BEETHOVEN, LUDWIG VAN (1770-1827) – DÜRCK, FRIEDRICH (1809-1884). (Ludwig van Beethoven holding the autograph score of his “Missa Solemnis”). Lithograph after J.K. Stieler. Printed by J.A. Selb (Munich, after 1822). Ca. 28 x 23 cm. Behind passepartout & framed.

CORNET, J. Art of Africa. Treasures from the Congo. [English transl. by B. Thompson]. [London], Phaidon, [1971], 365 pp. With num. (tipped-in) (col.) plates (incl. frontisp.). Square 4to, orig. cloth with dust-wr. – MORRIS, F. & BELL, T. [ed.]. Agnes Martin. [London], Tate Publishing, [2015], 271,[1] pp. With (col.) (full-p.) ills. 4to, orig. boards with dust-wr. – SCHULZ-HOFFMANN, C. [a.o.]. Max Beckmann. Exile in Amsterdam. [Ostfildern], Hatje Cantz, [2007], 437,[3] pp. With (col.) ills. 4to, orig. boards with dust-wr. – And 15 others (i.a. on Richard Serra, Isaac Israels & M.C. Escher). (18x)

EINSTEIN, ALBERT (1879-1955) – BIEBER, EMIL (1878-1963). (Portrait of Albert Einstein). Original photograph (gelatin silver print) with blind-stamped signature “E Bieber” in lower left corner (& letterpress signature on the paper mount: “E Bieber/ Hofphotograph/ Berlin”). With SIGNED DEDICATION by ALBERT EINSTEIN (in black ink on the paper mount) to JÁNOS PLESCH: “Meinem lieben Freund Plesch/ zum 50./ Albert Einstein 1928”. Ca. 20,5 x 16,5 cm. Tipped onto a paper mount (ca. 37 x 27 cm.) & framed.

EINSTEIN, ALBERT (1879-1955) – PLESCH, JÁNOS (1878-1957). (Portrait of Albert Einstein). Oil on linen (mounted onto boards). Ca. 40,5 x 33 cm.

HAVARD, H. L’Art à travers les moeurs. Paris, G. Decaux/ A. Quantin, 1882, [4],II,404 pp. With num. (hélio-engr.) plates & ills. 4to, orig. dec. gilt chagrin (by Engel), all edges gilt. – BUCHER, B. [ed.]. Geschichte der technischen Künste. Band 1-3. Stuttgart, W. Spemann, 1875-1893. 3 Vols. With num. (wood-engr.) plates & ills. Large 8vo, orig. unif. dec. gilt chagrin. – Added: “Beschrijving van de Grafelijke Zalen op het Binnenhof te ’s Gravenhage [..]” (1907). (5x)

LIPPE, A. DE. Indian Mediaeval Sculpture. Amsterdam, North Holland Publishing Company, [1978], [XXVI],411 pp. With 312 (col.) full-p. ills. 4to, orig. imitation leather. – HAKS, L. & MARIS, G. Lexicon of foreign artists who visualized Indonesia (1600-1950). Surveying painters, watercolourists, draughtsmen, sculptors, illustrators, graphic and industrial artists. Utrecht, G.J. Bestebreurtje, [1995], 528 pp. With num. (col.) plates & ills. 4to, orig. boards with dust-wr. – And 3 others. (5x)

ORLIK, EMIL (1870-1932) – [ORLIK, E.]. Neue fünfundneunzig Köpfe von Orlik. Berlin, Verlag Bruno Cassirer, [1926], 7 unnumb. text-pp. With 1 ORIGINAL ETCHING by EMIL ORLIK (dep. the head of Max Slevogt, signed in pencil, ca. 9,5 x 8 cm.) as frontispiece & 95 plain plates (a few printed in reddish) after Emil Orlik. Large 8vo, orig. dec. gilt(-lettered) vellum-backed boards, top edge gilt. – Added: 1 other by Emil Orlik (“Fünfundneunzig Köpfe von Orlik”, 1920. Spine sl. dam., end-papers renewed). (2x)

ORLIK, EMIL (1870-1932). (Portrait of Conrad Ansorge). Etching. Signed “Orlik”, dated “[19]15” & “2 Zustand” in pencil. Ca. 30 x 20 cm. (image) & ca. 37 x 28,5 cm. (leaf). Behind passepartout.

