The fruit seller oil on canvas, 76x56 cm

A young Balinese woman at the beach in Sanur, Bali oil on board, 30x37 cm

Indonesia (1945-1955) A boy and a bare breasted girl. No markings or signature.

20th century, Indonesia A Balinese wood carved elongated figure of a bare breasted woman with a demon at her feet. Indistinctly marked on the underside with a rubber stamp.

On the way through the rice fields near a Minangkabau village, Sumatra oil on canvas, 50x60 cm

'Baai van Serang' / The Bay of Serang, Java oil on canvas, 38x55,5 cm

Ploughing buffalos oil on board, 28x38 cm

Royal Palace Phnom Penh, Cambodia oil on cardboard, 49,5x75 cm

A view on Buddhist temples in a Burmese valley oil on board, 28x53 cm

'Couleur Arabe' oil on canvas, 40x30 cm

A street scene in a Javanese neighbourhood oil on canvas, 30x40 cm

'Processie in Bali' / A procession on Bali oil on panel, 50x40 cm

Street life, Java oil on board, 66x51,5 cm

Indonesia (circa 1950) A Balinese wood carved Art Deco stylized figure representing Dewi Sri (Rice Godess). Marked on the back of the base “K. Djedeng, Sumampan, Bali”.

Indonesia (1930-1940) A bare breasted female caressing her long hair. Not marked or signed.

Indonesia (1945-1955) The figure not marked or signed.

The revenge of the gods acrylic on canvas, 43x67

Agricultural activities in a Balinese dessa oil on board, 61x92 cm

Choosing the right one ink, cinnabar and gold leaf on paper 20,5x30,5 cm

The rice harvest / Panen Padi tempera on canvas, 90x75 cm

The rice harvest oil on canvas, 68x86 cm

Balinese farming oil on canvas, 44x33 cm

Balinese fishing washed ink on paper, 39,5x52 cm

Sensation in tropical forest acrylic on canvas, unframed, 59x39,5 cm

Figures seated around a fire with snakes washed ink on paper, unframed, 50x39 cm

Kamasutra washed ink on paper, unframed, 50x76 cm

Bathing woman and other figures in a tropical forest gouache on paper, 60x82,5 cm

20th century, Indonesia Balinese carved wood sculpture of an xxpressive figure. Not signed but attributed to I Nyoman Tjokot, born in Djati, Gianyar, Bali. He gained his inspiration for his work from sacred Hindu texts and folk legend. He found the pieces of wood and branches that he used in his sculptures in the woods or along the water’s edge. Usually he could already picture the image that he was going carve in there. He would never chop off a branch from a living tree. His style was primitive and expressionistic. Provenance: Mrs. M.A. Levelt, Board Member of the Bataviasche Kunstkring, Batavia.

A monkey-type creature with possessed expression. Not marked or signed but in the manner of Tjokot.

The tiger hunt washed ink on paper, 56x33,5 cm

A gathering of froggs oil/acrylic on canvas, 76x75 cm

A woman picking fruit oil on canvas, mounted on cardboard, 27x21 cm

A Javanese woman walking near a flamboyant oil on board, 30x40 cm

The sunny garden in Sanur with Ni Pollok and Balinese maidens charcoal and gouache, heightened in white, on paper, 28x36,5 cm

Indonesia (circa 1948) Provenance: -Harry Dijkman (1920-1994), thence by descent to the present owner The temptation of Arjoena, from the Kakawin (An old Javanese poem) Arjoena Wiwaha. Arjoena was the famous hero from the Mahabharata; a religious and philosophical epos from India. Arjoena, in the centre is in deep meditation. Two heavenly nymphs, Suprabha and Tilotttama, sent by the Gods, attempt without success to seduce him. Made from sonokeling wood (Indian rosewood)

20th century, Indonesia Provenance:-Harry Dijkman (1920-1994), thence by descent to the present owner. Sculpture of a mother whose both hands are on her left hip with a child holding onto her feet and asking for something. Not marked or signed.

Indonesia (circa 1948) Statue representating - highly likely - from the kakawin (old Javanese poem) Sutasoma. As a pious buddhist, Prince Sutasoma meditates at the top of a hill, whilst an enormous snake twists and turns around the hill to try and devour him. Because a buddhist cannot kill any living creature he has to use his inner strength to tame the animal.. Eventually the snake becomes his faithful follower.

How the Pangolins became king of the forest watercolour on paper, 34,5x22 cm

The island of Bali watercolour on paper, 34x47 cm