Uit de Alder-Oudste Gedenkkenissen der Hebreen, Chaldeen, Babyloniers, Egiptenaars, Syriers, Grieken en Romeinen; [..]. Beneffens een Nasporing van de Verfoeijelijke Drek-Goden Der Chaldeen, Babyloniers, Syriers en Egiptenaren, [..]. Verrijkt met een betooglijk Ontwerp van de Pragtige Bouwgestalte des Tempels, Welke de Groote Koning Salomon, navolgens het Modèl van de Opperste Wijsheid, te Sion op den Berg Moria gebouwd, [..]. Door een Liefhebber der Joodsche Oudheden te saamen gebragt [..]. [Deel 1-2]. Tot Amsterdam, By Wilhelmus Goeree [..], 1690. 2 Vols.: [40],844,[36 index] and [2],845-1716,[36 index] pp. With 2 different engraved frontispieces by resp. G. van der Gouwen & J. van den Aveele after P. Tideman, 1 fold. engraved map (“den Aardbodem na de Zundvloed door Noachs dri Soonen en hare nakomelingen bevolkt [..]”, ca. 21 x 42 cm.), 86 (double-p.) engraved views/ plates (of which 27 folding) by i.a. Jan Luyken & num. engraved text-ills. Small folio, late 17th-cent. (almost unif.) blindst. panelled vellum with large blindst. ornament central on both covers, ribbed spine (sl. soiled). (2x)

Gedaan en beschreeven door Govard Bidloo, [..]. Uitgebeeldt, naar het Leeven, in Honderd en vyf Afteekeningen, Door de Heer Gerard De Lairesse. T'Utrecht, By Jacob van Poolsum [..], 1734, consisting of 5 unnumb. introductory text-leaves (incl. title & index) & 62 unnumb. explanatory text-leaves. With engraved frontispiece, engraved title-vignette & 105[=106] engraved plates (numbered “T.1.-T.105.” in the plate) after G. de Lairesse. Folio, 20th-cent. blindst. panelled morocco, both covers with inside gilt fillet border.

Una cum Commentarijs Domitij Chalderini [et] Georgij Merule: [et] cum figuris suis locis appositis: Nec non ornatissima tabula per alphabetum nuper addita nunquam amplius impressa [..]. [Printed on final leaf: “Impressum Venetiis[=Venice] per Georgium de Rusconibus[=Giorgio Rusconi] [..]”, 1514], [2 unnumb.],I-LXIX,LXXI-CXLIX[=148] leaves. With woodcut illustration (monogrammed “FV” in the block, ca. 11 x 7,5 cm.) surrounded by woodcut decorative borders on title, 1 full-page woodcut (ca. 24,5 x 18 cm.), 16 woodcut text-ills. (of which 2 duplicates, all ca. 6 x 7,5 cm.) & several woodcut historiated initials. Small folio, early 20th-cent. half-vellum with red mor. letterpiece.

Drawing in black chalk on paper. Signed “W. Arondéus” & titled in lower left corner. Ca. 61,5 x 43 cm. Framed (behind glass).

Etching. (Published after 1701). Signed “L. Bakhuizen” in the plate. Ca. 17 x 23,5 cm. Behind passepartout & framed (behind glass).

Late 16th-cent. drawing in brown ink (& wash) on paper. Titled in brown ink in lower blank margin. Ca. 28,5 x 12,5 cm.

Woodcut (printed on thin Japanese paper). Signed “Jacoba van Heemskerck” & “no. 16” in pencil. Ca. 22,5 x 32 cm. (image) & ca. 36,5 x 48,5 cm. (leaf). Framed (behind glass).

Woodcut (printed on thin Japanese paper). Signed “Jacoba van Heemskerck” in pencil. Ca. 20 x 28 cm. (image) & ca. 37,5 x 51 cm. (leaf). Framed (behind glass).

Woodcut (printed on thin Japanese paper). Signed “Jacoba van Heemskerck” in pencil. Ca. 20 x 28 cm. (image) & ca. 36 x 51 cm. (leaf). Framed (behind glass).

Lithograph. Titled, numbered “2/50”, signed “Adriaan Lubbers” & dated “1944” in pencil. Ca. 32,5 x 30 cm. Behind passepartout & framed (behind glass).

Lithograph. Titled, signed “Adriaan Lubbers” & dated “1929” in pencil. Ca. 30,5 x 24 cm. Behind passepartout & framed (behind glass).

Col. woodcut. Signed “Shoson” in the block (in lower right corner). (Published by Watanabe Shozaburo, after 1926). Ca. 36 x 16 cm. (image). Behind passepartout & framed (behind glass).

Col. woodcut. (Published by Nishimuraya Yohachi, ca. 1770). Ca. 24 x 37,5 cm. (image). Behind passepartout & framed (behind glass).

Handcol. late 18th-/ early 19th-cent. engraving. Ca. 35,5 x 47,5 cm.

Nel mezzo di questo passava l’antica Via sacra che portava i Trionf[an].ti. in Campid[ogli].o”. Etched view with caption & legend (with Italian text) below. Published by G.B. Piranesi (Rome, printed after 1759) with “Piranesi Architetto fec[it].” & “Presso l’Autore a à Strada Felice [..]” in the plate. Ca. 38 x 59 cm. Behind passepartout & framed (behind glass).

Etched view with cartouche. Published by G.B. Piranesi (Rome, printed after 1764) with “Piranesi F[ecit].” in the plate. Ca. 40,5 x 61 cm. Behind passepartout.

Etched view with cartouche. Published by G.B. Piranesi (Rome, printed after 1770) with “Cavalier Piranesi del[ineavit] e inc[isit].” in the plate. Ca. 44,5 x 57,5 cm. Behind passepartout.

Etched view with cartouche. Published by G.B. Piranesi (Rome, printed after 1767) with “Piranesi F[ecit].” in the plate. Ca. 47 x 62,5 cm. Behind passepartout.

Etched view with cartouche. Published by G.B. Piranesi (Rome, printed after 1770) with “C. Piranesi f[ecit].” in the plate. Ca. 46,5 x 70 cm. Behind passepartout.

LE VIEUX ET NOUVEAU DEHLY. Ville Capitale et Residence du Grand Mogol aux Indes [..]”. Handcol. engraved optical view (with German & French caption) by F.X. Habermann. Published “au Negoce com[m]un de l’Academie Imperiale d’Empire des Arts libereaux” (Augsbourg, ca. 1770). Ca. 30 x 40 cm. Behind passepartout & framed (behind glass).

et Subdivisée en ses Grands Estats, et moindres Régions et differens Peuples, [..]”. Handcol. engraved map with cartouche & French explanatory text (in outer parts) after J.B. Nolin (corrected & enlarged by L. Denis). Published by P.A. Basset (Paris, ca. 1817). Ca. 47 x 65,5 cm.

Collection of 12 handcol. engraved gores (divided into 24 parts, all ca. 19 x 8 cm.) & 2 polar calottes (divided into 4 parts, ca. 5 x 11 cm.) forming together a celestial table globe. Publ. by G. & L. Valk (Amsterdam, ca. 1750). All engravings mounted onto a paper mount behind passepartout & luxuriously framed (behind glass).