18th century, Netherlands One side showing a sailing ship and the text "Het Lans Well Varen" which translates as "To the succes of the country" and the other side shows a castle type building. The stem and lower part ofthe bowl are faceted

Ca. 1740, Netherlands Depicting the coat of arms of Stadtholder Willem the fourth and the text Vivat Oranie.

18th century, Netherlands With an angraved flower border, many of which have a pierced hole except for the few above the flower emblem on the main body of the glass. Allowing the host to safely drink from the marked side and then passing the glass on to an unsuspected guest to drink from the pierced side.

18th century, Netherlands Engraved with the text "T welvaren van de Lijnbaan de Snoek" which translates as "To the succes of Ropewalk the Pike", De Snoek (the Pike) was the name of a ropemaking factory that operated in Amsterdam and is mentioned in the city archives to have been active in the late 17th century and most of the 18th century. This glass has a faceted stem and is also faceted on the bowl with gothic style arches. The engraving shows three men winding rope as it comes out of the factory. The other side shows a large pike (fish) in water. The cover is a replacement lid (not the original lid).

18th century, Netherlands On a twisted stem with red enclosed spiral. The bowl engraved with a bird on a large heart within a circle, the other side a circle with a depiction of two hearts on fire and two arrows. The sides with ornamental scrolling motifs. The lid and foot with a simple floral garland motif. The lid with a faceted knob.

18th century, Netherlands Depicting the coat of arms of Holland.

16th century, Italy A lustre glaze Gubbio plate. The deep well decorated with a floral motif and the wide rim featuring a repeating flower pattern in yellow and blue. Not marked. Provenance: The property of descendants of Anton Philips.

18th century, Netherlands Model of a small monkey eating a piece of yellow fruit. Initials written on the belly 'K T A', referring to the larger "Kees 't Apie" novelty jugs. Not marked.

18th century, Netherlands Each with an elabrotate cartouche and a different name. Two are marked Johannes van Duijn for De Porceleyne Schotel (ca. 1764-1791). The pot "Rappee" marked for De Porceleyne Lampetkan. With three copper lids.

Ca. 1700, Netherlands A pair of blue and white decorated vases with birds and florals. Marked to the base GK for Gerrit Pieterz Kam (active 1679-1716) for De Drie Vergulde Astonnekes.

18th century, Netherlands A Trompe l'oeil relief moulded plaque, painted with a bird (great tit) in a manganese-barred brown-framed cage, surrounded by moulded blue yellow-edged draper. Not marked, ca. 1760.

Ca. 1800, Netherlands Each showing a pipe smoking man, standing on a shore next to a ship and a barrel as well as two baskets filled with turf. The text reads "De Vriessche Turfschipper" (The Frisian Turf Shipper). Marked LPK for De Porceleyne Lampetkan.

Late 18th or early 19th century, Netherlands A pair of mirrored plaques, decorated in blue and white with manganese marbled effect borders. One scene has the text "Exod 2:5" written, which refers to the Biblical text: "The daughter of Pharaoh came down to bathe at the Nile, with her maidens walking alongside the Nile; and she saw the basket among the reeds and sent her maid, and she brought it to her." Illustrating the Old Testament story of Baby Moses. These plaques are not marked but were probably made in Friesland in the early 1800's.

First half 18th century, Netherlands A blue and white decorated plate with floral cartouches. Marked for "De Witte Starre". An old label for Alex Huisman Antiques on the back.

18th century, Netherlands A small Delft pottery planter with shell shaped tab handles and panels featuring florals and birds. Marked for Adriaan van Rijsselbergh (active 1701-1735). Decorated in blue and white with green, red and gold accents. Provenance: The property of descendants of Anton Philips.

18th century, Netherlands A brightly coloured bird perched on a mangnese rock. Not marked. Provenance: The property of descendants of Anton Philips.

19th century, Gemrany Kaendler Figurines "Girl with Flowers in Apron" and "Boy with Flower Wreath", both with incised number 6 and painted number 47 and impressed number 8.

19th century, Germany A female monkey playing the hurdy gurdy and a male monkey playing the trumpet. Signed withthe usual Meissen crossed words mark and impressed numbers.

18/19th century, Germany The girl feeding a cat and the boy teaching a dog to jump through a hoop, on gilded bases and with lace frilled clothing. Designed ca. 1766-1768 by Michel Victor Acier for Meissen. Marked with the crossed swords and 'B94' for Meissen on the base. Provenance: A Dutch noble family.

19th century, Germany This group is also known as "The Catch of the Tritons", designed by Johann Joachim Kaendler in 1769. Features two nymphs hauling in a net filled with fish and a mermaid baby.

Late 18th century, England A finely pierced and reticulater bowl and cover. Marked with an impressed "wedgwood" and a large W.

18th century, England Two small oval jasperware plaques, one featuring a profile of Stadtholder Prins Willem V, the other of the Stadtholder together with his wife Wilhelmina van Pruissen. Not marked but almost certainly made by Wedgwood. Mounted in a silver hanger.

18th century, Netherlands Decorated in the centre with a cottage and two figures at a waterside and scattered flowers in the border. Marked on the back in underglaze blue M.O.L. and Amstel.

18th century, Netherlands Decorated with a large scene of dancing figures on a waterfront with sailing ships and a ruin. Marked in underglaze blue Amstel. Old restoration.

18th century, Netherlands Shaped as a nautilus shell and decorated in a cornflower pattern with gilded garlands. Marked in underglaze blue M.O.L.

Ca. 1900, France Enameled with narcissus and violets and gilded ornamentation. Not signed.

1756, possibly French The Virgin embracing the Child, surrounded by a carved oval frame decorated with C-scrolls and foliate ornaments, dated '1756' to the reverse, in two parts.

18th century, possibly French The head leaning on the right shoulder, the perizoma tied with a rope, mounted on a red board, within a gilt frame.

18th century, possibly Flemish The partly draped seated figure resting on a cloud.

1783 A bronze church bell, cast by Alexius Jr. Petit. The text on the bell reads: "Alexivs Petit me Fecit Ao 1783". This bell hung in the Cellebroederskapel in Maastricht until it was removed during a renovation after WWII. Comes with its clapper and a (modern) frame for suspending from a wall.

1763 The ribbed body decorated with two acanthus friezes, the flaring rim dated "1763".

Second quarter 18th century The microscope with brass eye-piece, turned lignum vitae body covered with dark red paper, resting on three curved brass legs around a shaped stage, above a hinged circular mirror, mounted on an octagonal base with one drawer fitted with various lenses and objectives, in an oak pillar case with brass ring handle, the body polychrome decorated with simulated oak grain, the interior with a drawer containing two brass tweezers, a brass fish-plate, and a small disk.

1906, Germany "Die Himmelskugel entworfen u. gezeichnet von C. Adami Neueste Auflage 1906. Berlin, Verlag v.D. Reimer", consisting of twelve lithographed gores with constellations in blue, with a brass meridian ring and an octagonal horizon, on a three-legged ebonised stand.

Ca. 1780-1800 Decorated overall with Chinoiserie panels of landscapes and inlaid borders, the interior with six glass bottles, the lid's interior lined with blue fabric.