on the whole hour in full on one bell, with altered pendulum suspension to spring.

Ca. 1830-40 The case decorated with the standing figure of a woman contemplating an inscription on a scroll ("De près de loin"), the base with a allegorical relief panel, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

First quarter 19th century The clockwork and voluted cornice resting on four columns, on a rectangular plinth, the dial with Roman numerals, with visible mechanism, the mechanism with anchor escapement, striking once on the half hour and the whole hour in full, with altered pendulum suspension to spring.

Late 18th century The clockwork suspended between two rectangular columns, surmounted by lyres and a vase, resting on a rectangular plinth, the enamel dial with Arabic numerals, signed "Héron à Paris", the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

First half 18th century The mahogany veneered case with circular window, the hood with inlay simulating openwork decoration, surmounted by brightly painted carved figures, the silvered chapter ring with Roman and Arabic numerals, windows showing the day of the week, the date, and the lunar phase, the eight-day mechanism with anchor escapement, signed "Willem Redie Amsterdam", chiming on two bells, on the whole hour and half hour in full, with alarm mechanism.

Late 18th century The clockwork suspended by two columns, each surmounted by an urn finial, the enamel dial with Roman numerals and signed "Chopin à Paris", with visible mechanism, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

20th century With double silvered scales, signed "J.S. Pietro Bonginani & Comp. Utrecht", surmounted by a broken pediment centred by a vase.

Ca. 1825 The case decorated with flower heads and foliate ornaments, the gilt dial with enamel Arabic numerals, the mechanism with anchor escapement, the chiming mechanism on count wheel in full on the whole hour and once on the half hour, with chord suspended pendulum.

Of Louis XV style, 19th century The rectangular plate within a moulded frame decorated with flower tendrils and foliate C-scrolls, the crest centred by a shell.

19th century The mahogany bookmatched veneered case with mahogany mouldings, the hood with broken pediment surmounted by brass ball and eagle finials, the brass dial with silver-gilt chapter ring and Roman numerals and central second-hand, signed 'John Spencer', with engraved plate depicting a landscape, the eight-day clockwork with hourly chime and anchor escapement.

A Dutch arts and crafts oak and red and blue painted humidor, last quarter 19th century The rectangular moulded cornice above three drawers, above a panelled door decorated with a carved roundel, enclosing a fitted interior with two metal cigar trays, above a further drawer, on column legs.

A Dutch arts and crafts oak, red painted, and parcel-gilt writing desk and desk chair, last quarter 19th century The rectangular top with gilt-tooled green leather writing surface, above a pair of drawers and a further pair of panelled doors flanked by half columns.

Hammered and patinated iron, with integrated candlestick and matchbox holder, marked “Goberg”. A wrought-iron ashtray on stand, ca. 1900-1910, Germany

Ca. 1900, Netherlands An impressive large clock, made by the Utrecht firm of J.W. Mijnlieff. Decorated in soft greens and muted blues in a trailing bindweed (convolvulus) pattern. Marked on the inside with the usual factory marks and number 151019.