Ca. 1830 Of tub shape, with pierced splats, surmounted by a pair of swan's head finials, on shaped supports and castors.

1851 Consisting of twelve gores, with a brass meridian ring and horizon ring, the cartouche signed 'Newton's New and Improved Terrestrial Globe Accurately delineated from the observations of the most esteemed Navigators and Travellers, to the Present Time', supported on four quadrants meeting at a central turned column, above three S-shaped legs, on castors.

Second quarter 18th century The arched shaped back carved with exuberant rocaille and foliage, two large scrolls spiralling towards the side, centered by a shaped cartouche representing Mercury rescuing Io from a sleeping Argus Panoptes, above a rectangular plank seat with swag apron, supported by two baluster legs carved with scallops, redecorated, the legs with later reinforcement.

Early 19th century, the marquetry later Inlaid overall with vases, putti, and flowers, the rectangular drop-leaf top above a single drawer, on round tapering legs.

20th century A bluestone console table, the rectangular top supported by a pair of H-shaped supports.

20th century A pair of bronze coloured and steel mounted 'Pyramid' cabinets, the triangular top above two doors and three further drawers.

Ca. 1830 The moulded and padded back, scrolled sides, and seat covered in yellow velvet, on acanthus carved paw feet. Provenance: The property of an old family from The Hague.

19th century Carved overall with acanthus and lotus leaves, the circular lidded bowl on a baluster stand and tripartite base.

Second half 19th century, London With openwork music rack, the sides and tapering hexagonal feet partially decorated with scrolling foliate ornaments, on castors.

Ca. 1800 The curved back above a shaped seat inset with later leather cushion, on circular shaped and tapering legs.

17th century, and later The rectangular moulded cornice above a pair of panelled doors, flanked and divided by fluted columns surmounted by composite capitals, above a pair of base drawers, on bun feet.

Ca. 1630-40, Antwerp School The hinged and moulded rectangular top enclosing a compartment inset with a mirror flanked by depictions of Saint Peter and Saint John the Baptist, above two doors inset with painted panels depicting the Baptism of Jesus and the Parable of the Sower, enclosing an interior fitted with ten drawers inset with depictions of (clockwise, starting from top center) the Samaritan woman at the well, the Good Shepherd, Noli me tangere, Healing the blind near Jericho, the Temptation of Christ, the Flight into Egypt, the Good Samaritan, Calling of the disciples, the Road to Emmaus, and Healing a bleeding woman, surrounding a central panel door depicting the Return of the Holy Family from Egypt, opening to reveal an architectural interior with ivory and ebony parquetry floor and mirrored sides, above a frieze drawer, on a later ebonised stand with twisted legs joined by an X-shaped stretcher.

20th century A button-tufted S-shaped high chair, the back tapering and curling at the top, the whole upholstered with a gold-coloured Fortuny floral damask.

17th century and later The rectangular plank top above four acanthus carved baluster supports.

Second quarter 18th century The moulded red and white variegated rectangular marble top above a carved frieze decorated with trellis, and centered by a mask, on conforming shaped legs ending in hoof feet, joined by an X-shaped stretcher.

Early 19th century Decorated overall with alternating black and red lacquer panels, the rectangular top featuring panels with gilt flowers, on tapering legs ending in toupie feet.

Ca. 1880, Macau Carved overall with clover leaves, each with pierced foliate shaped rectangular back carved with wine grapes

First quarter 19th century Of octagonal moulded shape with zinc liner, on paw feet with sunken castors.

20th century The outswept back, seat, and armrest upholstered with a gold and grey coloured damask decorated with bamboo stem pattern, on bun feet.

Ca. 1850 Each with later inset cushion, above a pierced frieze carved with foliage, on paw feet.

Late 19th century The padded back and seat covered in green material with floral pattern, with leather armrests, inscribed 'te s.g.d.g. liaers'.

Of Baroque style, possibly Italian Decorated with flowers, birds, butterflies, and C-scrolls, on a pair of later black painted pedestals.

19th/20th century Each covered overall with a blue and silver floral fabric, the brass-studded rectangular back surmounted by carved giltwood lion's heads, the legs terminating in acanthus carved giltwood paw feet.

20th century The shaped back flanked by chimera, on acanthus carved paw feet, and rectangular plinth.

Attributed to André Arbus (1903-1969), ca. 1935-40 The shaped moulded top above two slightly curved doors terminating in a waved apron, opening to reveal a plain interior with several shelves, on scrolled feet.

