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[TURKEY] – BELLETÊTE, [B.] [ed.].
Contes Turcs en langue turque, extraits du Roman intitulé, Les Quarante Vizirs [..]. “De L’Imprimerie Impériale. A Paris, Chez De Bure, père et fils [..]”, 1812, consisting of 2 title-leaves (one printed in French) & 129 text-leaves printed in Arabic characters. Large 4to, 20th-cent. imitation half-leather, uncut.
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[ARCHIVALIA] – [NIEUWKOOPSE PLASSEN] – “ONTWERP tot droogmaking van
[ARCHIVALIA] – [NIEUWKOOPSE PLASSEN] – “ONTWERP tot droogmaking van den Nieuwkoopschen Plas”. Small collection of Dutch manuscripts, letters & documents related to a late 19th-cent. plan by the Dutch merchant & politician PETRUS HENDRIK HOLTZMAN (1831-1916) for drainage & reclamation of a lake near Nieuwkoop.
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[MANUSCRIPT] – [ANTIPHONARY] – “DEO UNI TRINOQUE, Virgini Puerperae,
[MANUSCRIPT] – [ANTIPHONARY] – “DEO UNI TRINOQUE, Virgini Puerperae, Patri Seraphico, Sanctisque Omnibus Offertur”. Manuscript in red & black ink on paper, consisting of a title & 152 leaves with Latin text & musical scores with Gregorian chant-notation (recto & verso, ca. 52 x 39 cm.). Large folio (ca. 54 x 40 cm.), bound into a 19th-cent. leather binding with 2 metal clasps & catches, ribbed spine.
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[MANUSCRIPT] – [INDONESIA] – VERSTEEG, W.F. (1824-1913).
“Races de l’Archipel Indien” [=title on letterpiece]. MANUSCRIPT with 4 French texts in black ink on 36 numb. leaves (recto & verso, ca. 27 x 21 cm.), 1 manuscript index-leaf & 8 (of 10) plates (of which 7 lithographs & 1 original drawing in pencil). Bound into late 19th-cent. half-percaline, spine with red mor. letterpiece.
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[MANUSCRIPT] – [LATIN MISSAL] – “CANON MISSAE AD USUM
[MANUSCRIPT] – [LATIN MISSAL] – “CANON MISSAE AD USUM PRAELATORUM”. Early 20th-cent. MANUSCRIPT with Latin text (within blue borders) in red, brown & green ink (partly heightened with GOLD) on paper (recto & verso, ca. 36 x 27 cm.) consisting of a title-leaf, 64 text-leaves (incl. musical scores with Gregorian chant-notation) numbered “1-127” (with small circular watercolour (partly heightened with gold, ca. 8,5 x 8,5 cm.) on verso page 127 and 10 leaves with mounted red silk thumb-index), 6 additional text-leaves (incl. musical scores with Gregorian chant-notation) numbered “1-11 (with general index on verso page 11*) & a colophon-leaf (with small circular watercolour (partly heightened with gold, ca. 7,5 x 7,5 cm.) dep. the Virgin Mary & Child Jesus) with French text: “Chanoinesses Regulieres De St. Augustijn/ De La Congregration De/ Notre Dame De Jupille/ Monastere De S. Paulo Brasil/ Juillet De L’An 1928”. With 4 full-page GOUACHES (partly heightened with gold) on smooth paper (ca. 35,5 x 26,5 cm.) dep. various religious scenes executed in the style of medieval miniatures (of which 2 with Latin text: “Deus in adiutorium/ meum intende/ Domine ad adiuvandum/ me festina” & “Fulget Crvcis mysterivm/ qva vita mortem pertvlit/ et morte vitam protvlit”), 22 large historiated capitals (in watercolour, partly heightened with gold), 11 head- & tail-pieces (in watercolour, partly heightened with GOLD) and num. smaller capitals & initials (in red & blue ink, partly heightened with gold). Small folio (ca. 37,5 x 30 cm.), both wooden covers with marquetry & decorative wood-veneer inlay patterns (with “Canon Missae” central on upper cover & a floral decoration central on lower cover), red silk doublures, gilt ribbed calf spine, all edges gilt.
