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A painted Russian icon
18th century. Depicting the Fiery Ascension of the holy Prophet Elijah, below him scenes with his follower Elisha, parting the waters of the Jordan River with his mantle and Elisha doing the same with the mantle dropped to him from Elijah’s fiery chariot.
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A large painted Russian icon
19th century. Depicting the Fiery Ascension of the holy Prophet Elijah, below him several scenes from the life of his follower Elisha, parting the waters of the Jordan River with his mantle and doing the same with the mantle dropped to him from Elijah’s fiery chariot and Elijah being fed by a raven.
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A painted Russian icon
19th century. Depicting the Mother of Gods with Three hands, flanked by several saints.
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A Russian painted Deisis icon
19th century Depicting Christ in Majesty holding an open book of Gospels, flanked by the Holy Virgin Mary and John the Baptist, holding an unrolled scroll.
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A painted Russian icon with metal riza
19th century. With he Mother of God of Kazan and a saint in the lower left corner.
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A Russian icon with a brass blessing cross
19th century. The brass blessing cross depicting a crucified Christ, kneeling angels and the skull of Adam at the bottom, the cross surrounded by a scene of angels and saints.
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A Russian festive icon
With a Dodekaorton around a central Anastasis surrounded by a ornamental band with geometric patterns and the names of saints.
19th century, Novgorod School.
Some damages.
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A Russian icon with metal riza
The Mother of God in the centre, surrounded by the four evangelists in an eight pointed star with the apocalyptical Angels in rose petal shaped panels in between and surrounded by saints, buildings and texts.
19th century.
No visible damages.
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A Russian icon
19th century. The Mother of God of Hodegetria in the centre pointing at Christ, wearing a red cloak, flanked by two angels and surrounded by nine scenes of the life of Mary.
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A Russian icon with copper riza
19th century. Depicting H. Nicolas holding a Bible in his left hand and flanked by Christ, Mary and a saint.
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A Russian crucifixion icon
19th century. Central Christ on a moulded gilt Russian cross, flanked by the Three Mary's on the left and John and the soldier Longinus, in the top corners the descent from the Cross and the entombment of Christ and with saints on the left and right .
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A Russian Romanos Legend icon
Late 18th century. Painted on tile, mounted on a wooden base and depicting on the top half The Mother og God carrying a Pokrov and flanked by Angels, Apostles and Saints, the lower half with the Romanos legend with emperor Leo VI and empress Theodora.
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A Russian icon
19th century. Depicting the Archangel Gabriel holding the mandylion, flanked by St. Floris and bishop Modestus on the left and bishop Blasius and St. Laurus on the right, as protectors of the cattle.
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A Russian icon with copper riza
With the Mother of God of Kazan holding Christ, with a floral frame.
19th century.
Some damages on the riza visible.
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A Vienna bronze of an Indian Chief
Early 20th century, by Franz Bergmann, marked 'Geschutzt'. A polychrome painted standing Indian Chief with a pipe in his right hand.
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A Vienna bronze of a pelican
Early 20th century, marked Fritz Heidenreich. A standing pelican grooming his back.
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A Vienna bronze of a Wolf
Early 20th century, marked "Geschützt" on the tail and the belly. A walking wolf, painted with natural colours.
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Three Vienna bronzes of owls
Early 20th century, the middle one numbered 8590. Three sitting owls, painted in natural colours. (3)
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A bronze sculpture of an elephant
Early 20th century, marked. A charging elephant with the trunk forwards, painted in natural colours.
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Twee Weens bronzen olifanten
Begin 20e eeuw, beide gemerkt "geschützt". Een mannelijke en een vrouwelijke olifant, in natuurlijke kleuren beschilderd en met ivoren slagtanden. Eén slagtand afgebroken en ontbrekend. (2)
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A Vienna bronze of a couple of birds with a chick in an egg
Early 20th century, marked 'Geschützt", model no.1988. Two birds sitting next to a green egg with a chick on a fern leaf, painted in natural colours.
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A Vienna bronze of a nest of birds
Early 20th century, both pieces marked "Geschützt", "Bergmann" and numbered 459. One bird sitting on a branch next to the nest with two small eggs, the head with a hinge, the other bird without moving parts, painted in natural colours. (2)
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A Vienna bronze of a red deer
Early 20th century. A standing stag, the head turned to the laft.
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Een Weens bronzen aap
Begin 20e eeuw.. De zittende aap met een menselijke schedel in de handen, beschilderd in natuurlijke kleuren en op een stenen basement.
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Een Weens bronzen briefopener
Begin 20e eeuw, gemerkt met cirkel. Bekroond door een uilenpaar op een boomstronk, beschilderd in natuurlijke kleuren.
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A bronze candle-holder
17th century. On a round base, the shaft of baluster form with knops.