ORLIK, EMIL (1870-1932). (Portrait of Max Slevogt). Etching. Numbered “66/100” & signed “Orlik” in pencil. Ca. 21 x 15 cm. Behind passepartout & framed.

ORLIK, EMIL (1870-1932). (Portrait of Mrs M.L. Beytagh in profile). Etching (drypoint printed on Japanese paper). Signed “Emil Orlik” in pencil (with an illegible note in pencil in a different hand in lower left corner). (Publ. in 1915). Ca. 28,5 x 19,5 cm. (image) & ca. 37,5 x 27,5 cm. (leaf). Behind passepartout.

ORLIK, EMIL (1870-1932). (Self-portrait). Etching. Signed “Emil Orlik”, dated “1910” & “1. Zustand” in pencil (with a note in pencil in a different hand: “Selbstbildnis. Schabkunst und Stich”). Ca. 25 x 21 cm. (image) & ca. 40 x 29,5 cm. (leaf). Behind passepartout.

ORLIK, EMIL (1870-1932). (The artist Max Slevogt at work in company of Dr. Josef Grünberg). ORIGINAL DRAWING in pencil. Signed “Emil Orlik” & dated “[19]23” in lower right corner. Ca. 21 x 27,5 cm. Behind passepartout & framed.

ORLIK, EMIL (1870-1932). Die Reise nach Japan. Zwölf Original-Radierungen. München, F. Bruckmann, 1921, consisting of an ETCHED TITLE (incorporating an index & a small view of a Japanese tree, signed in pencil by Orlik), 12 ORIGINAL ETCHINGS by EMIL ORLIK (all signed & numb. “35/100” in pencil, various sizes, under passepartout) and a letterpress colophon. Large 4to (ca. 37 x 30 cm.), loose as issued in the orig. portfolio (paper over boards) with lithogr. illustration by Orlik on upper cover & lithogr. title “Aus Aegypten” on backstrip.

ORLIK, EMIL (1870-1932). LOT of 6 ORIGINAL DRAWINGS in pencil, all portraits of the Austrian-born violinist & composer FRITZ KREISLER (1875-1962). All ca. 19 x 11,5 cm. Behind 1 passepartout & in 1 frame.

ORLIK, EMIL (1870-1932). “Fritz Kreisler”. Etching (drypoint). Titled at top in the plate. With SIGNED DEDICATION by EMIL ORLIK in pencil: “Probedrück. to Ms May Griffiths zür freundl[ichen]. Erin[nerun]g. Emil Orlik” and with SIGNED DEDICATION by FRITZ KREISLER in black ink (in the lower part of the image): “To Miss May Griffiths/ in kind remembrance/ of/ Fritz Kreisler/ May 16th 1930”. Ca. 24 x 18 cm. Behind passepartout & framed.

SLEVOGT, MAX (1868-1932) – COLLECTION of 25 ORIGINAL LITHOGRAPHS by MAX SLEVOGT (all signed in pencil, printed on “altes japanisches Bütten” with embossed blind-stamp dep. a leopard in lower blank margin, all leaves ca. 48 x 33 cm. and under passepartout), all printed for the first German edition of J.F. COOPER, “Lederstrumpf-Erzählungen. Übersetzt und bearbeitet von K. Federn” (Berlin, Publikationen der Pan-Presse/ Verlag Paul Cassirer, 1909) and accompanied by a prospectus (7 unnumb. text-pp. illustrated with 3 lithographs by Max Slevogt). Loose as issued in a later red chagrin portfolio (ca. 52 x 40 cm.) with an ORIGINAL WATERCOLOUR by MAX SLEVOGT on upper cover (monogrammed “M.S.” & dated 1931, ca. 26 x 19 cm.) depicting a man sitting on a bank of a river with his feet in the water. (25x)

