16th/17th century and possibly earlier, Germany Including four drinking vessels and several grey stoneware jugs and a yellow stoneware vessel with two handles on the neck.

16th century (the jug), Germany The brown baluster shaped jug with three handles (tyg) and decorated with small impressed flower medaillons and geometrical motifs along the body. The bowl with two handles and inscription around the body.

1596, Raeren The baluster shaped jug with eight scenes of a 'peasant dance' around the body and inscription with date (1596).

17th century, probably Aachen or Frechen The large brown stoneware jug with mounted pewter lid, decorated along the body with three coat of arms within medaillons.

18th century, Westerwald The globular jugs with incised and relief foliate decoration in manganese and cobalt blue. One jug with mounted pewter lid.

1618, Westerwald The baluster shaped jug with mounted pewter lid with scallop-shell thumbpiece, decorated with seven different scenes around the body and finished with cobalt blue coloured paint. Dated 'Anno 1618' around one of the columns.

17/18th century, Netherlands An unusual bulbous globular form with a long narrow neck and flaring top rim. Probably Dutch (Delft).

17/18th century, Netherlands (probably) A 'Jan Steenkan' lidded jug, with a cruet set in holder and pewter mounted pottery lids. And a slender pitcher, also with a pewter mounted pottery lid.

18th century, Delft Turban style tin glaze pottery and probably Dutch (Delft).

17/18th century, Netherlands A Dutch white tin glazed pitcher mounted with a pewter lid. The jug with a loop handle and narrow neck.

18th century, Netherlands/France A cuspisor with fluted ribs, a square ink pot with loose insert (no cover), two candle holders and a sugar castor.

18th century, Netherlands and France The pomander (potpourri jar) with screw lid and pierced globular body (probably French). The fire basket is Dutch.

17/18th century, Netherlands One rectangular straight sided vase, reminiscent of a so called flower brick, possibly missing an insert. With a pear shaped vase with flattened sides and a slightly flaring vase also with flattened sides.

17/18th century, Netherlands A pair of small vases with flattened panel sides.

18th century, Netherlands and France Six small shallow strainers, including one in the form of a fish and one as a bird. Also a small clover shaped pudding mold and a tab handled star dish.

18th century, Netherlands and France Two colanders with open tab handles and three pierced strainers, two of which with straight sides (these are probably French, the others Dutch).

18th century, probably France The smallest with a pewter mounted lid. The larger two with no cover.

17-19th century, Netherlands/France A group of white faience tin glazed miniature (doll's house) pitchers, some with a pewter lid. And one small footed cup ('vuurtest' or candle cup).

17-19th century, Netherlands/France A small campagna style vase on square foot. Two chamber pots (possibly Dutch), a peculiar shell shaped dish with attached cup holder ('trembleuse') and an albarello jar.

18/19th century, probably France/Italy The small covered dish with three compartments on the inside and a fruit finial on the lid. The teapot with a similar finial. The square baroque salt cellar is possibly Italian, the smaller round salt cellar could be Dutch or French.

17-19th century, Netherlands/France A groupd of seven storage jars. One jar carries the text 'Rapee' in blue lettering. The jar with two handles is probably French, the others Dutch.

18/19th century, Netherlands/France One blue and white plate, dates 1722 and showing the coat of arms for the 'Van Leeuwen' family. Together with a large Delft white plate (Dutch or French) and a polychrome plate.

18th century, France/Italy A reticulated footed dish (tazza), possibly Italian. Together with a lobed majolica dish decorated with a leaping hare, probably Nevers (French).

18/19th century, France A pair of polychrome tin glazed 'Bouquetière pique-fleurs'.

Probably 18th century, Spain An interesting large ewer, made up of a large shell shaped body with two fish formed as a handle on the top and a small dragon mask pouring spout.

18th century, Germany/Italy Possibly Ansbach or Milan. The guanyin figures made of white tin glazed faience, in blanc-de-chine style, and then painted over glaze ('cold painted') in polychrome enamels. The inside is also glazed.

17th century, Netherlands Seven tiles with birds (some possibly after prints by Adriaen Collaert) including a kingfisher, an owl, a heron and one with a dragonfly. Most with traditional 'ox-head' corner ornaments, and the owl tile with the French 'fleur-de-lis' ornaments.

18th century, Netherlands Of a rectangular form with the original lid. Marked on the base 'D-7' and decorated with a constrained formal pattern with floral elements.

18th century, Netherlands Of a cylindrical form with conical top and a silver replacement lid. Marked on the base 'Puyk van Tee' and decorated with an exotic scene (on two sides).

18th century, ca. 1760-70, Netherlands A polychrome model of a man on a horse. Not marked.

18th century, Netherlands The cows decorated over glaze in the so called 'petit feu' technique with gilded highlights ('doré'). Not marked.

18th century, Netherlands The glass engraved with the coat of arms for the seven Dutch united provinces. The stem with three nodes and a long air bubble and several controlled air bubbles in the base of the bowl.

18th century, Germany The tureen and platter with Watteau style scenes and with gilded and foral relief decoration, also with scattered bugs and insects. The inside and underside of the tureen decorated in 'faux marbre' (marble pattern). The lid with a figural cupid holding a horn of plenty spilling fruits and flowers. The platter is marked with the Meissen crossed swords with a star underneath. Restoration.

19th to early 20th century, Russia Made at the Imperial Porcelain Factory, Saint Petersburg; A bowl with gilded bands and a portrait in relief biscuit porcelain, showing Tsarina Alexandra Feodorovna, wife of Tsar Nicholas II, and dated in the backstamp 1916. The backstamp with two etched lines which indicate that this piece was a factory second. Together with two lidded ewers, the backstamps removed (also factory seconds) and an earlier plate in Sevres style with a cobalt gilt background and four vignettes with florals, this is a factory first plate and marked with the blue underglaze stamp of the Imperial Porcelain Factory with the monogram of Nicholas I under the imperial crown.

18/19th century, England Includes several pieces marked Wedgwood and some with 'weeping widow' (or sybil) finials.

18/19th century, England Includes several pieces marked Wedgwood and some with 'weeping widow' (or sybil) finials.