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A pair of gilt wooden dragons
18th century. Sitting down, with a long neck, short wings and a long curly tail, on a rectangular wooden base. (2)
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A polychrome wooden sculpture of Dismas
18th century, possibly Flemish. Dismas, the Penitent Thief, crucified with ropes on a rough wooden cross and on a rectangular base.
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An oval portrait of Johan van Oldenbarneveldt on ivory.
18th century. An engraved black and white portrait of Johan van Oldenbarneveldt wearing a white collar, in a rectangular wooden frame.
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An oval cut ivory plaque
18th century. Depicting Neptune with his trident riding the shell shaped carriage with two figures and drawn by sea horses, in a frame with red velvet.
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A red pottery portrait plaque
19th century, possibly Italian. A round portrait of a woman wearing a headscarf,
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A geborduurd alliantiewapen
Nederland, Catharina Rost en gedateerd 1693. Met de famliewapens van en Stamhorst vermoedelijk ter gelegenheid van het huwelijkvan Meijndert Rost and Elisabeth Stamhorst (d. 1755 Den Haag) in 1693, bekroond met helm en haan. In originele 17e eeuwse lijst met etiket: "In bruikleen van Jhr. A.M.Th. van Suchtelen van de Haare, 8 januari, 1934".
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Een geborduurd alliantiewapen
Nederland, Catharina Rost en gedateerd 1686. Met de familiewapens Luyken en Moutschop vanwege het huwelijk van Daniel Luyken (Amsterdam 1659-1741 Den Haag) and Geertruyd Moutschop (Alkmaar 1661-??) in1686, bekroond met helm en lam. In originele 17e eeuwse lijst met etiket: "In bruikleen van Jhr. A.M.Th. van Suchtelen van de Haare, 8 januari, 1934".
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A Russian polychrome wax figurine
18th century. A standing lady, wearing a light blue dress with a white lace collar and skirt and a cap on the head, the hands in prayer and a chain with a cross around the waist.
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Een paar Russische zijde kinderschoentjes
18e eeuw. Met borduurwerk van bloemen op een lichtblauwe ondergrond en met een kleine hakje en lederen zolen.
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A mahogany winecooler
19th century, Dutch. The rectangular lid with a flame-shaped finial and profiled edges above a tapering bucket and four carved feet, the interior with a pewter bucket.
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An Empire mahogany barometer
First half 19th century, France. A mahogany casing with firegilt ornaments and signed: Gautrau a Rochefort, 1831.
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Attributed to: Jean Penicaud II
Second half 17th century, France. A Limoges enamelled plaque depicting the crucifixion of Christ.
Jesus was crucified in the year 33 AD on Golgotha, the ‘place of the skull,’ near Jerusalem. The three women close to Jesus are depicted in this scene: his mother Mary, her half-sister Mary of Cleophas and Mary Magdalene.
The stars in the upper part of the panel suggest that the moment of his death is here depicted. At the moment that Jesus died in the night, the curtain of the Temple in Jerusalem tore in two and the earth shook. After his death Jesus was called ‘Christ’ (the anointed one, the Redeemer), because he took on all of the sins of mankind.
The crucifixion became an iconic image of Christianity. From the 13th century on, the emphasis in crucifixion scenes came to lie on Christ’s suffering. They include narrative details, such as the crucified thieves to either side of him and the soldier who pierced him with a lance (depicted on the left of this panel).
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Four brass tobacco boxes
18th century. A small oblong box with a portrait of "Fridericus Magnus Borussorum Rex", on the bottom monogram FR and "Heros Seculi Defensor Germaniae Protector Patriae et Religionis, Hamer fecit", an oblong box with a perpetual calendar and portraits of bishops, a farmer and text: "Regt door Zee", an oblong box in yellow and red brass decorated with bands of foliage and an oval box decorated with saints on an arch and a text. (4)
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Two snuff boxes
First half 19th century. An oval enamel box decorated with mythological scenes and a grotesque band with putti, the interior with landscapes with ruins, the other one a tortoise shell rectangular box with a gold flower wreath and monogram SH. (2)
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A brass pocket sundial
Late 17th century, Guibout, Paris. An oblong hexagonal model with a circular compass and foldable indicator, the back side with the names of several European cities and their correction numbers.
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A polychrome carved wooden Madonna and child
18th century, possibly French. Standing on three cherubs, dressed in a robe and long coat and carrying the child in her left arm, on an octagonal base.
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A pair of Spanish candlestick holders
17th century, Spain. A turned brass stem and on a square base with claw feet.
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A pair of tall candlestick holders
18th century. A candlestick holder with a baluster shaped stem on a triangular shaped base with a scalloped skirt and resting on three feet. With some restorations.
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A pair of miniature renaissance candlestick holders
16th century, the Netherlands. With a rimmed nozzle and a rimmed bell shaped drip pan base, one marked: S.J. No. 12. (S.J. probably stands for Society Jesu). Provenance: Coll. Lommen, Maastricht, 1974.
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1 - 48 van 259 resultaten