VENEMA, A. De Ploeg 1918-1930. Baarn, Het Wereldvenster, 1978, 285 pp. With (col.) plates & ills. 4to, orig. cloth with dust-wr. – IDEM. Nederlandse schilders in Parijs 1900-1940. Ibid., idem, 1980, 293 pp. With (col.) plates & ills. 4to, orig. cloth with dust-wr. – IDEM. G.H. Breitner, 1857-1923. Ibid., idem, 1981, 343 pp. With (col.) plates & ills. 4to, orig. cloth with dust-wr. – And 17 similar, i.a. by D. Welling (“Isaac Israels”, 1991) & A. Venema (“De ballingen. Frits van den Berghe, Gustave de Smet en Rik Wouters in Nederland 1914-1921”, 1979). (20x)

[ARCHITECTURE] – PARISSIEN, S. Palladian Style. [London, 1994], 240 pp. With (col.) ills. 4to, orig. boards with dust-wr. – [DENSLAGEN, W.F.] [a.o.]. [ed.]. Restauratievademecum bijdrage. [Vols.] 2-15. Zeist/ ’s-Gravenhage, 1986-1995. 14 Vols. of the series. With (col.) ills. 4to, orig. boards (1x) & orig. wrappers. – And 15 similar (i.a. on Leon Battista Alberti & Andrea Palladio). – Added: 14 20th-cent. English works on interior decoration & design. (44x)

[CHAGALL, MARC] – CAIN, J. Chagall Lithographe. [Vol. III]: 1962-1968. [Ed. by F. Mourlot & C. Sorlier]. [Monte-Carlo], A. Sauret, [1969], 179,[1 blank],[1] pp. With (col.) ills. & 2 ORIGINAL COL. LITHOGRAPHS by MARC CHAGALL (one used as frontisp. & one used as dust-wr.). 4to, orig. cloth with col. lithogr. dust-wr. (des. by Marc Chagall).

[CHAGALL, MARC] – DERRIÈRE LE MIROIR. No. 250. Hommage à Aimé et Marguerite Maeght. [Paris, Maeght, 1982], 111,[2] pp. With 21 ORIGINAL (COL.) LITHOGRAPHS (of which 10 double-page, 10 full-page & one double-page used as dust-wr.), 3 col. serigraphs (i.a. by Eduardo Chillida) & several full-p. ills. (dep. portraits). Small folio, loose as issued in orig. col. lithogr. wrappers (des. by Saul Steinberg).

[CHAGALL, MARC] – DERRIÈRE LE MIROIR. [No. 182]. Chagall. [Paris, Maeght, 1969], 32 pp. With (col.) (full-p.) ills. & 2 ORIGINAL COL. LITHOGRAPHS by MARC CHAGALL (one double-page & one used as front-wr.). Small folio, loose as issued in orig. col. lithogr. wrappers (des. by Marc Chagall).

[CHAGALL, MARC] – DERRIÈRE LE MIROIR. [No. 198]. Chagall. [Paris, Maeght, 1972], 27,[1] pp. With (col.) (full-p.) ills. & 3 ORIGINAL COL. LITHOGRAPHS by MARC CHAGALL (one double-page, one full-page & one used as front-wr.). Small folio, loose as issued in orig. (col.) lithogr. wrappers (des. by Marc Chagall).

[CHAGALL, MARC] – DERRIÈRE LE MIROIR. [No. 246]. Chagall. Lithographies originales. [Paris, Maeght, 1981], 23,[1],[8 unnumb.] pp. With (col.) full-p. ills. & 1 ORIGINAL DOUBLE-PAGE COL. LITHOGRAPH by MARC CHAGALL. Small folio, loose as issued in orig. pictorial wrappers (des. by Marc Chagall).

