19th century. Depicting the Fiery Ascension of the holy Prophet Elijah, below him several scenes from the life of his follower Elisha, parting the waters of the Jordan River with his mantle and doing the same with the mantle dropped to him from Elijah’s fiery chariot and Elijah being fed by a raven.

19th century. Depicting the Mother of Gods with Three hands, flanked by several saints.

19th century. With he Mother of God of Kazan and a saint in the lower left corner.

19th century. The Mother of God of Hodegetria in the centre pointing at Christ, wearing a red cloak, flanked by two angels and surrounded by nine scenes of the life of Mary.

Late 18th century. Painted on tile, mounted on a wooden base and depicting on the top half The Mother og God carrying a Pokrov and flanked by Angels, Apostles and Saints, the lower half with the Romanos legend with emperor Leo VI and empress Theodora.

19th century. Depicting the Archangel Gabriel holding the mandylion, flanked by St. Floris and bishop Modestus on the left and bishop Blasius and St. Laurus on the right, as protectors of the cattle.

Early 20th century, by Franz Bergmann, marked 'Geschutzt'. A polychrome painted standing Indian Chief with a pipe in his right hand.

Early 20th century, both pieces marked "Geschützt", "Bergmann" and numbered 459. One bird sitting on a branch next to the nest with two small eggs, the head with a hinge, the other bird without moving parts, painted in natural colours. (2)

17th century. On a round base, the shaft of baluster form with knops.

18th century. Sitting down, with a long neck, short wings and a long curly tail, on a rectangular wooden base. (2)

18th century, possibly Flemish. Dismas, the Penitent Thief, crucified with ropes on a rough wooden cross and on a rectangular base.

18th century. An engraved black and white portrait of Johan van Oldenbarneveldt wearing a white collar, in a rectangular wooden frame.

18th century. Depicting Neptune with his trident riding the shell shaped carriage with two figures and drawn by sea horses, in a frame with red velvet.

19th century, possibly Italian. A round portrait of a woman wearing a headscarf,

18th century. A standing lady, wearing a light blue dress with a white lace collar and skirt and a cap on the head, the hands in prayer and a chain with a cross around the waist.

Second half 17th century, France. A Limoges enamelled plaque depicting the crucifixion of Christ. Jesus was crucified in the year 33 AD on Golgotha, the ‘place of the skull,’ near Jerusalem. The three women close to Jesus are depicted in this scene: his mother Mary, her half-sister Mary of Cleophas and Mary Magdalene. The stars in the upper part of the panel suggest that the moment of his death is here depicted. At the moment that Jesus died in the night, the curtain of the Temple in Jerusalem tore in two and the earth shook. After his death Jesus was called ‘Christ’ (the anointed one, the Redeemer), because he took on all of the sins of mankind. The crucifixion became an iconic image of Christianity. From the 13th century on, the emphasis in crucifixion scenes came to lie on Christ’s suffering. They include narrative details, such as the crucified thieves to either side of him and the soldier who pierced him with a lance (depicted on the left of this panel).

18th century. A small oblong box with a portrait of "Fridericus Magnus Borussorum Rex", on the bottom monogram FR and "Heros Seculi Defensor Germaniae Protector Patriae et Religionis, Hamer fecit", an oblong box with a perpetual calendar and portraits of bishops, a farmer and text: "Regt door Zee", an oblong box in yellow and red brass decorated with bands of foliage and an oval box decorated with saints on an arch and a text. (4)

First half 19th century. An oval enamel box decorated with mythological scenes and a grotesque band with putti, the interior with landscapes with ruins, the other one a tortoise shell rectangular box with a gold flower wreath and monogram SH. (2)

18th century, possibly French. Standing on three cherubs, dressed in a robe and long coat and carrying the child in her left arm, on an octagonal base.

17th century, Spain. A turned brass stem and on a square base with claw feet.

18th century. A candlestick holder with a baluster shaped stem on a triangular shaped base with a scalloped skirt and resting on three feet. With some restorations.

16th century, the Netherlands. With a rimmed nozzle and a rimmed bell shaped drip pan base, one marked: S.J. No. 12. (S.J. probably stands for Society Jesu). Provenance: Coll. Lommen, Maastricht, 1974.