19th century, Southern Europe The Virgin Mary mourning over the dead body of Christ.

18th century. His head crowned with thorns, his legs covered with a loin cloth. Originally this sculpture has been mounted on a cross. The arms and the cross are missing.

19th century, Northern Europe. The head of Mary uncovered and with long curling hair. The Virgin with a mantle over her shoulders and with Christ Child on her arm. Jesus is holding a bird, possibly a pigeon or a goldfinch. Mary is standing on a crescent moon with a carved cherub head at the bottom. Some damages.

18th century. Polychromed carved sculpture of Jesus Christ as a baby with one hand raised and his legs covered with a loin cloth.

16th century. The head partially polychromed, one hand on his cheek and wearing a mantle.

19th century, Northern Europe. Mary wearing a mantle mourning over the deceased body of Christ resting on her lap. The sculpture resting on a wall corbel shaped as a Corinthian capital, possibly of a later date.

17th/18th century. Depicting the parable of the prodigal son and the pigs, as told in the gospel of Luke, flanked by a shield of arms and and monstrous head, as part of a wainscoting.

17th century, Dutch. A shoulder-piece of a bearded man with a mantle over one shoulder and mounted on a circular base. Overall heavily damaged.

17th/18th century. One black bag with a strap and metal mounts, the other one brown with iron fittings. (2)

Late 19th century. Embellished with two goat heads and laurel garlands, playing putti with flower garlands and riding a goat above a bicolored circular base with laurel motif.

Late 19th century. The lid crowned with a pine cone. Embellished with two goat heads and playing putti with flowering garlands and riding a goat above a circular base with laurel motifs.

18th century, Germany. The hinged lid mounted with a large finial, the nozzle fitted with a small hinged lid. With an inscription: Georg Heinrich Klug, Anthon Ulrich Bitter, Joachim Kampen.

Late 19th century. Carved wood, partially silvered, partially gilt, the bearded heads wearing a mitre and with a cloak over their shoulders, their chest mounted with a glass panel to hold a relic. On a rectangular base with a shell motif and claw feet.

Late 19th century Each with a bearded male figure wearing a lion skin and holding aloft a flaming vase, above a base with a coat of arms, griffins and a mask, resting on claw feet.

19th century, Dutch. Two copper finials above sculpted faces flanked by horses and resting on claw-and-ball feet with a wrought iron back rest.

Ca. 1910, Germany. With periphery drive playing on three combs, in an upright case with glazed hinged door, winding handle and coin slot to the side, together with additional metal discs.

Dutch, mid 19th century. The box with a half circular cover, containing six bottles and stoppers and two licqueur glasses, the bottles with gilt ornaments, the glasses with enamel leafs.

Ca. 1790, France. A pair of decorative vases with ormolu or firegilt ornamentation in Louis XVI style resting on a tripod and a white marble base.

Ca. 1810-1820. The interior covered with a seated cupid and a volute shaped stem with a small bell, the overall embellished with a refined decor and resting on claw feet.

19th century, probably French The two putti flank an ornate vase with a lavish flower arrangement, on top the South-African flower ‘crown imperial’. The vase stands on a plinth supported by a large shell. The canopy embellished with tassels carrying three white birds, the middle one with its wings spread, holding a twig and flowers in its beak. The centre part surrounded by flowers, branches, leaves, and feather-like floral motifs embroidered in silk and metallic golden thread in green, yellow, pink, red, and blue. The embroidery of the flower hearts thickened to achieve a three-dimensional effect.

Franch, early 20th century, signed J. Descomps and stamped Louchet. A gilt bronze baluster shaped vase with two ears, a female nude on the shoulder and with a moulded decoration of a bearded old man reading and on the back a still life with bottles and an owl on a book.

Early 20th century. A standing stag, the head turned to the laft.

Early 20th century, marked 'Geschützt", model no.1988. Two birds sitting next to a green egg with a chick on a fern leaf, painted in natural colours.

Early 20th century, marked. A charging elephant with the trunk forwards, painted in natural colours.

Early 20th century, the middle one numbered 8590. Three sitting owls, painted in natural colours. (3)

Early 20th century, marked "Geschützt" on the tail and the belly. A walking wolf, painted with natural colours.

Early 20th century, marked Fritz Heidenreich. A standing pelican grooming his back.

Signed at the base. A pair of horses restrained by grooms, known as the 'Marly horses'. Signed: Coustou. Possibly a cast from a later date.