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[MEDIEVAL MANUSCRIPTS] – LOT of 3 odd 15th-cent. manuscript
[MEDIEVAL MANUSCRIPTS] – LOT of 3 odd 15th-cent. manuscript leaves (bifolia) with Latin text in black ink (capital letters in red or blue ink) on recto & verso (15 lines in a single column rubricated in ink) on VELLUM. All leaves ca. 16 x 25 cm. – ADDED: 3 large-sized late 19th-cent. English manuscript documents on vellum (ca. 1889, various sizes, all folded). (6x)
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[MEDIEVAL MANUSCRIPTS] – [BOOK OF HOURS] – MANUSCRIPT LEAF
[MEDIEVAL MANUSCRIPTS] – [BOOK OF HOURS] – MANUSCRIPT LEAF taken from a Dutch Book of Hours (Haarlem, ca. 1465-1470) with Dutch text in red, blue & black ink on recto & verso (15 lines in a single column rubricated in ink) on vellum (writing area: ca. 75 x 50 mm., leaf: ca. 130 x 95 mm.) with pen-flourish decoration (in red & green ink) in left margin on recto. Behind passepartout. – ILLUMINATED MANUSCRIPT LEAF taken from a Book of Hours (France, ca. 1440-1450) with Latin text in red & black ink on recto & verso (12 lines in a single column rubricated in pale red ink, both sides with 1 illuminated capital letter) on vellum (writing area: ca. 55 x 40 mm., leaf: ca. 120 x 90 mm.) with floral decoration (in red, blue & green ink, partly heightened with gold) in outer margin on recto & verso. Behind passepartout. (2x)
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[MEDIEVAL MANUSCRIPT] – BOOK OF HOURS (use of Rouen)
[MEDIEVAL MANUSCRIPT] – BOOK OF HOURS (use of Rouen) with Latin & French text. MANUSCRIPT ON VELLUM illuminated by an unidentified artist. Northern France (Rouen), late 15th-century (ca. 1470). Consisting of 144 vellum leaves (1 blank flyleaf, 142 leaves foliated in pencil in lower blank corner & 1 rubricated blank leaf used as pastedown) measuring ca. 170 x 115 mm. (writing area: ca. 90 x 60 mm.) with regular text (“littera textualis” by the hand of one scribe) in red & black ink in a single column (text-leaves: 14 lines, 12 calendar-leaves: 16 lines, 8 miniatures: 3 lines, all rubricated in pale red ink). With EIGHT LARGE ILLUMINATED ARCH-TOPPED MINIATURES (fol. 13r, 27r, 53r, 67r, 80r, 84r, 102r, 133v) from the WORKSHOP OF THE “MASTER OF THE ROUEN ÉCHEVINAGE (“MAÎTRE DE L’ÉCHEVINAGE DE ROUEN” also known as the “MASTER OF THE GENEVA LATINI”), each miniature surrounded by full borders of coloured flowers, leaves & fruit (in red, blue, green & pink ink, partly heightened with gold) of which one dep. strawberries & grapes with two birds below, 18 illuminated capital letters (3 lines: 13r, 18r, 19r, 22v, 27r, 38v, 53r, 58v, 61v, 64r, 67r, 72r, 80r, 84r, 102r, 107r, 133v, 137r) & numerous smaller illuminated capitals & initials (in red & blue ink, partly heightened with gold) and for the greater part decorated with leaves (incl. flowers & fruit) in outer margins (in red, blue & green ink, partly heightened with gold). Bound in a 16th-cent. brown calf binding (ca. 17,5 x 12,5 cm.), both panelled covers with gilt decorated borders (incorporating 8 small portraits & 4 fleur-de-lis) & gilt central ornament (suggesting the flames of a sun), spine with 5 raised bands & 6 gilt fleur-de-lis in the compartments, all edges gilt.
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[SURINAM] – LOT of 3 18th-cent. Dutch notarial acts
[SURINAM] – LOT of 3 18th-cent. Dutch notarial acts (dated between 1747-1760) with Dutch manuscript text in black ink on paper (ca. 33 x 20,5 cm., recto & verso, resp. 5, 3 & 3 pp.), all related to various members of the Dutch Van Alphen-family and their PLANTATION CRAWASSIBO (near the Commewijne River) in SURINAM. – ADDED: 3 other documents (not related). (6x)
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BERCHEM, N.P. (Nicolaes) (1620-1683) (after). (Rustic scene with cows, sheep & a milkmaid).
Etching after N. Berchem. Publ. by N. Visscher. Ca. 19 x 14 cm. Mounted onto a mount, behind passepartout & framed. – IDEM. Lot of 2 etchings (both dep. rustic landscapes) after N. Berchem. Both publ. by P. Landry. Resp. ca. 17 x 22,5 cm. & ca. 16,5 x 23 cm. Both mounted onto a mount, behind passepartout & uniformly framed. – ADDED: 2 19th-cent. etchings by J.-F. Portaels (1818-1895) & G.A. Guillaumet (1840-1887). (5x)
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BRUYCKER, J. (Jules) DE (1870-1945).