[CHAGALL, MARC] – ELUARD, P. Le dur désir de durer. [Paris], Bordas, 1950, 49,[9] pp. With stencil-col. plate (loosely inserted) & (full-p.) ills. after Marc Chagall. 4to, orig. pictorial wrappers (des. by Marc Chagall), unopened. – CHAGALL, M. Poèmes. [Introd. by Ph. Jaccottet]. Genève, Cramer, 1975, 130,[12] pp. With full-p. ills. after Marc Chagall. 4to, orig. limp boards with pictorial wrappers (des. by Marc Chagall). (2x)

[CHAGALL, MARC] – SORLIER, C. Chagall Lithographe. [Vol. IV]: 1969-1973. [Ed. by C. Sorlier & F. Mourlot]. Monte-Carlo, A. Sauret, [1974], 180,[2 blank],[1] pp. With (col.) ills. & 2 ORIGINAL COL. LITHOGRAPHS by MARC CHAGALL (one used as frontisp. & one used as dust-wr.). 4to, orig. cloth with col. lithogr. dust-wr. (des. by Marc Chagall).

[CREMER, JAN] – BEEREN, W.A.L. [a.o.]. Cremer. Festo és iro. Schilder schrijver. Amsterdam [& ’s-Gravenhage], Jaski Art Gallery [& SDU], [1990], 191,[1] pp. With (col.) ills. 4to, orig. boards with dust-wr. – [VREE, F. DE] [a.o.]. Cremer. [Paris-New York 1955-1995]. Museum van der Togt, Amstelveen. [Amsterdam], Centaur, [1996], 67,[1] pp. With (col.) ills. Square 4to, orig. dec. boards (spine sl. discol.). – And 2 similar on Jan Cremer (both with a SIGNED DEDICATION by Jan Cremer). (4x)

[CREMER, JAN] – RESTANY, P. & VREE, F. DE. Cremer. Grafiek/Prints, 1956-1998. [Ed. by B. Sijmons, a.o.]. Bussum, Thoth, [1998], 252 pp. With (col.) ills. Square 4to, orig. cloth, in the orig. red cloth slipcase.

[CREMER, JAN] – [SIJMONS, B.] [a.o.] [ed.]. Cremer I paint I write I paint. Amsterdam, De Bezige Bij, [2000], 415,[1] pp. With (col.) ills. Square 4to, orig. boards, in the orig. red cloth slipcase.

[GOLD- & SILVER-SMITHS] – [DENMARK] – FRANCE-DANEMARK, A. La table d’un roi. L’orfèvrerie du XVIIIe siècle à la Cour de Danemark. Paris, Musée des Arts Décoratifs, 1987, 251 pp. With (col.) ills. 4to, orig. wrappers.

[GOLD- & SILVER-SMITHS] – [FRANCE] – GODEFROY, G. Les orfèvres de Lyon (1306-1791) et de Trévoux (1700-1786). Répertoire biographique – poinçons – oeuvres. [Introd. by P. Verlet]. Paris, A. & J. Picard, 1965, [12],389,[10] pp. With frontisp., plates & ills. (incl. marks). 4to, orig. wrappers.

[KLEE, PAUL] – ZEIT-ECHO. Ein Kriegs-Tagebuch der Künstler. [Jahrgang 1. Heft 7]. [Ed. by O. Haas-Heye]. München, Graphik-Verlag, [1915], 16 text-pp. [numb. as pages 89-104]. With 4 full-p. ills., all ORIGINAL LITHOGRAPHS by resp. Friedrich Feigl, Willy Geiger, PAUL KLEE & Richard Seewald. 8vo, orig. dec. wrappers.

[KOKOSCHKA, OSKAR] – ZEIT-ECHO. Ein Kriegs-Tagebuch der Künstler. [Jahrgang 1. Heft 20]. Oskar Kokoschka-Heft. [Ed. by O. Haas-Heye]. München, Graphik-Verlag, [1915], 16 text-pp. [numb. as pages 297-312]. With 5 full-p. ills., all ORIGINAL LITHOGRAPHS by OSKAR KOKOSCHKA. 8vo, orig. dec. wrappers.

[KONIJNENBURG, WILLEM VAN] – [BOUTENS, P.C.] [a.o.]. Willem A. van Konijnenburg. Schilderijen en teekeningen in de verzameling G.F.H. van Kooten Kok. ’s-Gravenhage, Martinus Nijhoff, 1929. 3 Vols. With num. (hélio-engr.) plates after Willem van Konijnenburg. Folio, orig. unif. dec. HALF-MOROCCO with gilt-lettered ribbed spine, t.e.g. (3x)