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Sluiten97 - 144 van 431 resultaten

Three sawankhalok Thai celadon figures
16th. century, Thailand. One elephant with rider, a cow and a woman with child. (3)
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Small collection of Chinese & Vietnamese porcelain blue & white dishes
19th. century, China & Vietnam. Plates with starburst pattern and bowl with celadon outside and blue & white crab decoration. (8)
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Tang dynasty terracotta figure of a prancing horse
618 - 907 AD, China. Painted saddle. With positive TL report. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's (before 2004). Original receipt available.
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Han dynasty terracotta figure of a sow (pig), with positive TL report
206 BC - 220 AD, China. Dark brown terracotta clay figure. With positive TL test result. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's (before 2004). Original receipt available.
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Han dynasty terracotta figure of a horse
206 BC - 220 AD, China Rider dressed in red jacket and cap. With positive TL report. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's (before 2004). Original receipt available.
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Tang dynasty terracotta figure of a horse and rider dressed in red jacket
618 - 907 AD, China. With positive TL test result. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's (before 2004). Original receipt available.
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Tang dynasty terracotta figure of a dancing lady
618 - 907 AD, China. With positive TL test result. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's (before 2004). Original receipt available.
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Tang dynasty terracotta figure of a standing lady
618 - 907 AD, China. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's.
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Tang dynasty terracotta figure of a standing man
618 - 907 AD, China. Wearing a black cap and green trousers. With positive TL report. Provenance: private collection in the Netherlands, bought from Vanderven & Vanderven Oriental Art in the 1990's (before 2004). Original receipt available.
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Een Tang dynastie, ruiter te paard, met TL rapport
618 - 907, China Rechtervoet van de ruiter is afgebroken en ontbreekt.
Met positief TL rapport.
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A Burmese gilt wood standing Buddha
19th century. A Mandalay style standing Buddha from Burma depicted as a prince with a juvenile appearance. With traces of gold paint, lacquer and glass and mirror inlays. Fine face with painted eyes. His right-hand holds a small object as a symbol of spiritual understanding or „grasping a grain of truth“, also known as the cincihna mudra.
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A Cambodian sandstone torso depicting Uma
12-13th century, Angkor. A graceful sandstone torso of Uma with a narrow waist, broad shoulders, wearing a belt around a long sampot carved with vertical pleats. Mounted on a wooden base.
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A Cantonese ivory card case
China, 19th. century. Intricately carved on both sides with many figures, trees and buildings.
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A Chinese celadon jade plate
Probably Qianlong, 18th. century, China. Not marked, finely carved with auspicious symbol and bats.
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An Indian sabre with gold inlay
Late 19th century. Fine curved single-edged steel Indian sabre with inlaid gold, iron hilt and black leather scabbard. With a brown leather belt.
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An Ottoman Kilij
Ottoman Empire, early 19th century. A one-handed, single-edged and curved Ottoman kilij with a high-quality steel blade with fine gold inlaid intricate patterns and inscriptions in cartouches, probably verses from the Koran. The hilt is made of whale tooth and the scabbard of wood, black leather and repousse metal.
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A Japanese bronze sculpture
Meiji, 19th. century, Japan. A fighting tiger and wolf, signed to belly of tiger.
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A Japanese lacquer writing box
Meiji period, 19th. century, Japan. The cover on the outside decorated with a scene of workers raising a Buddha statue. The underside of the lid decorated with 3 figures under a tree. Inside are a brush tray and inkstone.
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A Japanese painting of Rooster, hen and chicks, by Maruyama Okyo (or follower)
Edo period (1615–1868), Japan. Rooster, hen and chicks under a flowering plum. Ink, colour and gold on paper. Signed. Framed behind glass.