(View of the Saint Nicholas Church in Ghent). Etching (publ. ca. 1930). Ca. 34,5 x 22 cm. Framed.
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DUJARDIN, K. (Karel) (1622-1678). (Landscape with 4 mountains).
Etching. Signed “K.Dv.Iardin”, dated “1659” & numb. “18” in the plate. Ca. 14 x 17,5 cm. Behind passepartout & framed. – IDEM. (Two sleeping hunting dogs with a fence in the background). Etching. Signed “K.Dv.I” & numb. “5” in the plate. Ca. 15 x 13,5 cm. Behind passepartout & framed. – IDEM. (Two bulls of which one is scratching his head on a wooden pole). Etching. Numb. “24” in the plate. Ca. 14 x 18,5 cm. Behind passepartout & framed. – And 1 similar by Karel Dujardin. – ADDED: 1 other etching. (5x)
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ENGELBRECHT, M. (Martin) (1684-1756).
“ODORATUS. Der Geruch [..]”. Contemp. handcol. engraving (partly heightened with GOLD) with Latin & German caption. Publ. by M. Engelbrecht (Augsburg, ca. 1730). Ca. 21,5 x 31 cm. Framed. – “VER FLORIDUM. Der blühende Frühling [..]”. Contemp. handcol. engraving (with Latin & German caption). Publ. by M. Engelbrecht (Augsburg, ca. 1730). Ca. 19,5 x 29,5 cm. Framed. (2x)
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ESCHER, M.C. (Maurits Cornelis) (1898-1972).
(Fish). Woodcut. Monogrammed “MCE” in the block. Publ. in 1954. Ca. 7,5 x 8 cm.
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MARE, J. (Johannes) DE (1806-1889).
“Eene Dames Kunstbeschouwing in de Kunstzaal der Maatschappy “Arti et Amicitiae.””. Engraving after C. Rochussen. Printed by J.F. Brugman for the “Vereeniging tot bevordering van Beeldende Kunsten” (Amsterdam, 1851). Ca. 27 x 28 cm. Behind passepartout.
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NEUMANN, H. (Hans) (1873-1957).
(Crows in a misty wood). Col. woodcut (printed on Japanese paper). Signed & “Aquarell handdruck” in pencil. Monogrammed “HN” in the block. Ca. 34,5 x 24 cm. Behind passepartout & framed.
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ORLIK, E. (Emil) (1870-1932) – WEISS, H.M. Li.
[Acht chinesische Erzählungen]. Berlin, Eigenbrödler Verlag, [ca. 1925], [4],78,[3] pp. With 5 ORIGINAL ETCHINGS by EMIL ORLIK (all signed in pencil, various sizes) & 24 plates (of which 7 col.) after Emil Orlik. Large 8vo, orig. dec. gilt cloth (des. by Emil Orlik), top edge gilt.
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ORLIK, E. (Emil) (1870-1932).
(Max Reinhardt seen from the back). ORIGINAL DRAWING in pencil. Signed “Orlik”, titled “Reinhardt” & “2/3” in pencil. Ca. 28 x 26 cm. Behind passepartout.
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ORLIK, E. (Emil) (1870-1932).
(Portrait of Max Slevogt holding a cigar). Lithograph. Signed “Orlik” & “s[amm].l[ung]. Janos” in red pencil. Ca. 18 x 10 cm. (image) & ca. 28,5 x 19 cm. (leaf). Framed.
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ORLIK, E. (Emil) (1870-1932).
(Portrait of Max Slevogt in profile). Lithograph. Signed “Orlik” & “s[amm]/l[ung] Janos” in red pencil. Ca. 20 x 9 cm. (image) & ca. 28,5 x 19 cm. (leaf). Framed.
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ORLIK, E. (Emil) (1870-1932).
(Portrait of the German sculptor August Gaul modelling a common otter). Etching (drypoint). Signed “Orlik” & “Probedrück s[amm]/l[ung] Janos” in pencil. Ca. 33 x 23 cm. Behind passepartout.
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OSTADE, A. (Adriaen) VAN (1610-1685) (after).
(Bust of a laughing peasant). – (Bust of a female peasant laughing). Tog. 2 etchings. Both monogrammed “AO” in the plate. Both ca. 3 x 2,8 cm. Both mounted onto a mount, behind passepartout & in one frame.
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SLEVOGT, F.Th.M. (Max) (1868-1932) – CLAIRE, W.
