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A wood sculpture of Jesus Christ
18th century. His head crowned with thorns, his legs covered with a loin cloth. Originally this sculpture has been mounted on a cross. The arms and the cross are missing.
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An impressive wood sculpture of Madonna and Child
19th century, Northern Europe. The head of Mary uncovered and with long curling hair. The Virgin with a mantle over her shoulders and with Christ Child on her arm. Jesus is holding a bird, possibly a pigeon or a goldfinch. Mary is standing on a crescent moon with a carved cherub head at the bottom. Some damages.
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A wood sculpture of Jesus Christ
18th century. Polychromed carved sculpture of Jesus Christ as a baby with one hand raised and his legs covered with a loin cloth.
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A carved oak sculpture of a Saint
18th century. Wearing a mitre and a mantle, his hands missing.
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A wood sculpture of a Saint or Apostle
16th century. The head partially polychromed, one hand on his cheek and wearing a mantle.
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An oak wood sculpture of a Pietà
19th century, Northern Europe. Mary wearing a mantle mourning over the deceased body of Christ resting on her lap. The sculpture resting on a wall corbel shaped as a Corinthian capital, possibly of a later date.
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A limewood sculpture of the Madonna and Child
17th century, Antwerp. The virgin Mary crushing evil, wearing a waving mantle with Christ Child on her arm, standing on a globe. With traces of polychrome paint.
Provenance: E. Golbert-Zagrai, Antwerp. Acquired by the present owner in 1990.
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A polychromed wood sculpture of a Pietà
16th. century, possibly Flanders. The virgin Mary with the deceased body of Christ on her lap and flanked by two figures, one unidentified, the other Mary Magdalen. With traces of polychromy.
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A carved oakwood panel
17th/18th century. Depicting the parable of the prodigal son and the pigs, as told in the gospel of Luke, flanked by a shield of arms and and monstrous head, as part of a wainscoting.
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A French or Flemish marble tondo (circa 1700)
Representing the Virgin Mary, Christ and Saint John the Baptist.
Provenance: Ed. Golbert, Antwerp, 1990 from whom acquired by the present owner.
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A sandstone carved bust of a man
17th century, Dutch. A shoulder-piece of a bearded man with a mantle over one shoulder and mounted on a circular base. Overall heavily damaged.
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Flemish School 17th-18th century
An oval depection of St. Mary, wearing a pink and blue robe, in a brass frame.
Bodycolour on vellum, 13x11 cm
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Dutch School (late 18th century)
Three portraits in a gilt wooden frame.
Representing Jan Jacob Paol, his wife Johanna Agnisa Westrik and their child Jan Jacob Paol, all deceased from 1788 until 1798, with the text; "Ils ont passe comme un songe".
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Two leather hunting bags
17th/18th century. One black bag with a strap and metal mounts, the other one brown with iron fittings. (2)
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Two bronze vases
Late 19th century. Embellished with two goat heads and laurel garlands, playing putti with flower garlands and riding a goat above a bicolored circular base with laurel motif.
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One gilt bronze vase
Late 19th century. The lid crowned with a pine cone. Embellished with two goat heads and playing putti with flowering garlands and riding a goat above a circular base with laurel motifs.
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An impressive pewter ewer
18th century, Germany. The hinged lid mounted with a large finial, the nozzle fitted with a small hinged lid. With an inscription: Georg Heinrich Klug, Anthon Ulrich Bitter, Joachim Kampen.
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A pair of reliquaries shaped as Bishops
Late 19th century. Carved wood, partially silvered, partially gilt, the bearded heads wearing a mitre and with a cloak over their shoulders, their chest mounted with a glass panel to hold a relic. On a rectangular base with a shell motif and claw feet.
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A pair of Italian parcel-gilt bronze andirons
Late 19th century Each with a bearded male figure wearing a lion skin and holding aloft a flaming vase, above a base with a coat of arms, griffins and a mask, resting on claw feet.
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A pair of copper andirons
19th century, Dutch. Two copper finials above sculpted faces flanked by horses and resting on claw-and-ball feet with a wrought iron back rest.
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A Monopol Excelsior disc music box
Ca. 1910, Germany. With periphery drive playing on three combs, in an upright case with glazed hinged door, winding handle and coin slot to the side, together with additional metal discs.
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A mahogany ans brass liqueur box
Dutch, mid 19th century. The box with a half circular cover, containing six bottles and stoppers and two licqueur glasses, the bottles with gilt ornaments, the glasses with enamel leafs.
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A pair of white marble 'cassolettes à double usage'
Ca. 1790, France. A pair of decorative vases with ormolu or firegilt ornamentation in Louis XVI style resting on a tripod and a white marble base.
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An ormulu bronze inkwell
Ca. 1810-1820. The interior covered with a seated cupid and a volute shaped stem with a small bell, the overall embellished with a refined decor and resting on claw feet.