An Art Deco ormolu-mounted and red leather meuble d'appui, for the Compagnie des arts français, 1939, France Decorated overall with pierced ormolu trellis mounts and stars, the rectangular top above three doors, each enclosing adjustable shelves, on incurved and turned feet. This long side cabinet or 'meuble d'appui' reflects very clearly the antimodernist attitude that Adnet shared with many French designers and artists just before and during the Second World War. The cabinet was first presented at the Grand Palais in Paris, where it adorned the hall designed by the Compagnie des arts français at the 29th Salon des artistes décorateurs in 1939. The objects that surrounded the cabinet - a pair of oak chairs and decorative panel designed by Pierre Oliver - similarly evoked the return to craftsmanship and more traditional styles that characterised Adnet's work during this period. The piece was made by Adnet and Poillerat for the Compagnie des arts français, an interior design and decoration company founded by André Mare and Louis Süe in 1919 and installed at 116 rue du Faubourg-Saint-Honoré in Paris. In 1928, Adnet took over the artistic direction of the company and enlisted many avant-garde designers and decorators such as Charlotte Perriand, Djo-Bourgeois, Francis Jourdain and René Herbst. Sixth photo: The cabinet as exhibited at the 29th Salon des artistes décorateurs, 1939, Grand Palais, Paris (Source: Foucart and Gaillemin, Les Décorateurs des années 40, p. 62).

Late 19th century The lobed and acanthus-cast rim supported by three herons or storks, on a hexagonal base.

19th century Each surmounted by a brazier, standing on a square base.

19th century, possibly Indian The backrest topped with an eagle's head and ending in a tail, carved overall with overlapping feathers, on claw feet.

A large mantelpiece, ca. 1910 A wooden construction with a framed decorative batik on parchment panel depicting two birds surrounded by foliage. The panel flanked by a frame embellished with three coromandel panel bands of carved foliage motifs in relief and padouk profiles. The interior of the fireplace made of partially pierced copper. Not from a protected monument.

An oval table, ca. 1900-1903 The top with four sections separated by a cross, with a plain architrave and four legs joined by two crossing stretchers.

A mahogany sideboard, ca. 1951 Decorated overall with overlapping circles, the rectangular top above two frieze drawers and two doors. Designed for Gordon Russell Ltd. (label and stamp to the back).

An 'Egg Chair', 1998 Upholstered in blue fabric, on aluminium star swivel base, with original label to the underside of the seat. Designed in 1958.

A LC6 Table, ca. 1980-1990, Italy The rectangular textured glass top supported by a black steel base. Engraved in the frame are the Cassina logo, the model number 'LC 6 No 22959' and Le Corbusier signature. The model was originally designed in 1928, and first presented at the Salon d'Automne in Paris.

A 'Swan Chair', 2001, Denmark Upholstered in blue fabric, on aluminium star swivel base, with original label to the underside of the seat. Designed in 1957.

Eight 'Side Chairs', second half 20th century The white lacquered steel basket seat on black lacquered legs, six chairs with red seat pads marked 'Knoll' to the underside, the extra two chairs with brown 'Knoll' seat pads. Designed in 1952.

An 'F 572' lounge chair, 1967 Upholstered in brown-green fabric, marked 'Artifort design pierre paulin' to the underside. One of the rarer models by Paulin, since it was only produced for a very short time.

Four 'Diamond Chairs', second half 20th century The white lacquered steel basket seat with red seat pads, on black lacquered legs. Designed in 1952.

First half 17th century Woven in wool and silk, the brown ground with a central large blue and gilt vase decorated with putti and filled with carnations, lilies, tulips, and other flowers, surrounded by smaller vases filled with similar flowers. This tapestry may very well have been originally intended or used as a floral table carpet, which was a specific type. Moreover, the large number of different species of plants included in this tapestry evokes the fascination for botany in this period, which can be traced back to illustrated plant books published by Plantijn in Antwerp.

Ca. 1700 A bird of prey in a forest landscape near a village, mounted on a modern wooden stretcher.

Ca. 1700, Southern Netherlands The beige cotton ground woven with polychrome silk scrolling foliate ornaments. Broché is a type of fabric with figures that are formed by the weft, with the added weft thread returning at the edges of the figure.

19th century The scrolling flowers and branches embroidered in wools on a linen ground, together with one cushion, covered in the same crewelwork fabric.

Late 19th century The blue field decorated with a red cross.

Ca. 1950, Iran The cream field decorated with stylised leaves and flowers in red and blue.