Coranna. Eine Indianergeschichte. Berlin, Verlag von Paul Cassirer, [1908], 66,[2] pp. With col. frontispiece, title-vignette & 34 text-ills. (of which 5 full-p.) after Max Slevogt. 4to, orig. dec. cloth (des. by Max Slevogt).
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SLEVOGT, F.Th.M. (Max) (1868-1932) – ELIAS, J.
Max Slevogt. Berlin, Verlag Neue Kunsthandlung, 1922, 18 text-pp. & a colophon-leaf. With 1 ORIGINAL ETCHING by MAX SLEVOGT (signed & numb. “28/L” in pencil, ca. 12 x 9 cm.) as frontispiece & 32 plain plates (numb. “19-50” as continuation of the pagination) after Max Slevogt. 8vo, orig. gilt(-lettered) green MOROCCO, top edge gilt.
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SLEVOGT, F.Th.M. (Max) (1868-1932) – ”MENU 16. Februar 1927”.
SLEVOGT, F.Th.M. (Max) (1868-1932) – ”MENU 16. Februar 1927”. Lot of 2 ORIGINAL PRINTS (of which 1 PROOF printed on thin paper) depicting a menu-card for a dinner (held on 16 February 1927 by János Plesch & his wife) of which text & illustrations are executed by MAX SLEVOGT. Both prints probably hectographs (jellygraphs or gelatin duplicators) signed in the plate, the proof signed & “Probedrück für Plesch” in pencil. Resp. ca. 35,5 x 27,5 cm. & ca. 23,5 x 19 cm. Both mounted onto a paper mount & framed. (2x)
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SLEVOGT, F.Th.M. (Max) (1868-1932).
Schatten u[nd]. Träume. Berlin, Bruno Cassirer, 1926, consisting of a letterpress index-leaf (with letterpress colophon & lithogr. ill. by Max Slevogt on verso), 12 ORIGINAL ETCHINGS by MAX SLEVOGT (all signed in pencil, various sizes) and 1 ETCHED SELF-PORTRAIT by MAX SLEVOGT (unsigned, printed on different paper, ca. 13 x 12 cm., under passepartout) mounted on lower paste-down. Small folio oblong (ca. 30 x 42 cm.), orig. vellum-backed cloth (vellum backstrip perforated by a leather cord) with an ORIGINAL WATERCOLOUR by MAX SLEVOGT (on vellum-paper) mounted on upper cover (signed in the left margin, ca. 13,5 x 20 cm.) depicting a reclining leopard grooming itself.
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VIERO, T. (Teodoro) (1740-1819). “Eliezer Incontra Rebecca Al Pozzo [..]”.
Engraving after G.B. Piazzetta. Ca. 35 x 49,5 cm. Behind passepartout & framed.
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VISSCHER, J. (Jan) DE (ca. 1636-before 1712). (Scene with a drinking cow & a resting man in the foreground).
Etching after Nicolaes Berghem. Publ. by “C.D. Jongen” [=Clement De Jonghe]. Ca. 19 x 14 cm. Mounted onto a mount, behind passepartout & framed.
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[ATLAS] – “ATLAS, Das ist/ Abbildung der gantzen Welt
[ATLAS] – “ATLAS, Das ist/ Abbildung der gantzen Welt [..]”. Handcol. engr. frontispiece. Publ. by H. Hondius (Amsterdam, 1633). Ca. 37 x 24 cm. Behind passepartout & framed. – “ATLAS NOVVS Sive Theatrvm Orbis Terrarum [..]”. [&] “ATLAS NOVUS, Sive Theatrum Orbis Terrarum [..]”. Tog. 2 handcol. engr. frontispieces (the second engraving partly heightened with GOLD). Both publ. by J. Janssonius (Amsterdam, 1642-1644). Resp. ca. 36,5 x 24 cm. & ca. 40,5 x 24,5 cm. Both behind passepartout & uniformly framed. (3x)
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[CARICATURE] – COLLECTION of 16 (17th-/ 19th-cent.) satirical prints
[CARICATURE] – COLLECTION of 16 (17th-/ 19th-cent.) satirical prints of which 7 17th-cent. Dutch broadsides (with large engraving at top & letterpress Dutch text below). Various sizes. (16x)
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[CHINESE SCHOOL] – COLLECTION of 10 late 19th-/ early
[CHINESE SCHOOL] – COLLECTION of 10 late 19th-/ early 20th-cent. Chinese paintings on pith paper (dep. various torture scenes). All ca. 7 x 10 cm., behind a passepartout of blue paper & mounted onto a paper mount, in a red silk portfolio with 2 green ties.
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[CHINESE SCHOOL] – LOT of 2 20th-cent. watercolours (dep.
