18th century, Netherlands Including a manganese plate with a crufixion scene, two floral bowls, a flower basket charger and three smaller plates and three other plates with a floral pattern.

Ca. 1825-30, Netherlands The tableau comprised of 20 pottery tiles shows a battle scene and is titled in Dutch 'Het sneuvelen van den Hertog van Brunswijk Oets by Waterloo op den 15 July van Jaar Ao. 1815', which shows Frederick William, Duke of Brunswick-Wolfenbüttel being killed during the battle of Quatre-Bras on July 15th 1815, two days in advance of the decisive the battle of Waterloo. After a contemporary Nuremberg engraving by Friedrich Campe (1777-1846). Wilhelm Joliet and Jan Pluis attribute this tableau to Hendrik Willem Suijver (Amsterdam) ca. 1825.

17th century, Netherlands Sixteen pottery tiles, including pomegranate and grape patterns, birds (including a crowned swan) and florals. The tiles mounted onto a wood back.

17/18th century, Netherlands Five groups of Delft pottery tiles (20 in total), including fruits, florals figures and whimsical designs.

17/18th century, Netherlands Twenty pottery tiles in total. Including four Haarlem tiles, four shepherd tiles, two groups of manganese tiles and a field of four blue and white 'postzegeltegels'.

18th century, Netherlands Six tiles making up a scene of a yellow canary in a manganese bird cage with a blue drinking cup. Mounted on a wood base.

Last quarter 18th century, Netherlands/Belgium The larger plate with a puce centre Watteau style scene of two musicians and a polychrome and gilt garland border. The middle size plate with a cobalt and gilt border and a cockerel and chicken centre. The smaller plate in blue underglaze. All three plates were made at the Doornik factory (Tournai, Belgium), the two larger plates were decorated in The Hague, Netherlands.

Early 1700's, Netherlands A teapot with two flattened sides with relief roundels. The Chinoiserie dragon pattern ignoring this and fully covering the surface of the pot. Not marked.

Late Period, 26th to 31st dynasty, ca. 664 – 332 BC Wood mask with remains of original white stucco and some yellow paint. Black painted eyes and brows. Mask comes with its custom made metal stand.

Ca. 550 – 450 BC, northern Apulia, Italy A ‘kyathos’ with shallow bowl and looped handle surmounted by a stylised animal head with applied disc eyes, painted with umber and red geometric designs. The ‘kyathos’ is thought to have been used as a ladle for dipping diluted wine from a larger wine mixing bowl.

4th – 2nd century BC, possibly from Cyprus A finely potted child’s toy in the shape of a hollow pig, with a small pebble sealed within. He has applied pointed ears, manes and a curly tail, and stands on four conical applied feet. Small venthole in the back.

4th century BC The front showing a griffin walking to left between two vertical bands of chevrons. Palmette below the vertical double handle with on either side a vertical volute-and-palmette motif. Below the wide, protruding lip is a frieze with egg-and-dot pattern. The top of the lip is decorated with a continuous wave pattern.

Late 4th-3rd century BC Bowl of fine black-gloss, thin-walled pottery, with vertical rim, a shallow basin and an omphalos (navel) at its centre, surrounded by eight small impressed plant motifs and a band of impressed tiny rays. Bowl rests on a low ring foot.

Ca 1000 – 600 BC, Western Iran A Luristan bronze amuletic stamp seal in the shape of a zebu bull standing on an integral rectangular plinth with curved edges. The plinth has a “X”-pattern on the bottom. Suspension hole pierced laterally from shoulder to shoulder under tall hump.

17th century The winged head with painted eyes.

17th century Shown in a standing position, holding an oar in his right hand, with possibly a helmet in front of him, mounted on a wooden base.

20th century, incorporating older parts The high moulded back decorated with geometric panels, the plank seat flanked by two scrolling armrests above panelled sides.

17th century and later Each with rectangular splat decorated with geometric pattern and flowers, above a plank seat, on turned baluster legs.

First half 19th century The case with pierced tail and rectangular hood, surmounted by three brass sphere finials, the polychrome painted dial with Roman numerals and alarm disc, with going and striking train and functioning alarm mechanism, with short pendulum to the back of the movement.

20th century The shaped mirror plate within a moulded frame carved with C-scrolls, foliage and scallop shells.

Ca. 1795-1800 The clockwork suspended between two black columns and surmounted by a Chinoiserie figure, the enamel dial with Arabic numerals, the French mechanism with countwheel, striking once on the half hour and the whole hour in full, with cord suspended pendulum.

Mid-19th century Executed in Renaissance style, each surmounted by a drip pan decorated with putti and satyr, above an acanthus-cast baluster stem, the tripod base with terminal satyr figures ending in scrolling feet.

Ca. 1800 The rectangular plates within a moulded frame carved with masks and scrolling flowers, and surmounted by a cornucopia.

Early 19th century The rectangular extending top with rounded corners, above twelve turned baluster legs, on castors, with two extra leaves.

By Spencer and Perkins, London, late 18th century The mahogany case decorated with brass acorn finials and gilded spandrels, the domed top with a swing handle, the silvered dial with Roman numerals, indicating the date and strike-non strike mechanism, with a finely engraved back plate, the original mechanism with two fusees for the striking and going train, a verge escapement and a fixed pendulum, the bell lacking.

Ca. 1900, of Louis XVI style The case decorated with a female figure and two putti, on a stepped base, the enamel dial with Arabic numerals, with French repetition mechanism, striking once on the half hour and the whole hour in full, with spring suspended pendulum.

Late 18th century The moulded, dentilled, and broken-arched cornice centred by a vase, above a tambour shutter enclosing two shelves, above a pair of frieze drawers and a further pair of doors.