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A large silk panel with a romantic scene of two putti underneath a canopy with birds
19th century, probably French
The two putti flank an ornate vase with a lavish flower arrangement, on top the South-African flower ‘crown imperial’. The vase stands on a plinth supported by a large shell. The canopy embellished with tassels carrying three white birds, the middle one with its wings spread, holding a twig and flowers in its beak. The centre part surrounded by flowers, branches, leaves, and feather-like floral motifs embroidered in silk and metallic golden thread in green, yellow, pink, red, and blue. The embroidery of the flower hearts thickened to achieve a three-dimensional effect.
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A mother of pearl fan
Early 19th century. With a watercolour scene of a landscape with people resting and playing music and with pierced ornaments. In a fan shaped show case.
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Ramon Valera (1912-1972)
Een avondjurk in A-lijn, volledig geborduurd in paisley-patroon met meerkleurige kralen.
Herkomst: voormalig bezit van Conchita Gaston (een bekende operazangeres)
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Ramon Valera (1912-1972) (7x)
Zeven diverse avondjurken en een paar goudkleurige pumps, met een verchroomd metalen kledingrek.
Herkomst: voormalig bezit van Conchita Gaston (een bekende operazangeres).
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Ramon Valera (1912-1972)
Een vloerlange jurk in Empirestijl met V-hals, organza, geborduurd met paisley-motieven en twee Valera strikken aan de achterzijde.
Herkomst: voormalig bezit van Conchita Gaston (een bekende operazangeres)
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Ramon Valera (1912-1972)
Een roze, voetlange jurk met spaghettibandjes en een asymmetrische mouw, afgezet met struisvogelveren.
Herkomst: voormalig bezit van Conchita Gaston (een bekende opera zangeres)
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Ramon Valera (1912-1972)
Een korte, asymmetrische roze jurk, organza, met vlindermouwen en draperie op de heup.
Herkomst: voormalig bezit van Conchita Gaston (een bekende operazangeres)
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Ramon Valera (1912-1972)
Een vloerlange jurk met sleep en organza vlindermouwen en een lage ruglijn.
Herkomst: voormalig bezit van Conchita Gaston (een bekende operazangers).
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Ramon Valera (1912-1972)
Een vloerlange jurk met spaghettibandjes, geborduurd met kralen, met bijpassende satijnen schoenen.
Herkomst: voormalig bezit van Conchita Gaston (een bekende operazangeres)
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A stained glass window pane
19th century. With a central medallion decorated with elements, possibly referring to masonry and surrounded by four unidentified coats of arms.
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Jean-Bernard Descomps (1872–1948)
Franch, early 20th century, signed J. Descomps and stamped Louchet. A gilt bronze baluster shaped vase with two ears, a female nude on the shoulder and with a moulded decoration of a bearded old man reading and on the back a still life with bottles and an owl on a book.
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A model ship in a showcase
20th Century A wooden model of the U.S. Frigate 'Concord'. In a perspex showcase.
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Een Weens bronzen briefopener
Begin 20e eeuw, gemerkt met cirkel. Bekroond door een uilenpaar op een boomstronk, beschilderd in natuurlijke kleuren.
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Een Weens bronzen aap
Begin 20e eeuw.. De zittende aap met een menselijke schedel in de handen, beschilderd in natuurlijke kleuren en op een stenen basement.
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A Vienna bronze of a red deer
Early 20th century. A standing stag, the head turned to the laft.
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A Vienna bronze of a couple of birds with a chick in an egg
Early 20th century, marked 'Geschützt", model no.1988. Two birds sitting next to a green egg with a chick on a fern leaf, painted in natural colours.
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Twee Weens bronzen olifanten
Begin 20e eeuw, beide gemerkt "geschützt". Een mannelijke en een vrouwelijke olifant, in natuurlijke kleuren beschilderd en met ivoren slagtanden. Eén slagtand afgebroken en ontbrekend. (2)
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A bronze sculpture of an elephant
Early 20th century, marked. A charging elephant with the trunk forwards, painted in natural colours.
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Three Vienna bronzes of owls
Early 20th century, the middle one numbered 8590. Three sitting owls, painted in natural colours. (3)
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A Vienna bronze of a Wolf
Early 20th century, marked "Geschützt" on the tail and the belly. A walking wolf, painted with natural colours.
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A Vienna bronze of a pelican
Early 20th century, marked Fritz Heidenreich. A standing pelican grooming his back.
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After Guillaume Coustou the Elder (1677-1746)
Signed at the base. A pair of horses restrained by grooms, known as the 'Marly horses'. Signed: Coustou. Possibly a cast from a later date.
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Naar Pierre Jules Mêne (1810-1879)
19de eeuw 'Tachiani et Nedjibe': een bronzen sculptuur van twee paarden op een ovalen basis.
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49 - 96 van 622 resultaten