Late 19th century. Crowned with a rectangular central relief with an ancient classical decor, the old mirror glass surrounded by carved wood beaded bands.

Ca. 1750, Dutch. A burr-walnut veneered longcase clock with pierced hood, with a cartouche in the door of the trunk with a decor in the shape of Europe on a bull. The silvered cypher ring with Roman numerals, the dial face signed: Allin Walkers. With eight-day going train and full calendar and six melodies.

18th century, Amsterdam. The pierced hood above a trunk with a doorpanel with ebonized sculpted rocaille band and a gilt bronze medallion embellished with flowers, resting on claw feet. The silvered cypher ring with Roman numerals and signed: Jintes, Amsterdam. The mechanism with full calendar (day-, date- and moon indication), eight day going train and struck on full- and half hours. With 12 melodies on 15 bells. a.o. Menuet Locatelli, De Horn Pyp, Princs Egenius, Andante etc.

18th century, Colonial Behind the slant top various compartments, the lower section with four drawers with accolade shaped fronts and resting on a plain plinth.

Egyptian, ca. 1900. On three legs and with mother of pearl inlay.

Engeland, Aesthetic Movement c. 1870-80, designed possibly by E.W. Godwin. With two stories and with gilt details.

Mid 18th century, Germany. The scalloped black marble table top above a wall console with a single serpentine leg and carved with ornamental flowering garlands.

18th century. A rectangular top on a scalloped architrave and four turned baluster-shaped legs, joined by stretchers and resting on bun feet.

Late 19th century. The backrest with a carved crest, with blue jaquard textile upholstery and resting on four legs, the front legs with claw-and-ball feet.

Late 19th century. A gold painted framework with a carved architrave, decorated with beaded and meandering bands, carved rosettes and resting on four fluted tapering legs, joined by crossing stretchers.

18th century, Dutch. The overarching cornice above a plain polychrome painted architrave referring to the Biblical parabel of the ten virgins. The top section with two doors and an open compartment, the lower section with two doors and resting on bun feet. The overall embellished with painted scenes and flowering garlands.

Late 19th century. With a white marble scalloped top, resting on a wood frame, decorated with four human heads above four carved serpentine legs, joined by crossing stretchers.

19th century. With a marble top resting on a wood frame, decorated with four carved serpentine legs with rocaille motifs, the framework made of pine. The ochre marble top broken and restored.

Second quarter 18th century, Dutch. A burr-walnut veneered cabinet with an accolade shaped cornice, a central symmetrically carved crest above two profiled doors. The lower section with two drawers above two wide drawers, brass rocaille handles, an accolade shaped skirt and flanked by two corner doors. One drawer damaged.

Late 19th century. The backrest with three carved sections, crowned with ornamental crests, with jacquard upholstery, a white painted framework and a carved skirt with four cabriole legs. (3)

Late 19th century, Dutch. Five dining chairs and one armchair. With rectangular marquetry inlaid and pierced mahogany backrests, resting on four tapering legs, the overall inlaid with fruitwood bands.