[CHINESE SCHOOL] – LOT of 2 20th-cent. watercolours (dep. birds). Both ca. 32 x 32 cm. Both behind passepartout & framed. (2x)
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[CLASSICAL ANTIQUITY] – (SCENE with Aeneas & Palinurus at
[CLASSICAL ANTIQUITY] – (SCENE with Aeneas & Palinurus at a sailing-vessel in the foreground and a profile view of Carthage in the background). Woodcut. (Publ. in: P. VERGILIUS MARO, “Opera”. Strasbourg, Johann Grüninger, 1502). Ca. 18 x 15,5 cm. Behind passepartout & framed.
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[CLASSICAL ANTIQUITY] – [EGYPT] – “ALEXANDRIA”. [&] “ALEXANDRIA”.
Tog. 2 engr. profile views (both by Jan Luyken after C. de Bruyn). (Publ. in: De Bruyn, “Reizen Van Cornelis de Bruyn, Door de vermaardste Deelen van Klein Asia, [..]”, 1698). Resp. ca. 28,5 x 63 cm. & ca. 21 x 62 cm. Both behind passepartout & uniformly framed. (2x)
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[COSTUMES] – [BRUYN, A. (Abraham) DE (1540-1587)].
Collection of ca. 45 late 16th-cent. engravings dep. various costumes. (Taken from: “Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus [..]”, publ. by J. de Bosscher, after 1581). Various sizes, in a 20th-cent. stiff paper portfolio. (ca. 45x)
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[DRAWINGS] – [VENICE] – GUARDI, G. (Giacomo) (1764-1835).
Collection of 12 late 18th-/ early 19th-cent. ORIGINAL WATERCOLOURS/ GOUACHES on paper (dep. various views of Venice), all with Italian title (of which 8 ending with the phrase “p[er] Recapito all’ ospedaletto in calle del Peruchier al No. 5245 dimandar”) & signed “Giacomo de Guardi” in black ink on verso.
All ca. 10,5 x 17,5 cm. (12x)
All ca. 10,5 x 17,5 cm. & loosely inserted in a late 18th-/ early 19th-cent. red morocco album (64 blank leaves, a few with watermark of the Dutch papermaker Jan Aggesz. Kool (1742-1816) and/or his successor Jan Jacobsz. Kool (1776-1837), ca. 23,5 x 17,5 cm., all edges gilt). (12x)
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[DRAWING] – DICKE, O. (Otto) (1918-1984).
(Portrait of a man wearing glasses). Drawing (in black crayon). Signed “Otto Dicke”. Ca. 34 x 30 cm. Behind passepartout & framed.
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[DRAWING] – STORTENBEKER, P. (Pieter) (1828-1898). (Dutch landscape with a sheep in the foreground).
Drawing (in brown ink & watercolour) on paper. Signed “P Stortenbeker” in lower right corner. Ca. 13,5 x 20,5 cm. Behind passepartout & framed.
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[DRAWING] – [AMSTERDAM] – [DUTCH SCHOOL] – “DE BINNEN MOOLEN Van Het Tuchthuis T‘Amsteldam”.
Early 19th-cent. drawing (in ink & watercolour) on paper (with inscription in black ink: “Na ’t Leven getek[end]./ door JG Visser 1803”). Ca. 45 x 56 cm.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of 2 Dutch sailing-vessels on a calm river).
Late 18th-/ early 19th-cent. drawing (in ink & watercolour) on paper. Ca. 20,5 x 27,5 cm.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels
[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels along a shore of a sea). Drawing (in ink, pencil & watercolour) on paper. Ca. 19,5 x 27,5 cm. Tipped onto a mount.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels
[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels on a calm river). Drawing (in brown ink & grey wash) on paper (with the name of “JC Schotel” in brown ink in lower right corner). Ca. 26,5 x 36 cm. Tipped onto a mount.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels
[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels on a calm river). Early 19th-cent. drawing (in ink & grey wash) on paper. Ca. 38,5 x 53,5 cm. Behind passepartout.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels
[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels on a calm river). Early 19th-cent. drawing (in ink, pencil & grey wash) on paper. Ca. 54,5 x 78,5 cm.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels on a calm sea).
Early 19th-cent. drawing (in brown ink & grey wash) on paper. Ca. 20,5 x 28 cm. Tipped onto a mount.
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[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels
[DRAWING] – [DUTCH SCHOOL] – (VIEW of Dutch sailing-vessels on a stormy sea). Early 19th-cent. drawing (in ink & grey wash) on paper. Ca. 63 x 83 cm.
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