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Five Japanese tsubas
Edo period, 1603-1868, Japan. Various bronze tsubas, some with gilt bronze accents. One with 2 oxen. (5)
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Six Japanese tsubas
Edo period, 1603-1868, Japan. Various bronze tsubas, some with gilt bronze accents. Two with text and three with figures. (6)
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Six Japanese tsubas
Edo period, 1603-1868, Japan. Various bronze tsubas, some with gilt bronze and silver inlaid accents. (6)
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Six Japanese tsubas
Edo period, 1603-1868, Japan. Various bronze tsubas, some with gilt bronze accents. One with Ginkgo Biloba leaf and other leaves. (6)
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Seven Japanese tsubas
Edo period, 1603-1868, Japan. Various bronze tsubas, one with gilt bronze accents. Five carry texts. (7)
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A group of Japanese tsubas with other sword elements
Edo period, 1603-1868, Japan. Five bronze tsubas, four with gilt bronze accents. Two carry texts. Also four kurikata, three kozuka and five others. (17)
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Five tsubas
Edo period, 1603-1868, Japan. Various tsubas, one with inlaid gilded bronze elements, another one kaō signed. One signed Chōshū jū Yūichi (Y. from Choshu, west in the province of Yamaguchi). (5)
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Five tsubas
Edo period, 1603-1868, Japan. Various tsubas, one signed Echizen jū Kinaisaku (Kinai-school from the province of Echizen). (5)
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Five tsubas
Edo period, 1603-1868, Japan. Various tsubas. One with a minogame turtle, another with stylized insects. (5)
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Five tsubas
Edo period, 1603-1868, Japan. Various tsubas. One kawarigata ("irregular form") that is signed Echizen jū Akao (Akao from the province of Echizen). (5)
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Four tsubas
Edo period, 1603-1868, Japan. Various tsubas, partially with gilt accents. (4)
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Five tsubas
Edo period, 1603-1868, Japan. Various tsubas. Two decorated with dragons, one with inlaid florals. (5)
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Four tsubas
Edo period, 1603-1868, Japan. One with a gold inlay ikebana flower basket. Another with gilded dragons. One brass with relief pattern of bamboo leaves. (4)
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A tsuba in the form of a skull
Edo period, 1603-1868, Japan. Interesting iron kawarigata tsuba shaped as a stylized skull with pierced holes. The holes probably representing 9 stars (kuyōmon), plus 2 extra holes; one for the sword and the second for the Kōgai.
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Rozenburg plateel aardewerk klok, in perfecte staat
1890-1900, Nederland Grote art nouveau stijl pendule. Gemaakt door Rozenburg in Den Haag. Het aardewerk in perfecte conditie, zonder restauratie. Uurwerk niet gecontroleerd, wel met originele opwindsleutel en slinger.
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An Italian faience pottery plaque
Castelli, 18th century, Italy. Decorated with an Italian landscape with a town at the waterfront and people strolling near a Roman ruin behind a tree and shrubbery. In a wooden frame.
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Two pottery plaques with Dutch landscape scenes
ca. 1890-1900, Netherlands. Manufactured by Rozenburg. Marked on backs with factory mark and painter marks. One with a scene of sheep in dunes after an original by Anton Mauve. A second smaller plaque with a windmill scene after Weissenbruch. (2)
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A Dutch art nouveau pottery vase, Wed. Brantjes Purmerend
ca. 1900, Netherlands. Floral pattern, vase form 504, painter's signature and model numbers to base.
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A Dutch art nouveau Rozenburg pottery vase
1895, Netherlands. A pattern of stylized tulips. Marked to base with year letter M for 1895 and model number 359.
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A Dutch art nouveau Rozenburg pottery vase
ca. 1895, Netherlands Of squared form with abstract ornamental decoration in browns and blues. Marked to base with model number 225.
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Two large Rozenburg blue glaze pottery vases
Ca. 1900, Netherlands. Deep blue glaze to exterior and greenish glaze on inside. Painted factory and painter's marks to base. (2)
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Two Dutch yellow glaze pottery ADCO vases
ca. 1930, Netherlands. Model numbers 1020 and 1033. Marked to base. (2)
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Jaap Gidding Gouda Pottery vase, Plateelfabriek Zuid-Holland
1920's, Netherlands. Art deco matt glaze leaping deer pattern. Vase model 401. Year code for 1928.
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Jan van der Vaart, drie vazen
1960-1976, Nederland Twee bronsglazuur vazen, een gedateerd 1969, de andere 1976. Daarbij een vroeg klein wit geglazuurd dekselvaasje gedateerd 1960.
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Keramiek beeld van 2 vissen
ca. 1970 Kleurrijk geglazuurd zwaar aardewerk beeld, niet gesigneerd. In de stijl van Maggi Giles (maar niet gemaakt door haar).
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A.D. Copier, a large blue Leerdam glass vase
1928/29, Netherlands. Unica vase designed by Andries Copier, (Dutch, 1901-1999) for Leerdam. Signed to underside "Leerdam Unica, E44, A. Copier" (year code E stands for 1928/29). Blue accents and so called "tincraquele" surface.
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A.D. Copier, a Leerdam glass vase
20th. century, Netherlands. Unica vase designed by Andries Copier, (Dutch, 1901-1999) for Leerdam. Signed to underside "Leerdam Unica, X839, A. Copier" (year code X stands for 1946).
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A large round Leerdam glass fruit bowl
Ca. 1950/60, Netherlands. Heavy glass with a greenish tinge, etch mark for Copier Leerdam.
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A collection of Dutch glass "spijkerbollen" Leerdam vases
ca. 1950/60's, Netherlands A group of twenty round glass vases and one paperweight with regular airbubble patterns, several coloured. Design A. Copier for Leerdam. (21)
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97 - 144 van 431 resultaten