20th century The eagle and snake opposing each other and ready to attack. This sculpture is in a moderate condition because of weather influences

20th century. A bronze head of a woman wearing a diadem, her hair in a bun, her shoulders wrapped in a sculpted mantle and made of marble, resting on a marble pillar.

19th/ 20th century. The lions sleeping lying on a rectangular base.

20th century. The lidded vase crowned with a bouquet of fruits and flowers above a flowering vase with sculpted garlands and a circular foot resting on a square base.

20th century. Two parts, one large circular water basin sculpted with ornamental acanthus leaves resting on a circular hourglass-shaped base with matching acanthus leaves. The basin with some cracks.

18th/ 19th century. The snout of one boar restored, one ear of the other boar damaged and restored.

Late 17th century, circa 1680 With the heads of birds and the bodies of dragons. Provenance: Crowther of Syon Lodge, Isleworth-Middlesex, England, from whom acquired by the present owner in 1987.

19th century, Antwerp. Two of the balusters with square plain architraves thus slightly taller. Provenance: Antwerp Railwaystation, designed by the architect Louis Joseph Jean Baptiste Delacenserie (1838-1909).

French, 20th Century. A sculpture standing male deer with large antlers. Provenance: From a garden of a French castle, presented as a gift to the present owner in 1991.

1755, Amsterdam. A rare and very important pair of Dutch 18th century bronze one pounder Naval Cannons, cast by Pieter Seest (1716-1780), master gunfounder (1755-1780) to the V.O.C. (Vereenigde Oost-Indische Compagnie/ Dutch East India Company) In Amsterdam- dated 1755. Inscribed with: the crest of the V.O.C., 'A' for Amsterdam, dated 'Anno 1755', and signed: Pieter Seest. With modern Carriages, wood with iron mountings (carriages in need of restoration). The shape and colouring of the carriages is based on original drawings. Pieter Seest was Master Gunfounder and head of the Amsterdam Town Foundry, from ca. 1755 until 1780. At this foundry bronze cannons and bronze bells were made. The VOC was his most important customer. The V.O.C. had several 'kamers' (offices) in Holland: V.O.C. “A” - Kamer Amsterdam V.O.C. “B” - Kamer Rotterdam V.O.C. “D” - Kamer Delft V.O.C. “H” - Kamer Hoorn V.O.C. “ E” - Kamer Enkhuizen V.O.C. “Z”- “M” - Kamer Zeeland- Middelburg Provenance: Bernard Grijpma, Groningen, from whom acquired by the present owner in 2002.

Ca. 1820. A patinated bicolored tenlights disc ceiling lamp.

Ca. 1900. A bronze framework, decorated with crystal pendants and with three light fixtures.

20th century. With twenty candlelights, devided over two levels and with glass ornamentation on a brass frame. Fitted with electrical wiring.

19th century. The pinewood gold painted framework with a rocaille crest surrounded by flowering garlands. The old rectangular mirror glass framed by four corner-rocailles and flowering garlands.

19th century. Crowned with an oval rosette medallion, surrounded by garlands and palm leaves. The rectangular mirrorframe with carved twisted ribbons and a portrait medallion and garlands.

Late 19th century. A carved hemispherical carved cornice surrounding a partially mirrored panel. The mirror flanked by two vases with bouquets of flowers and a central corbel sculpted as a cherub.

19th century, Dutch. With a bronze pierced crowning, the wood backplate with polychromed mermaids, the dial face embellished with an automaton fortress with canons and a guard. The dialface with Roman numerals and flanked by pierced brass ornaments.

Second half 18th century, The Netherlands. A burr-walnut case, the brass dial face with cypher ring and Roman numerals, full calender (date and moon) and signed: 'Paulus Bramer, Amsterdam'. With an eight day going train and anchor escapement. The signature of Paulus Bramer is probably not original!

19th century, The Hague. With a serpentine crest, the trunk embellished with a cartouche shaped as father time, resting on claw feet. The dial face with a silvered cypher ring with Roman numerals, signed: Karbentus Hage. The clockwork with full calendar (day-, date- and moon indication). With eight day going train and struck with melodies on twelve chimes.

Dutch, 18th century Mahogany case and bell top with small brass finials to each corner. With date and moon-indication, gilt cypher ring with Roman numerals, with repetition mechanism. Signed in the dial face: Petrus Reeder, 's Gravenhage. The ajour sides damaged. The backplate chiseled.

Late 18th century, France. The case crowned with a lyre, firegilt bronze ornaments referring to the theatre. The case flanked by two marble columns embellished with firegilt bronze ornaments. Enamelled dial face with Roman cyphers enclosed in a refined firegilt lunette and a beaded edge, mirroring the bronze decoration of the columns. Central under the case a wedgwood japerware plaque is placed. The French mechanism with an eight-day going train with chord suspension, the pendulum with sunburst decor. Struck on a chime on full and half hours on a count wheel.

France, ca. 1850. In a nutwood case with gilt ornaments, with strike and eight day mechanism.

Central European, 19th century. With an oil painting on a metal ground, depicting a mountainous landscape with romantic figure scenes, waterfals, fountains, classical buildings and a clock in a Gothic style building, the silvered brass cypher ring with Roman numerals and the striking movement with music box. In a gilt wooden frame.

1880 and later. A gilt officers clock with eight-day going train, the case signed at the front: Conrad Schoepperle (20th century). The clockwork signed: Chevalier & Cochet, no. N8827 (ca. 1880).

France, ca. 1900. The case with garlands and floral ornaments, the white dial with arab numerals, the eight day movement with balance escapement and struck on a count wheel.

1895, marked and dated. Of flat baluster shape and decorated with a floral design on a cream coloured background.

Early 20th century, marked. Organically shaped and decorated with a stylised floral design in green, brown and black.

19th century. Crowned with foliage and eggplants, the mirror glass renewed.

19th century, Dutch. The case crowned with a serpentine crest. With Fahrenheit and Réaumur scale, inscription: Amsterdam fecit.

19th century, Dutch. The case crowned with a broken pediment and a turned wood urn above a dentiled architrave. Inscribed: Gebr. Bazerg, Rotterdam.

Second half 19th century. The brown marble clock and candelabra with patinated bronze ornaments. A bronze sculpture of a leaning classical soldier against the case of the clock. The dial face with Roman numerals.

Late 19th century. Crowned with a rectangular central relief with an ancient classical decor, the old mirror glass surrounded by carved wood beaded bands.